Pierre Bonnard : les couleurs de l'intime(2015)

Dead People(en)

Filmed in 1974 and edited and released in 1983 (and then rereleased by its director in 2005), DEAD PEOPLE purports to document the final years of Frank Butler, a local fixture in the depressed burg of Ellicot City with a particular fondness for drink and tales of the dead. Over hazy 16mm footage two decades later, Deutsch adopted a painfully unsentimental view of his early approach, colored as it was by notions of ethnographic film and an undercurrent of fetishism for a man he considered somehow more "alive" than himself. While it chafes against notions of authenticity in documentary and incisively hints at the complicity of the subject in inventing his own history, DEAD PEOPLE simultaneously oozes nostalgia, transcending its own judgment as a gauzy memorial for the man Deutsch once called a friend.

I Am Here(en)

It's a story about post-90 generation in China and how they chasing their dreams through a talent show. The summer of 2013 saw a group of young boys enter a Chinese TV talent show called Super Boy, hoping to be catapulted to fame. The film documents how the young boys coped with their new challenging lives. While under unthinkable pressure, they proved themselves by trying to make the right choices during live shows. Talent shows create a new type of entertainer, but can they still keep their true selves? Can they adjust themselves and balance the ups and downs? What have the ten years of Chinese talent shows given us? What is urging us to grow up?

Future Shock! The Story of 2000AD(en)

A long overdue documentary that tells the story of 2000AD, the unsung cult hero of the comics industry. This film will celebrate and pay respect to the comic and explore its importance and influence on contemporary pop culture.

Herr och Fru Konst(sv)

"Mr and Mrs Art" - Getting attention is like being struck by the light of the sun, says artist Karin "Mamma" Anderson. If you are lucky you are hit by its rays for a short while during a lifetime, but the light is transient. Artists Karin "Mamma" Andersson and Jockum Nordström bathing in the light of fame. Few other artist couples in Sweden can compete with them in terms of attention and success. They exhibit at all the major galleries and fairs around the world, win prizes and are constantly in demand. Filmmaker Bengt Bok has followed the couple from studio to venue and talked about the conditions of creation and the sweetness and the taste of blood in fame and being famous.

Postmodernism: The Substance of Style(en)

This film features some of the most important living Postmodern practitioners, Charles Jencks, Robert A M Stern and Sir Terry Farrell among them, and asks them how and why Postmodernism came about, and what it means to be Postmodern. This film was originally made for the V&A exhibition 'Postmodernism: Style and Subversion 1970 - 1990'.

This Island(en)

How the art in the Detroit Institute of Art connects to life's experiences and the neighborhood.

American Cheerleader(en)

Follows the journey of two high school teams vying for the coveted UCA National High School Cheerleading Championship title.

Desarmados(pt)

The Body as Matrix: Matthew Barney's Cremaster Cycle(en)

With the five-part Cremaster Cycle of films, multi-award-winning artist Matthew Barney invented a densely layered and interconnected sculptural world that surreally combines sports, biology, sexuality, history, and mythology as it organically evolves. In this program, Barney, Guggenheim curator Nancy Spector, and others deconstruct the Cycle’s filming and subsequent translation into sculptural installations. The locations, characters, and symbols that organize the Cycle films; the Cycle installations as spatial content carriers and extensions of the performances; and objectification of the body and undifferentiated sexuality are addressed, as are the intricacies of costuming, makeup, and sculpting with Barney’s signature materials: plastic, metal, and Vaseline.

Why Horror?(en)

Horror fan Tal Zimerman examines the psychology of horror around the world to find out why people love to be scared.

