"With characteristic wit and rigor, experimental filmmaker Larry Gottheim here applies his impressionistic editing style to footage collected during his travels in the Dominican Republic. Gottheim’s formal emphasis on repetition and fissures between sound and image resonates here as a mode of sociological reflection (with the fragmentary montage mirroring elements of ritual while also destabilizing the ethnographic gaze). A largely overlooked antecedent to the contemporary blending of avant-garde and ethnographic filmmaking, MACHETTE GILLETTE… MAMA still poses a potent challenge to documentary convention." - Max Goldberg
"With characteristic wit and rigor, experimental filmmaker Larry Gottheim here applies his impressionistic editing style to footage collected during his travels in the Dominican Republic. Gottheim’s formal emphasis on repetition and fissures between sound and image resonates here as a mode of sociological reflection (with the fragmentary montage mirroring elements of ritual while also destabilizing the ethnographic gaze). A largely overlooked antecedent to the contemporary blending of avant-garde and ethnographic filmmaking, MACHETTE GILLETTE… MAMA still poses a potent challenge to documentary convention." - Max Goldberg
1989-01-01
6
Hungarian refugees in Austrian camps after the failed revolution in Budapest.
Eva and her younger brother Johnny own two sentient octopuses made out of strange matter. Will their parents divorce and ruin Christmas? Will a scientist find a way to use their pets as fuel? Live action film with stop-motion octopuses.
In 1953, Jacqueline Auriol, a French pilot, is about to go down in history along with her jet aircraft.
A man has been in prison for sixteen years after killing of his wife. Now he seeks to create a new life, where he only finds warmth and fellowship with Turkish immigrants. He will also try to come to terms with the daughter who hates him. Denmark's submission for the Academy Award for Best Foreign Language Film in 1986.
A weary soldier in the distant future contemplates what he's made of his life—the path that he's chosen, the lives he's taken. But as he steps into battle ring one more time, he finds that his life is in for a drastic change.
Anand, a wealthy man, meets his dream girl, Janaki and they are happily engaged. However, Janaki's life turns tragic when Anand dies in an accident and she slips into amnesia.
Meet Brett, Brett's not the brightest when it comes to yard work but he knows it can be a good escape from the wife and that damned awful stepson. Follow along as Brett finds himself getting into some very troubling situations like a limb on a powerline or the classic potato wedged in the mower blades! Who knows what might happen to Brett? Starring Michael Simmons as Brett Directed and Shot by Justin Cottingham and Samael Horton Written by Samael Horton, Justin Cottingham, Madison Malcolm, and Michael Simmons Best and Only Grip Syd Pollock Original Score by Druidic (also Michael Simmons) Presented by Gosh Darn Video and
In the prosperous and chic apartment of the Christiansson family there are odd things going on. While Niclas is in the kitchen preparing dinner, in the bathroom an adultery is being committed through new technologies. Maja is exchanging kinky messages on her mobile phone from the bathtub while her husband and daughter are impatiently waiting for her to have a family dinner. Even when her phone is out of battery, she cannot bring herself to stop.
A sad satire about the Internet age. A Romanian echo of the famous story of the first high-profile case of online bullying. In 2005, a dog happened to make a pile in the Seoul subway. For some unknown reason, the owner of the dog refused to clean up the poop. The crime of the dog and the inexplicable inaction of the lady was recorded on camera and caused a huge online scandal.
A pair of robbers break into a house, expecting to snatch a quick buck. What they find is far less appetizing.
Animated short film from Stephan Muller. Disturbed by loud music of one of his neighbours Mr. Schwartz calls the police. But initially the officer can't ascertain anything... Then the film starts again from the view of every lessee and allows the spectator to see what really happened in every apartment:The history of a butterfly-effect...
A documentary about ninth grade, by a ninth grader. "Late into my freshman year, I realized... It's almost over. I spent the whole year waiting for it to end, and when it was, I just wanted to go back. I guess that's what this is about."
Scientists demonstrate the wonders of magnified objects.
SONG 5: A childbirth song (the Songs are a cycle of silent color 8mm films by the American experimental filmmaker Stan Brakhage produced from 1964 to 1969).
An overview of the art collection of Richard Winther.
