Macbeth
Lady Macbeth
Macduff
Banquo
King Duncan
Interviewer
Malcolm
Gentlewoman
Lennox
Two minor characters from the play "Hamlet" stumble around unaware of their scripted lives and unable to deviate from them.
When England's aging King Lear renounces his throne to divide his kingdom among his three daughters, treachery, madness and murder soon follow. After banishing Cordelia, his most loyal daughter, Lear is betrayed and cast out by her elder sisters Regan and Goneril. Meanwhile, evil brews at the Gloucester castle as Edgar falls victim to his brother's deception. As battle lines are drawn and backs are stabbed, Lear rages against a fearsome storm. Can a man undo his wrongs? Will Cordelia be saved? Or will the wheels of fate crush all in its way?
Henry IV usurps the English throne, sets in motion the factious War of the Roses and now faces a rebellion led by Northumberland scion Hotspur. Henry's heir, Prince Hal, is a ne'er-do-well carouser who drinks and causes mischief with his low-class friends, especially his rotund father figure, John Falstaff. To redeem his title, Hal may have to choose between allegiance to his real father and loyalty to his friend.
The Graham Vicks production of FALSTAFF opened the new Covent Garden Royal Opera House, and was not to everybody's taste; the garish primary colours of the costumes. The staging is effective--the complicated counterpoint of the ensembles is reflected in unobtrusive blocking that keeps the vocal lines clear and separate, especially in the final fugue. Bryn Terfel's Falstaff is a memorable creation, self-mocking and self-aggrandising at the same time--so much so, in fact, that he almost does not need the vast prosthetic body he has to wear for the part. Desiree Rancatore is an admirably sweet-toned Nanetta; Bernadette Manca di Nissa an appropriately sardonic Mistress Quickly; Roberto Frontali as Ford, in his Act 2 scena, perfectly distils and parodies every jealousy aria ever written, including Verdi's own. Haitink's conducting is exemplary in the lyrical passages, gets almost everything out of the fast and furious comic sections.
The film starts with the veteran thespian Harish Mishra, he is gravely ill. The punishments of a film shoot have left the old man in a coma. His co-star, Shabnam, is wracked with worry, but their director, Siddharth, keeps strangely distant and refuses to visit his ailing star. In flashbacks, their story emerges.
Veeram is based on the ballads of North Malabar and narrates the tale of the brave and ambitious Kalarippayattu warrior, Chandu, whose story resembles that of William Shakespeare's Macbeth.
Stranded in the heat of a barren African desert, eleven bus-passengers shelter in the remnants of an abandoned town. As rescue grows more remote by the day and anxiety deepens, an idea emerges: why not stage a play. However the choice of King Lear only manages to plunge this disparate group of travelers into turmoil as they struggle to overcome both nature's wrath and their own morality.
Scotland, 11th century. Driven by the twisted prophecy of three witches and the ruthless ambition of his wife, warlord Macbeth, bold and brave, but also weak and hesitant, betrays his good king and his brothers in arms and sinks into the bloody mud of a path with no return, sown with crime and suspicion.
Ah, summer! School is out, work slows down and passions heat up in the warm summer air. Theatrically speaking, it's the perfect time for a sexy comedy where no one is what, or who, they seem and life is full of romantic possibilities. In other words, the perfect time for William Shakespeare's TWELFTH NIGHT, or 'What You Will—’ which Lincoln Center Theater presented in the summer of 1998 at the Vivian Beaumont Theater.
Helena loves the arrogant Bertram, and when she cures the King of France of his sickness, she claims Bertram as her reward. But her new husband, flying from Helena to join the wars, attaches two obstructive conditions to their marriage - conditions he is sure will never be met. Featuring Olivier-award winning actress Janie Dee as the Countess of Roussillon.
The fat knight Sir John Falstaff imagines that Mistress Ford and Mistress Page are both taken with him and so, attracted as much by their husbands’ money as their personal charms, he decides to woo them both. But the women are up to the old lecher’s tricks and turn the tables on him with a series of humiliating assignations, midnight terrors and a very damp, extremely smelly laundry basket. Gutsy, colloquial and bustling with vivid characters, The Merry Wives of Windsor is a brilliantly constructed farce and the only comedy Shakespeare set in his native land. It is also the ancestor of English bourgeois comedy and gave birth to a tradition that reaches down to the modern TV sitcom. The production made merry with the relationship between the life of middle-class Elizabethan England and the late medieval period in which the play is set.
When the King of Navarre and his three courtiers forswear all pleasure - particularly of the female variety - in favour of a life of study, the arrival of the Princess of France and her ladies plays havoc with their intentions. Using every kind of verbal gymnastics to poke fun, Shakespeare's most intellectual comedy is brought to hilarious life in this highly entaining production, rich in visual humour and sexual innuendo.
The Tudor Court is locked in a power struggle between its nobles and the Machiavellian Cardinal Wolsey, the King's first minister and the country's most conspicuous symbol of Catholic power. Wolsey's ambition knows no bounds and when his chief ally, Queen Katherine, interferes in the King's romance with Ann Bullen, he brings ruin upon himself, the Queen and centuries of English obedience to Rome.
Thea Sharrock's irresistible 2009 production of Shakespeare's popular romantic comedy stirs wit, sentiment, intrigue and love into a charming confection which challenges the traditional rules of romance. At its heart, a feisty but feminine Rosalind (Naomi Frederick), in love with the endearingly naïve Orlando (Jack Laskey), uses her disguise as Ganymede to counsel him playfully in the art of wooing. Distraction is provided by Dominic Rowan, a remarkably funny Touchstone, and Tim McMullan, whose sonorous tones are perfectly suited to the lugubrious wit of Jaques. Filmed in High Definition and true surround sound.
Doctor Faustus is Christopher Marlowe's most renowned and controversial work. Famous for being the first dramatised version of the Faustus tale, the play depicts the sinister aftermath of Faustus's decision to sell his soul to the Devil's henchman in exchange for power and knowledge. In the first-ever staging of this menacing drama at the Globe Theatre, Matthew Dunster's production features Paul Hilton as the arrogant, power-hungry Faustus and Arthur Darvill as the sardonic Mephistopheles, and includes several impressive magical stunts along the way.
An adaptation directed by Claude Whatham for the BBC's Theatre 625 slot. Essentially a recording of John Barton's acclaimed Royal Shakespeare Company production starring Catherine Lacey (the Countess), Ian Richardson (Bertram), Lynn Farleigh (Helen), Clive Swift (Parolles) and Sebastian Shaw (the King), it was broadcast on 3 June 1968.
After the overthrowing of Duke Senior by his tyrannical brother, Senior's daughter Rosalind disguises herself as a man and sets out to find her banished father while also counseling her clumsy suitor Orlando in the art of wooing.
The film is a contempary-set version of William Shakespeare's play As You Like It.
One of the earliest hits for the newly established RSC, Michael Elliott’s sparkling version of Shakespeare's comedy is still remembered with joy by a generation of theatre-goers. The design was dominated by a huge oak tree, but the production is most memorable for Vanessa Redgrave’s luminous Rosalind, supported by Max Adrian and Ian Bannen.