Filmed back-to-back with three other Sunset Carson vehicles in 1947, this Yucca Pictures Western starred the former Republic cowboy as a Texas Ranger chasing a gang of rustlers into the notorious outlaw territory of Three Corners. Attempting to sabotage the proposed annexation of the territory, desperado Bart Dawson (Stephen Keyes) and his men ambush Sunset and his young trainee Jed (Al Terry). The villains, who have been terrorizing pretty trading post operator Helen Bennett (Patricia Starling), are eventually defeated by the rangers in a violent gun battle and the planned annexation takes place on schedule. For all intents and purposes, the handsome but wooden Sunset Carson ended his screen career with this series of extremely low-budget Westerns, originally filmed in 16mm and released by that dumping ground of Poverty Row flotsam, Astor Pictures.
Jed Thomas
Helen Bennett (as Patricia Starling)
Rita Bennett
Tim Bennett
Aunt Therese (as Felese Richmond)
Kelly
Bart Dawson
Shorty
Captain J. C. McCloud (as Forrest Mathews)
Filmed back-to-back with three other Sunset Carson vehicles in 1947, this Yucca Pictures Western starred the former Republic cowboy as a Texas Ranger chasing a gang of rustlers into the notorious outlaw territory of Three Corners. Attempting to sabotage the proposed annexation of the territory, desperado Bart Dawson (Stephen Keyes) and his men ambush Sunset and his young trainee Jed (Al Terry). The villains, who have been terrorizing pretty trading post operator Helen Bennett (Patricia Starling), are eventually defeated by the rangers in a violent gun battle and the planned annexation takes place on schedule. For all intents and purposes, the handsome but wooden Sunset Carson ended his screen career with this series of extremely low-budget Westerns, originally filmed in 16mm and released by that dumping ground of Poverty Row flotsam, Astor Pictures.
1948-02-20
0
BLAZING SIX- GUNS SEEK REVENGE!
A notorious Mexican bandit goes all soft and mushy when he falls for a beautiful senorita. Warner Bros.' Captain Thunder contains some of the darndest Mexican accents you've ever heard in your life. The star is Hungarian-born Victor Varconi, portraying a legendary south of the border outlaw who tries to force Canadian senorita Fay Wray to marry a rival rustler whom she despises. She pleads with the bandito so pathetically that he is moved to grant her a single wish. Without hesitation she chooses her poor but true love. The bandit king, being a somewhat honorable fellow grants the wish and without a twitch, guns down the wicked cattle thief. Fortunately the film was played for comedy, a wise decision since it probably would have garnered laughs as a straight drama anyway.
Bob Allen in his starring debut gets a job on Wright's ranch where he hopes to find the rustlers no one else has been able to locate. Everyone is looking for men when the actual rustler is a horse.
Fanning has his men rustle horses and then blame it on a wild horse named Wildfire. Happy and Alkali arrive and immediately get into trouble with Fanning and his men. When Alkali is shot, Happy catches the outlaws but the Judge not only releases them, he discharges the Sheriff and tries to arrest Happy for rustling. Happy escapes and he and the Sheriff then set out to prove who the real rustlers are.
Red Ryder returns to Sioux City, Wyoming, at the close of the Spanish-American War, settling down at the ranch of his aunt, The Duchess, with his pals Little Beaver and "Blizzard". But Red soon discovers that the country is over-run by rustlers.
Johnny Mack Brown stars in the formula oater Shadows on the Range. The film was made at a time when Monogram was experimenting with the notion of passing Brown off as a singing cowboy. While his voice is dubbed, he's definitely handling all the action sequences himself, and that's what the fans really wanted.
A young railroad surveyor returns to his hometown to find the man who murdered his father and brother.