"After two years of massive didacticism in black-and-white [Hapax Legomena (1971-72)], I am surprised by Tiger Balm, lyrical, in color, a celebration of generative humors and principles, in homage to the green of England, the light of my dooryard… and consecutive matters." - HF
An analysis of film’s persistent relationship to sexuality, mediated by allusions to early cinema’s flicker, and other aggressive qualities of the cinematic apparatus.
A silent succession of black-and-white photographs of the city of Montreal.
As retailers, wholesalers, and negotiators, Asante women of Ghana dominate the huge Kumasi Central Market amid the laughter, argument, colour and music. The crew of this `Disappearing World' film have jumped into the fray, explored, and tried to explain the complexities of the market and its traders. As the film was to be about women traders, an all female film crew was selected and the rapport between the two groups of women is remarkable. The relationship was no doubt all the stronger because the anthropologist acting as advisor to the crew, Charlotte Boaitey, is herself an Asante. The people open up for the interviewers telling them about their lives as traders, about differences between men and women, in their perception of their society and also about marriage.
We approach to invisible details for our eyes, figures disappearing as we move away from them, diluted in space. Parts that are integrated into the whole landscape. The remoteness as disappearance. The human figure betrays us here negligible small in the vastness of the territory, the voracity of the active vacuum that surrounds him. Images captured in the Atlas region in Morocco.
We approach to invisible details for our eyes, figures disappearing as we move away from them, diluted in space. Parts that are integrated into the whole landscape. The remoteness as disappearance. The human figure betrays us here negligible small in the vastness of the territory, the voracity of the active vacuum that surrounds him. Images captured in the Atlas region in Morocco.
Works with sound recordings of Dion McGregor, who became famous for talking in his sleep.
A day in the life of director Boris Lehman: he wanders from cafe to bookshop, cinema to museum, writer to musician, and into the storeroom of the film archive... He celebrates his birthday in an alleyway, with a friend, and finishes his journey with an escapade to Bruges and a stroll by the North Sea. The camera plays dirty tricks and the sound recorder gets carried away, to the point that both are clearly telling Boris to stop filming. Yet he persists…
A short film about the meeting of a Trappist monk and a Zen Buddhist master.
Benjamina Miyar Díaz (1888-1961) led an unusual life in her house on calle del Agua in Corao, Asturias, at the foot of the Picos de Europa mountain range in northern Spain: she was a photographer and watchmaker for more than forty years, but she also fought in her own humble and heroic way against General Franco's dictatorship.
Two halves split by the perseverance of a scorpion. Come on, feet.
An eight-hour contemplative epic, entirely starring sheep.
On the island of Tanna, a part of Vanuatu, an archipelago in Melanesia, strange rites are enacted and time passes slowly while the inhabitants await the return of the mysterious John.
This documentary aims to register this unknown side of James Joyce: His Greek Notebooks. Trieste. Bloomsday, 2013. Dance in slow motion, accompanied by text. By deconstructing the body, we turn it into a memory: of the body, of life, of texts. The biographical references to Joyce and Mando Aravantinou, combined with the diagonal slicing of the image, cancel the realism of the landscape, including that of the Narrator’s space/study. As a culmination, Joyce’s letter “A request for a loan in Greek” functions as a timely denunciation. Various routes through cities, such as Trieste, London, New York, and Athens; languages such as Greek and English. In addition to the primal myth of Ulysses, there is another issue: Greek is “the language of the subject of Ulysses”
Jean-Claude Rousseau's Jeune femme à sa fenêtre lisant une lettre is not only his first medium-length film, but a chance to discover this filmmaker whom Jean-Marie Straub has called, along with Frans Van de Staak and Peter Nestler, the greatest working in Europe. With this newly restored print there is also a possibility to discover the relationship between Rousseau's art of filming and Jan Vermeer's famous painting. As Prosper Hillairet wrote in 1988, four years after Rousseau had finished Jeune femme ... (for the first time as we know today): «Without adopting the usual systematic spirit and form of cinéma structurel, Rousseau presents us with simple images and leaves it at that. Keeps the image in hand. A minimalist and ascetic expression of cinema: a shot that lasts.»
Drawing on VHS tapes of a programme hosted by her mother on Bulgaria’s national television, the filmmaker gives a pop-style and in-depth chronicle of the gentle – even “over-gentle” – 1989 revolution.