In this Broadway Brevity short, a soda jerk/songwriter dreams (literally) of performing his songs on Broadway.
In this Broadway Brevity short, a soda jerk/songwriter dreams (literally) of performing his songs on Broadway.
1934-12-08
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In the middle of a zombie apocalypse, a couple try to fight against the time to accomplish their last promess.
When Marvin Hamlisch passed away in August 2012 the worlds of music, theatre and cinema lost a talent the likes of which we may never see again. Seemingly destined for greatness, Hamlisch was accepted into New York’s Juilliard School as a 6-year-old musical prodigy and rapidly developed into a phenomenon. With instantly classic hits ‘The Way We Were’ and ‘Nobody Does It Better’ and scores for Hollywood films such as The Swimmer, The Sting and Sophie’s Choice and the Broadway juggernaut A Chorus Line; Hamlisch became the go-to composer for film and Broadway producers and a prominent presence on the international Concert Hall circuit. His streak was staggering, vast, unprecedented and glorious, by the age of 31 Hamlisch had won 4 Grammys, an Emmy, 3 Oscars, a Tony and a Pulitzer prize: success that burned so bright, it proved impossible to match.
Timmy dreams that he and Brushbrush win a dream vacation to Molar Island. Timmy ends up helping the locals when the ancient crown of King Cuspid has been stolen by the Gingivitis Tribe and the island will sink if the ancient crown of King Cuspid is not returned to the hole it was placed over.
Georgie Price tells Bryan Foy, who is to direct his short film, that he is nervous about performing to a camera and microphone instead of an audience. He then sings a couple songs, in an Al Jolson/Eddie Cantor style.
Two people in different positions in life long for each other... for better or for worse.
Hammerstein and Kern’s Show Boat is a true classic of American musical theater - a tale of life on the Mississippi from the 1880s to the 1920s is both a poignant love story and a powerful reminder of the bitter legacy of racism. The exuberant production from the San Francisco Opera features songbook classics such as “Ol’ Man River” and “Can’t Help Lovin’ Dat Man”.
Chet Baker silently wanders through an Antonioniesque landscape in a Felliniesque state of wonderment as his improvised trumpet solos alternate between earnestly offering the obvious and mocking the artiness of the whole affair.
Every day is boring and the same to Amy, even her birthday. All the evidence her family puts forth that each day is different she rebuts with well-thought out responses of sameness. She is supposed to visit her Aunt Lucy to pick up her present from her, and instead meets weird characters who insist that her aunt has a beagle named Charlie and that she has turned into a butterfly. Eventually she encounters fairytale folk who thought their lives were normal before the events in their stories occurred. (IMDb)
Big Band leader and 1930s Broadway starlet Gracie Barrie sings a lovely little ditty about a wife’s revenge on her cheating husband. (Oddball Films)
Early experimental film from Zbigniew Rybczynski that broke new ground in the use of pixelation, optical printing, animation and other compositional film devices. Beautiful jazz score and color usage.
A simple filmed performance featuring Cantor, done up in his stage minstrel makeup, allegedly at the Ziegfeld Theatre Roof Garden, but actually filmed on a soundstage at the Paramount Astoria studio.
In a wordless story with semi-surreal stage sets, a poor black man ventures from his ramshackle rural home to the big city, where a dancing girl in a dive two-times him. He returns to his home and wife's arms.
The film is a series of comical musical numbers and skits following Phil Harris around, starting with him performing at the Cocoanut Grove nightclub, which is listened to by Dorothy on the radio whose home-brewing husband Walter hates Harris. The action then moves to the country club where Walter unknowingly encounters Harris while being aggravated by his music. Walter then pretends to be Phil to meet a woman while Harris "entertains" her friend, Dorothy. Preserved by the Academy Film Archive in partnership with Library of Congress Motion Picture, Broadcasting, and Recorded Sound Division, in 2012.
Real-life mother and son entertainers Grace and Peter Lind Hayes star as a mother and her son. She’s a fading Broadway star working as a maid to prep for a possible comeback role and he’s the offspring who wants to follow in mom’s footsteps.
This audience sing-along features tunes from four musicals with the lyrics appearing on screen. Numbers include "Am I Blue?" from 1929's On with the Show!.
‘La course à l’abîme’ is a depiction of the final ride into hell from ‘La Damnation de Faust’ (1846) by Hector Berlioz.
Hansjürgen Pohland's short documentary is an audiovisual study that captures events and people on the streets on film. The special feature of the work is that the people and objects are portrayed exclusively through their shadows.
Videos from the group Hype Williams. Originally released in 2011 as a limited edition of 300 white VHS.
"ANYWHERE BUT HERE" and "ANIMAL": The first two singles from the forthcoming album from PVRIS. Directed by Jax Anderson and Lyndsey Gunnulfsen.