Videosyncracy(en)

As the dissociated convenience of the Internet and globalized corporate culture continue to shut down brick-and-mortar video stores, what will happen to the longstanding, local hangouts with their rugged individuals known as clerks and the communities who love them? Videosyncracy follows three very different video rental stores as they negotiate their survival in three distinct Los Angeles neighborhoods: Old Bank DVD in the Downtown arts district, Vidiots in sunny seaside Santa Monica, and Eddie Brandt’s Saturday Matinee in bustling North Hollywood. Their stories chronicle not only the birth and twilight of a particular kind of corner store, but also decades of personal lives intertwined with those of their communities, the new challenges and facilities of a rapidly changing world, and an enduring love of the movies, a slice of Americana on the brink of disappearance yet defiant to the end.

Crumb(en)

This movie chronicles the life and times of R. Crumb. Robert Crumb is the cartoonist/artist who drew Keep On Truckin', Fritz the Cat, and played a major pioneering role in the genesis of underground comix. Through interviews with his mother, two brothers, wife, ex-wife and ex-girlfriends, as well as selections from his vast quantity of graphic art, we are treated to a darkly comic ride through one man's subconscious mind.

Once I Dreamt Of Life(fi)

Every day in Finland alone, two people commit suicide. Thousands of people are affected by suicide yearly. Once I Dreamt of Life is a feature length documentary film about suicide. It’s an account about one’s personal relation to suicide, but also studies suicide as social phenomena: The motives, warning signs & consequences. The film follows the journey of a young man, an animated character based on a real person, on his path towards suicide. The journey is described by people who’ve had encounters with suicide – parents who lost their child, young adults who considered or even tried committing suicide. When linked together, these experiences offer a collage of our perception of suicide. They tell about how people cope with the past and find a reason to go on with their lives. The intention is not to romanticize suicide or judge. It encourages people to talk about painful and difficult experiences and reminds us how important it is to be heard.

Mondongo II: Portrait of Mondongo(es)

“This is a film about the end of a friendship. It wasn’t meant to be. Fifteen years ago, they painted my portrait.” (Mariano Llinás)

On Rubik's Road(lv)

Rubiks’ Road is a bicycle path built in the 1980s and named after Alfreds Rubiks, leader of the Latvian Communist party at the time. One of the most ferocious opposers to Latvia’s independence in the early 1990s and later elected to the European Parliament.

Peasant Painter(es)

Cleto Rojas, a peasant painter in Venezuela, discusses his artwork. From movies and Roman mythology to his own dreams and scenes of rural life, Rojas takes inspiration from all sources and transforms the world around him into fantastic visions. He teaches village children his technique of using house-paint on canvas, as his wife goes about her own housework, singing slowly. The painter is bemused by the attention of anthropologists and art critics, and he talks about the pitfalls of attention. He remembers traveling to Caracas as a young man to meet famous painters and being disappointed in them. His ambitions are more focused on the content of his work - Rojas wishes he could envision and paint one of Venezuela's heroes, Simon Boilvar, as he really was, as no accurate representations exist now. Without looking for fame, he continues painting all kinds of images as he sees them.

Steppin' Out(en)

Short documentary film on the fashionable nightclubs and the trendy pop culture scenes that were famous in London on the late 70's. Released as a support feature to the first Alien (1979) movie.

Meet You at the Hippos(en)

Actor Mark Bonnar is on a mission to understand more about the Scottish new towns in which he grew up, exploring the street sculpture made by artists such as his dad in the 60s, 70s and 80s. He discovers why the new towns are there and how they enticed people out of the bigger cities, and uncovers the surprising ways in which public art changed the new towns and the new towns changed public art. Mark's father, Stan, made sculptures that stand to this day on the streets of Glenrothes, East Kilbride and the Scottish new town that never was, Stonehouse. These new towns employed town artists to make artworks in the very housing precincts the new residents were moving into.

J.G. Ballard: The Future Is Now(sv)

The Future Is Now was produced for Swedish television and has Ballard as the only protagonist and his house as the main decoration.

The Great Ice-Cream Robbery(en)

Two screens of film about - and sometimes shot by - Claes Oldenburg, detailing his inspiration, his methods and his relationship with his partner Hannah Wilke.