I Remember Nothing(2017)

The Hero's Journey to the Third Pole(is)

Part road movie, part musical, part serious inquiry into the caverns of the mind. Þriðji pólinn follows Anna Tara Edwards, an Icelander raised in Nepal, and legendary musician Högni Egilsson, as they journey to Anna’s childhood home in the mountain jungles to explore the afflictions and superpowers that come with bipolar disorder.

Head First(fr)

Director Mathieu Arsenault and two other sufferers of bipolar disorder tell the story of their journey into mental illness and back, while the partners and family members who helped them through it tell the story as they experienced it.

The Scars(eu)

The personal stories lived by the Uncle, the Father and the Son, respectively, form a tragic experience that is drawn along a line in time. This line is comparable to a crease in the pages of the family album, but also to a crack in the walls of the paternal house. It resembles the open wound created when drilling into a mountain, but also a scar in the collective imaginary of a society, where the idea of salvation finds its tragic destiny in the political struggle. What is at the end of that line? Will old war songs be enough to circumvent that destiny?

Memória de uma Criança Afogada(pt)

Dysphonias(es)

After a premonition of an unusual bird, a father loses his voice. His daughter undertakes a search to rediscover him, through an intimate narrative that explores the past, the new facets and the silences of a man who is no longer the same.

Ergui as Mãos aos Céus e Não Havia Mais Luz(pt)

Do Útero Ao Túmulo(pt)

India In a Day(en)

Directed by Richie Mehta, executive produced by Ridley Scott and powered by Google, India in a Day is a new form of non-fiction filmmaking that uses footage shot by millions of people in India on one single day to assemble a lyrical portrait of modern India.

On Memory(en)

Musing on the nature of memory, Don Hertzfeldt recounts stories about a kiss from The King, a floating child in a backyard and a giant foot.

The Wild Blue Yonder(en)

An alien narrates the story of his dying planet, his and his people's visitations to Earth and Earth's self-made demise, while human astronauts in space are attempting to find an alternate planet for surviving humans to live on.

Rough Cut(en)

Rough Cut, the debut feature from London-based artist Jamie Shovlin, explores the re-making of an exploitation film that never was. At its dark heart is Hiker Meat, an archetypal 1970s slasher movie imagined by Shovlin, complete with hitchhiking heroine, charismatic commune leader and a group of teens who disappear one by one. This tantalising film-within-a-film serves to both deconstruct and pay affectionate homage to the often-maligned exploitation style. Having created a full screenplay, score and cut-and-paste prototype for Hiker Meat, Shovlin filmed key sections and a full trailer in an intense shoot in the Lake District in summer 2013. Rough Cut contrasts these re-made sequences with on-set footage and insights into the development of Hiker Meat’s script, soundtrack and design, to create a compelling mash-up of self-referencing processes, behind-the-scenes viewpoints and time-honoured slasher tropes.

Mind Games - The Experiment(en)

Can exercise sharpen the brightest minds? In this ground-breaking experiment, four world-class gamers, competing in eSports, Chess, Mahjong and Memory Games, put this to the test.

Tan só o demo lembra(es)

FTW(en)

A dystopian southern sludge that transgresses even the gothic sensibilities that exist just below the surface of the social fabric of the deep Louisiana culture visible here. Following the sudden death of their friend Shep, Kristopher and Ryan quickly grow less attached to reality. As they wander the southern landscape of Louisiana, they descend into a state devoid of hope and order; a place where life and death are one and the same; a land where we are all doomed. The aesthetic artifacts of the video tapes and the vernacular wanderings caught on them present a rip-it-up-and-start-again style montage of life caught in the vise of western culture at the dead end of of the first world.

The Road Movie(ru)

Anything can happen on Russian roads and is precisely shot by the dashboard camera. Super-objective video registration grows into the strong image of Russian national character – with its permanent awaiting for the miracle and habitual approach to real dramas. A forest on fire as a symbol of Russian hell, a military tank at a car wash and car chase in the vicinity of Kremlin shot with a dashboard cam at the same time when Boris Nemtsov, the leader of political opposition, was shot dead near Kremlin. Dashboard cam depicts life in it’s purity as an unbiased observer.

Ain't No Time For Women(fr)

The hairdressing salon “Saïda” is a space where people speak openly, laugh and argue. The subject rarely is hair. In the run-up to the presidential elections in Tunisia the shop turns into a political arena where the women – young or old, conservative or with a modern outlook – indulge in discussions about the pros and cons of the candidates. Their clever and witty statements reflect a young democracy with all its rifts and fault lines.

In Ictu Oculi(eu)

The six-decade transformation of a block of houses, shown by means of artfully featured archival shots, highlights the beauty and sadness of human-made decay. In the blink of an eye 66 years pass by and a savings bank replaces a church.

Las llaves de la memoria(es)

Nueva York. Quinta Planta(es)

The Blackwell Ghost 5(en)

In this 5th installment of "The Blackwell Ghost" series, the ghost hunting filmmaker returns to the "Lightfoot House" where he hopes to solve a newly discovered puzzle which may lead to the location of more undiscovered victims.