Scully has forced Joe Collins who works on the Garcia ranch to give him information so his men can steal the family jewels. But the Rough Riders are on the job. Buck poses as a wanted outlaw to get into the gang, Tim as a cattle buyer, and Sandy is collecting information as the saloon janitor. As usual they pretend not to know each other. Written by Maurice Van Auken
Bill Tracy is a Cattleman's Protective Association agent. Working undercover on his way to Sonora, a town dominated by rustlers, saves Betty Carter from a situation, but her rancher father, believing Blackie's suggestion that Bill is a rustler, forbids her to see him. Bill and his pal Heinie Schmaltz rescue each other from rustlers' various plots and ambushes and eventually discover that Blackie, Carter's foreman, is the leader of the rustlers.
Marshals Blackie and Joe, posing as two-gun men, hire on at Markham's ranch. They are after Tulliver and his gang of rustlers. But unknown to the two, Tulliver has planted Thorn on the ranch and he kills the foreman Riggs and puts the blame on Blackie.
Deputies Gene Autry and Frog go up against modern cattle rustlers. These rustlers use technology such as, airplanes, radios and refrigerated trucks to steal the cows, butcher them in the field and ship them out before getting caught. This causes the town to bring in a modern NYC detective to catch the crooks, but will Autry and Frog be permanently out of a job?
A cowboy captures two rustlers and collects a $5000 reward. Using the money to take a vacation, he winds up getting accused of a murder he didn't commit.
Red Ryder gets a telegram from his old friend Dan O'Connor asking for help in his fight against Faro Savage and his gang of rustlers. A gun dropped by Faro during a rustling raid makes Red and Sheila O'Connor, Dan's daughter, think they have ample proof against Faro but they are stymied by the law. Buckskin Blodgett and the Duchess, Red's aunt, find the body of O'Connor who was killed when Faro's men sent the sheriff out on a ruse. Sheila, discovered while rifling Faros office for evidence, escapes but not before she is recognized. Faro kills one of his own henchmen and then frames Sheila for the murder. Red and Little Beaver set out to clear Sheila and to try to find evidence against Faro and his gang. Written by Les Adams
Andy Fowler is made a member of a gang of rustlers after rescuing one of their number from a fire, but he finds his freedom threatened by the local sheriff, who is actually the gang's leader and wants Andy's girlfriend for his own.
A fisherman, a banker and an actress are involved in a love triangle in the middle of the ocean.
Ranger Bill Kennedy rescues Mildred from the clutches of wicked rancher 'Black' Muller.
Mockumentary experimental film, which shows one day in the life of a young man. The action takes place on the Day of Soviet Cosmonautics, April 12, one of the last years of the USSR. Outside the window, it is gradually getting warmer, the onset of spring is felt, promising hope for the possibility of changes in the country. The hero of the film is fond of space. The young man, who idolizes Gagarin, is engaged in reconstruction, making the uniform in which the cosmonaut walked in the prime of his glory. Our hero is also a film enthusiast. He makes films with stories of space flights and shows them to his friends. The film is stylized as amateur films of the 1980s and was shot on a 16-mm color film made by the company" Svema", made in the Soviet Union. The quality of this film allows the viewer to fully immerse themselves in the atmosphere of the time of the film, which is dedicated to Soviet cosmonautics and Edward D. Wood Jr.
Two young men and two girls on a moonlit night confess to each other in their strange fantasies and loves that go beyond the usual standards.. The impetus to making the film was the book of the same name by the Russian religious philosopher Vasily Rozanov, who died 100 years ago. His treatise was devoted to the study of sexuality and its denial in Christianity. The film was made in the style of experimental films of the 1920s with a non-linear narration full of strange surrealistic images. He is black and white and devoid of dialogue. Filmed on film 16 mm of firm "Svema", released in the USSR. This added to his exoticism. The image was put to the music of Alexander Scriabin “The Poem of Ecstasy” (1907).
Miguel, a debutant director, and his young team live a series of tribulations during the shootings of their first film, which unrolls between Lisbon, Venice, Paris and Madrid.
The story of three women, of very different epochs, whose lives are strangely parallel. The first story, during colonial times, has a man brutalizing both his wife and a female black servant. Parallel with this story is that of a modern couple who perpetuate the stereotyped role of the woman as subservient.