Win By Fall(2017)

Take the Ball, Pass the Ball(en)

Take the Ball, Pass the Ball is the definitive story of the greatest football team ever assembled. For four explosive years, Pep Guardiola's Barça produced the greatest football in history, seducing fans around the world. In this exclusive, first-hand account of events between 2008 and 2012, the players themselves reveal the tension of the bitter Guardiola-Mourinho rivalry, the emotion of Abidal's fight back from cancer to lift the European Cup and how Messi, the best footballer the world's ever seen, was almost rejected by Barça as a 13-year-old.

The New Klan: Heritage of Hate(en)

Documents Ku Klux Klan activities in California, Georgia, Chicago, and Ohio.

We The People 2.0(en)

American citizens who are normally marginalized, forgotten and left to fend against toxic dumps and other violations, come to understand that the only way to survive and save their communities is to challenge the system head-on.

Energy War(en)

Documentary feature. 16mm; color; sound.

In Paraguay(en)

Documentary film by Ross McElwee.

Angry Inuk(en)

With "sealfies" and social media, a new tech-savvy generation of Inuit is wading into the world of activism, using humour and reason to confront aggressive animal rights vitriol and defend their traditional hunting practices. Director Alethea Arnaquq-Baril joins her fellow Inuit activists as they challenge outdated perceptions of Inuit and present themselves to the world as a modern people in dire need of a sustainable economy.

à propos: philosophie(de)

How to Cook Your Life(en)

A Zen priest in San Francisco and cookbook author use Zen Buddhism and cooking to relate to everyday life.

WWE: The Videos Ramped Up Vol. 1(en)

Extended versions of the entrance music videos of these 10 WWE Superstars. Triple H Undertaker The Rock Mr. McMahon Kane Chris Jericho Edge Kurt Angle The Hurricane Billy & Chuck

Farmer/Veteran(en)

After three combat tours in Iraq, Alex Sutton attempts a fresh start hatching chickens and raising goats on 43 acres in rural North Carolina. Alex embraces life on the farm with his new love Jessica, but cycles between a state of heightened alert and “feeling zombified” from a cocktail of prescriptions meant to stabilize his injured mind. When Jessica becomes pregnant, the dark past Alex has tried to escape—the loss of his first family, the war he was forced to leave—closes in on him. The farm becomes another battleground. Farmer/Veteran attempts to reconcile the identity of a perfect soldier with the reality of a haunted man determined to hold onto the best chance at peace he’s ever known.

Beautiful Pain(ms)

A boy with autism causes a lot of hardships for his parents, as his father isn`t accepting the fact that he is different from the rest while his mother is trying her best to fit his needs. His mother later finds the right people to help her son live his life.

Waiting for B.(pt)

This observational documentary follows the journey of Beyoncé’s super-fans who, unable to pay for the most expensive tickets, camped out for two months to secure their front row spots. Living with this makeshift community bring to light important issues, such as economic class, black identity, homophobia, feminism, and what it means to make this sacrifice for a media phenomenon larger and more powerful than themselves.​

Bread and Dripping(en)

Women's unwritten history is passed down through memories. Shows women talking about their experiences of the Great Depression in Australia. Covers such areas as: aboriginal women; paid and unpaid work; mothering; marriage; women's participation in the political struggles of the 1920's and 30's.

Fourteen's Good, Eighteen's Better(en)

Profile on three young Adelaide women. Diana, Kerry and Josie are now 18 years old, and continue to have open and frank discussions about their lives.

Not Fourteen Again(en)

An exploration of the hopes and expectations of three working class women from Adelaide, and the differences and similarities they share with their daughters.

Bingo, Bridesmaids & Braces(en)

The third film in a documentary series from acclaimed director Gillian Armstrong, about the lives of three working class women. as they grow up from the age of 14. They're now at the ripe old age of 26, and we witness the women confronting the very real issues of teenage pregnancy, and love versus sex, marriage and career.

Smile, Man!(da)

When his mother is widowed, Ole is sent to boarding school. There he soon discovers that other boys have their problems too.

Olympia: Part One – Festival of the Nations(de)

Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. This first half of her two-part film opens with a renowned introduction that compares modern Olympians to classical Greek heroes, then goes on to provide thrilling in-the-moment coverage of some of the games' most celebrated moments, including African-American athlete Jesse Owens winning a then-unprecedented four gold medals.

Olympia: Part Two – Festival of Beauty(de)

Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. Where the two-part epic's first half, Festival of the Nations, focused on the international aspects of the 1936 Olympic Games held in Berlin, part two, The Festival of Beauty, concentrates on individual athletes such as equestrians, gymnasts, and swimmers, climaxing with American Glenn Morris' performance in the decathalon and the games' majestic closing ceremonies.

Bedwetter(cs)

Men still have a privileged position. Yet the concept of a “crisis of masculinity” is increasingly permeating the media, with a loosening of roles and a growing uncertainty about what it means to be a man today. The director Jan Hušek also asks this question. He was still wetting himself by the age of thirteen, which earned him the unflattering nickname that is the film's title. In his open video diary, he captures the physical and spiritual transformation of his journey from boy to man. He returns to the woods and the roots of his childhood trauma. In doing so, he turns the camera on himself as well as on various teachers or his father. Perhaps the mark of adulthood, after all, is not overwrought masculinity, but the acceptance of his inner “pisspants”.