This is a 1991 documentary film about the legendary artist and filmmaker, Joseph Cornell, who made those magnificent and strange collage boxes. He was also one of our great experimental filmmakers and once apparently made Salvador Dali extremely jealous at a screening of his masterpiece, Rose Hobart. In this film we get to hear people like Susan Sontag, Stan Brakhage, and Tony Curtis talk about their friendships with the artist. It turns out that Curtis was quite a collector and he seemed to have a very deep understanding of what Cornell was doing in his work.
This is a 1991 documentary film about the legendary artist and filmmaker, Joseph Cornell, who made those magnificent and strange collage boxes. He was also one of our great experimental filmmakers and once apparently made Salvador Dali extremely jealous at a screening of his masterpiece, Rose Hobart. In this film we get to hear people like Susan Sontag, Stan Brakhage, and Tony Curtis talk about their friendships with the artist. It turns out that Curtis was quite a collector and he seemed to have a very deep understanding of what Cornell was doing in his work.
1991-11-29
0
Moazzam Begg has experienced a generation of conflict. The Confession captures the entirety of Begg’s story, from his forced confession and testimony as a free man, to his experience as a British Muslim and living the War on Terror Commissioned by BBC Storyville and the BFI, The Confession is a gripping account of the rise of modern jihad, its descent into terror and the disastrous reaction of the West. The Confession is now available to watch on iTunes.
Just what will motoring be like in a post apocalyptic world that's been blown to bits by nuclear bombs or a massive comet? It's a burning question that's on literally nobody's mind, and we give you all the answers in this brand new, incredibly cheerful Top Gear DVD. Embarking on a terrifying journey into the future, we show you how to drive to work in the perpetual darkness of a Nuclear Winter, how to make motor sport exciting when there's only two racing drivers left alive, and, in a world where all cars are bristling with weapons, how to survive the savage, explosive fury of a Doomsday M.O.T test. And amongst all the nuclear carnage, we also tackle the ultimate petrolhead's dilemma - what cars would you take for a final drive if there was only one barrel of petrol left on the planet? The explosions are huge, the cars are superb, so relax and enjoy. PS. This frightening vision of a post nuclear world is backed up by top scientists, in case you think it's us just cocking about.
With exclusive behind-the-scenes access, seldom-seen footage from the archives and a rare interview with Kirsty Wark, this is the story of a true visionary of British art.
Through an interview with Kiarostami in the Aran Islands and interviews with film critics and scholars at Cannes, the director examines Kiarostami's themes and methods. The director also profiles Kiarostami as a poet and a photographer.
An exclusive documentary on the GlamCocks camp at Burning Man Festival.
Maniac Summer consists of images and sounds recorded in Paris in the summer of 2009. It is a sprawling triptych without a beginning or end and with no specific subject or topic. The camera is positioned in front of a window and left running. It observes movements, registers noises coming from the street or nearby park, captures Chantal Akerman going about her business in her apartment: smoking, working, talking on the telephone. Fragments from the artist’s everyday life are featured in the installation’s central video, while the adjoining panels are more symbolically charged; in them, various images from the former have been isolated, modified and repeated. These abstract afterimages act as a kind of memory, looking back to the images in the installation’s centrepiece as so many shadows of its reality.
A song of love to the city of Genoa. The film wanders the streets of the city center and explore the beautiful cemetery and then climb the hills which offer an amazing view over the old town crossed by a highway and port.
A completely new story based on existing footage from the series Columbo.
Years ago, artists would walk around the muck at the edge of the San Francisco Bay in Emeryville, and build loads of sculptures out there on the flats, created from driftwood and found objects that drivers would enjoy as they motored south on the old Highway 17 (known in numerous radio ads as 'Highway 17, The Nimitz'). Grabbing material off someone else’s work was considered fair game and part of the fun, and contributed a kinetic dynamic to the ongoing display. Now the place is a park, and the sculptures are gone, but you can see what it used to be like in this neat and funny documentary by Ric Reynolds, augmented by Erich Seibert’s wonderful musique-concrète/time-lapse sequences. The flashback circus sequence includes Scott Beach and Bill Irwin. Sculptors interviewed include Walt Zucker, Tony Puccio, Robert Sommer, Ron & Mary Bradden, and Bob Kaminsky.
Jim Dine: A Self-Portrait on the Walls is a 1995 American short documentary film about artist Jim Dine produced by Nancy Dine and Richard Stilwell. The film follows Dine as he produces an exhibition by drawing in charcoal directly on the walls of a German museum. It was nominated for an Academy Award for Best Documentary Short.
16mm film by Paul Clipson, and music by Sarah Davachi. Filmed in New York, Los Angeles, Hong Kong, Brisbane, Krakow, Sidney, Portland, Napa, Oakland and San Francisco.
From June 2021 to June 2022, Justin "Jastun" Bland records whatever that is in front of him. He presents an abstract montage of collected videos varying from onscreen recordings to filming special, intimate & mundane in-real-life moments. This short captures our daily routines in life and how we choose to spontaneously record them.
Language Says It All is a 1987 American short documentary film about deaf children and their caregivers, directed by Rhyena Halpern and produced by Halpern and Megan Williams. The film follows four families as they come to understand their deaf child's need for language. It was nominated for an Academy Award for Best Documentary Short.
After the huge success of the 2012 documentary, the Warwrick Rowers are back. They walk you through the making of their "Brokeback Boathouse" calendar for 2013.
We’re back in full colour and full HD, in our most intimate and revealing film yet. Follow us throughout our 2014 calendar photoshoot, hear why we love our sport and find out what we really think about taking our clothes off for the world. We also talk about the serious side of what we do – Sport Allies, our outreach programme to challenge homophobia. All against a background of a beautiful English summer by the River Avon, with an all original soundtrack that was donated to us by incredible musicians from all around the world. We think it’s our best film yet, but we’ll let you be the judge!
You’re going to LOVE our new film! Shot in Ultra HD on location in the English countryside and on the beautiful beaches of southern Spain, this stunning documentary follows the filming of the 2015 calendar. With lots of interviews with the boys as well as exquisite behind-the-scenes footage, this film will take your breath away. Running over an hour, it is our most ambitious movie to date, with exceptional cinematography and plenty of naked rowers showing they have nothing to be ashamed of…
Our England film follows our traditional English summer calendar shoot. We start out at the boathouse as usual, but then soon head for a beautiful country home, where we get to play at being lords of the manor.
MAKE is a feature-length documentary for the modern creative, produced by the team at Musicbed. This film is a question. A conversation starter. It's an examination of the reasons we create and the things that drive us to make something new - passion or success. The film looks to examine the myth of creative success and what it means to live a healthy life as an artist.
Documentary about a slaughterhouse in Quito, where hundreds of people and entire families work everyday. The smell of the place is warm and penetrating, the noise is intense, everything is red. Would that much effort and death have an ulterior purpose?
"This is taking a Super 8mm camera around with me wherever I go and I'm very interested in windows at this time of travel, and I'm trying to make a variety of different statements about the concept of window." - S.B.