Harry Fox performs his vaudeville act.
1929-07-21
1
Two hapless home invaders bite off more than they can chew in this madcap macabre about murder, betrayal, and one precious sandwich.
Boring Days are supposed to be awesome, but Mr.Boring is having a "boring" Boring Day.
Sitting in a theater box, Edgar Bergen and Charlie McCarthy make comments between the acts of a vaudeville show.
As Pacworlders excitedly decorate for Berry Day, Pac is saddened about missing his parents as he receives a picture ornament of them from his Aunt Spheria. The teens reminisce of their childhood Berry Day as they enjoy Christmas eggnog. Since Berry Day is one of the happiest days of the year, Betrayus launches a plan to get rid of the day by capturing Santa Pac and his Round Deer and to possess the gifts and Berry Day decorations. All Pac wants for Berry Day is to see his parents Sunny and Zac and is overjoyed when they arrive. But, his parents tell him they want to see the tree of life in the secret location which is forbidden. Are these Pac’s real parents or are they a trick from Betrayus and Dr. Slimestein? Let’s hope Berry Day can be merry after all.
The scene is a parlor out West, with Ray Mayer sitting at the piano in is cowboy duds - hat, scarf, and chaps. He plays a little barrel-house music and then introduces Edith Evans, who enters wearing fur. She sings - her voice a light-opera soprano - while Mayer plays.
The comedy team of Jack Born and Elmer Lawrence perform their vaudeville act.
Elmer proposes to Molly, but she says he needs her fathers permission. He wants Elmer to become a ballplayer, but his eyesight keeps getting him into trouble. Elmer also needs a new pair of glasses.
A comedic team. The Ann seems to try and come across as a Mae West type. Jay plays the role of the straight partner.
Ben Bernie and his orchestra play a few songs for a vitaphone recording.
Now aged 17, Antoine Doinel works in a factory which makes records. At a music concert, he meets a girl his own age, Colette, and falls in love with her. Later, Antoine goes to extraordinary lengths to please his new girlfriend and her parents, but Colette still only regards him as a casual friend. First segment of “Love at Twenty” (1962).
During the Great Depression, vaudeville has fallen on hard times. The Palace Theater may have to close its doors, unless the proprietor, William Jenkins, does something different, so he allows his 12-year-old son to put on a kiddie show that packs the house.
A dog. An electric collar. And plenty to bark at... Sparks will fly!
A documentary filmmaker interviews the now-famous Trevor Slattery from behind bars.
Michel is a funny boy, a kind of intellectual. With Pauline, a very beautiful girl he met on the beach, they are going to get naked and discuss surrealism, sincerely and without trickery. But who are they really?
A cycle of songs performed by the singer Florence Brady.
Jerry Wald has to write about radio, visiting Sid Gary gives him the tip it might be more easy for him to write this article at the radio station than at his newspaper office. At the studio they listen to the Boswell Sister's rehearsal, which is interupted by some not so friendly remarks by orchestra leader Abe Lyman, they listen at the door, where a Colonel Stoopnagel broadcast is prepared, as well as to the rehearsal of a new song for an broadcast by Kate Smith.