As a Palestinian refugee, Ahmad escaped from Lebanon to Germany 40 years ago. In a conservative and strict way, he raises his six children in Berlin Neukölln. His oldest son, the filmmaker, talks to his father, interviews his siblings and tries to understand how war, escape and exile affect a human being.
As a Palestinian refugee, Ahmad escaped from Lebanon to Germany 40 years ago. In a conservative and strict way, he raises his six children in Berlin Neukölln. His oldest son, the filmmaker, talks to his father, interviews his siblings and tries to understand how war, escape and exile affect a human being.
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The events that took place at the beach of El Tarajal in Ceuta (Spain) in February 2014 - the killing by the border police of 15 people who were trying to reach the Spanish coast - are an example of how the police force can violate the laws of its own country and international conventions with total impunity. The worst part is that this violation of human rights is protected by the Spanish Ministry of Interior itself, which hinders any effective action by the prosecution. For this reason, the civil society plays a fundamental role in revealing the facts. This is where the figure of collective complaints (DESC Observatory and the association Coordinadora de Barrios) steps in.
“Forgetting is complicit in recidivism,” says the commentary of this film dedicated to the demonstration of October 17, 1961 in Paris and the savage repression that followed. 11,538 Algerians will be arrested, which is reminiscent of the great Vel d’hiv roundup of July 16 and 17, 1942 where 12,884 Jews were arrested. The film brings together eyewitnesses including a priest, a peacekeeper, a couple of workers sympathetic to the Algerian cause, a lawyer, Paris municipal councilors including Claude Bourdet (then one of the leaders of the PSU and journalist to France Observateur), Gérard Monatte, the future police union leader, and the editor and writer François Maspero.
David Olusoga opens secret government files to show how the Windrush scandal and the ‘hostile environment’ for black British immigrants has been 70 years in the making.
The Fall of the I-Hotel brings to life the battle for housing in San Francisco. The brutal eviction of the International Hotel's tenants culminated a decade of spirited resistance to the razing of Manilatown. The Fall of the I-Hotel works on several levels. It not only documents the struggle to save the I-Hotel, but also gives an overview of Filipino American history.
Boiling Point (original title Kiehumispiste) describes the different reactions the Finnish people had to the large immigration amounts in 2015-2016.
The encounter with a growing, and mostly undocumented, brazilian community allows us to bear witness to its energy, its vivacity, and its diversity. This film attempts to work for a larger acceptance of foreigners in their land of exile.
Having grown up within the Cuban Revolution, in 1980, Juan Carlos Zaldívar was a 13-year-old "pioneer" jeering in the streets at the thousands of "Marielitos" leaving the island by boat for the United States. Within weeks, he was a Marielito himself, headed with the rest of his family for a new life in Miami. Now a U.S.-based filmmaker, Zaldívar recounts the strange twist of fate that took him across one of the world's most treacherous stretches of water in 90 Miles, a new documentary having its broadcast premiere on PBS's acclaimed P.O.V. series in the summer of 2003. As related by Zaldívar in the intensely personal and evocative 90 Miles, arrival in South Florida is only the beginning of the family's struggles to comprehend the full meaning of their passage into exile. What follows is an intimate and uneasy accounting of the historical forces that have split the Cuban national family in two, and which shape the passage of values from one generation to the next.
Narratives of Modern Genocide challenges the audience to experience first-person accounts of survivors of genocide. Sichan Siv and Gilbert Tuhabonye share how they escaped the killing fields of Cambodia, and the massacre of school children in Burundi. Mixing haunting animation, and expert context the film confronts our notion that the holocaust was the last genocide.
In 2001, Andrew Bagby, a medical resident, is murdered not long after breaking up with his girlfriend. Soon after, when she announces she's pregnant, one of Andrew's many close friends, Kurt Kuenne, begins this film, a gift to the child.
Chema is an expat architect from Spain who lives in Amsterdam. He has built up a new life there as a wind-up toy maker. He creates small pieces of art from recycle items.
Rosa is a Mexican woman who, at the age of 17, migrated illegally to Austin, Texas. Some years later, she was jailed under suspicion of murder and then taken to trial. This film demonstrates how the judicial process, the verdict, the separation from her family, and the helplessness of being imprisoned in a foreign country make Rosa’s story an example of the hard life of Mexican migrants in the United States.
The documentary follows the life of Farroukh, a young Tajik immigrant who lives in Moscow outskirts with his family and does odd jobs in dreams of becoming an actor.
Three children living in a displacement camp in northern Uganda compete in their country's national music and dance festival.
The only thing colder than a Canadian winter is Canadian bureaucracy (probably). Based on five real life stories, Romy Boutin St-Pierre and Joe Nadeau pay homage to the nation-wide stress headache of phone calls with the government in this surprising short.
In 1947, the Assisted Passage Scheme began, devised by the Australian government to bring in white British settlers. For just 10 pounds, they could start a new life in a sun-drenched land of opportunity, and over the next 25 years, more than a million people took up the offer. The scheme's pioneers tell their story.
An unusual friendship in an agitated political context.