Live performance from Salzburg Festival Opera, August 2007. The story tells of Cellini's love for Teresa, daughter of the Papal Treasurer Balducci. His rival, the Papal Sculptor Fieramosca, overhears Cellini plotting to run away with Teresa during the carnival.
Benvenuto Cellini
Teresa
Francesco
Wirt
Live performance from Salzburg Festival Opera, August 2007. The story tells of Cellini's love for Teresa, daughter of the Papal Treasurer Balducci. His rival, the Papal Sculptor Fieramosca, overhears Cellini plotting to run away with Teresa during the carnival.
2007-08-31
7
Shot in HD with 16 cameras over 3 Sold-Out shows, "Chickenfoot Get Your Buzz On" offers the viewer a Once-In-A-Lifetime chance to see 4 Rock and Roll Legends share the stage and blow the fans away with their combined inordinate talents to one collective whole. The band, formed in 2008 consists of Sammy Hagar (Van Halen and Montrose), Michael Anthony (Van Halen), Chad Smith (The Red Hot Chilli Peppers) and Guitar Hero Joe Satriani. Shot the Summer of 2009, the shows are captured in crystal clear High Definition.
Music DVD with rare live and TV performances from the period 1963-1975.
Documentary about Brazilian pianist João Carlos Martins.
This extremely short film is dedicated to chronophotography, which—as is well known—is the prelude to cinema. As with one of my earlier films dedicated to Muybridge (The Naked Killer, 1982), this one was excavated from books and catalogues, that is, from typographic ink. I tried, in a certain sense, to reanimate the inanimable as does the photographer Duane Michals, having only, sometimes, three or four frames. I found older stroboscopic technology as well as more contemporary flicker effects to be very helpful here and there. I attempted to realize the cinematic identification of Skladanowksy with Avedon; contaminations, precisely, between creators of films and creators of photography, contemporary or not. It is surprising to see Michals, a contemporary photographer, bearing such a strong cinematographic resemblance to Londe, the proto-filmmaker. I hope, at least, to have told the story of their direct commingling, as if by a single secret author.
Bahusaheb Salunkhe a wealthy and kind hearten person lives with his wife they are childless and hope God will bless them soon with a child.Landge manager of Bahusaheb tries to rape their maid Savitri in absence of Bahusaheb's wife.Bahusaheb gets killed while trying to save her , Bhimi daughter of Savitri sees the whole thing.Mrs Salunkhe then adopts Savitri's son Sada while Bhimi is adopted by a Dacoit and his wife.Years later Bhimi known as Bhatak Bhavani makes living by pick pocketing and is always in eyes of Hawaldar Kondiba.Sada finds from his mother how Landge took over their business and framed Savitri for murder of her husband Bahusaheb.Bhatak Bhavani falls in love with Kondiba but her only motive in life is to find Landge and revenge on him.
The bare life draws us into a hallucinating journey: from the incandescent set of a city under lockdown, with the rare survivors wandering aimlessly, to a hospital where the nurses and the patients carrying the virus are applying a daily ritual of life and death gestures. Antoine d’Agata transforms these opaque spaces into a theatre of shadows, freed from all pretences of reality, and obliterates the very surface of things, the skin of beings and the skin of the world, only to better reveal its tragic dimension.
A story told in reverse, starting with the end of Chuck Krantz's life, and moving back in time to show how he lived that life.
Twelve-year old Noortje experiences her first massage, given by a large, muscular man. Noortje feels insecure because of her awakening sexuality and feeling a bit more like a woman.
In the heart of Osaka's old neighborhoods lies a run-down apartment building known as "Copo." Its thin walls and lack of privacy are home to a group of residents, each struggling with their own pasts and uncertainties. Yuri, a part-time worker, has fled her family, while her neighbors—an aloof man who lives off women, a shy laborer with clumsy affections, and an older resident running a mysterious business—navigate their complex lives. The discovery of a fellow tenant’s death forces them all to confront their personal dilemmas and the fragile nature of life in the "Copo."
Vacation time is sweeter than ever when Strawberry Shortcake and her pals head out of Berry Bitty City for three fun and fabulous adventures under the sun!
Looking for a few reasons why you should visit Nicaragua? Considering the country's two incredible coastlines, almost 20 volcanoes, lively colonial cities, abundant wildlife, rich culture, and delicious food, it won't be hard to convince you to put “visiting Nicaragua” at the top of your travel bucket list! Nicaragua, set between the Pacific Ocean and the Caribbean Sea, is a Central American nation known for its dramatic terrain of lakes, volcanoes and beaches. Vast Lake Managua and the iconic stratovolcano Momotombo sit north of the capital Managua. To its south is Granada, noted for its Spanish colonial architecture and an archipelago of navigable islets rich in tropical bird life.
Deep inside a municipal art museum, a single guard is the sole queen of a small exhibition. When she is forced to leave the room, her exile becomes a journey in search of a new home.
Known for his unmistakable cascading strings and recordings such as Charmaine, Mantovani enthralled the world with his sublime arrangements. This is the story of the man and his music.
In Razor Blades, Paul SHARITS consciously challenges our eyes, ears and minds to withstand a barrage of high powered and often contradictory stimuli. In a careful juxtaposition and fusion of these elements on different parts of our being, usually occurring simultaneously, we feel at times hypnotised and re-educated by some potent and mysterious force.
Live from the Metropolitan Opera, 14 February 1980. This version takes place in Boston rather than Sweden.
David Alden’s elegant 2012 production moves Verdi’s thrilling drama to a timeless setting inspired by film noir. Marcelo Álvarez is Gustavo III, the Swedish king in love with Amelia (Sondra Radvanovsky), the wife of his best friend and counselor, Count Anckarström (Dmitri Hvorostovsky). When Anckarström joins a conspiracy to murder the king, tragedy ensues. Stephanie Blythe is the fortuneteller Madame Ulrica Arvidsson and Kathleen Kim sings the page Oscar. Met Principal Conductor Fabio Luisi is on the podium.
Audiences went wild for Bartlett Sher’s dynamic production, which found fresh and surprising ways to bring Rossini’s effervescent comedy closer to them than ever before. The stellar cast leapt to the challenge with irresistible energy and bravura vocalism. Juan Diego Flórez is Count Almaviva, who fires off showstopping coloratura as he woos Joyce DiDonato’s spirited Rosina—with assistance from Peter Mattei as the one and only Figaro, Seville’s beloved barber and man-about-town.
It is a rare opera indeed that calls for one soprano diva and no fewer than six tenors. Mary Zimmerman’s fanciful production of Rossini’s drama, designed by Richard Hudson and with choreography by Graciela Daniele, provides the perfect setting for superstar Renée Fleming’s captivating performance of the title role. A beautiful but evil sorceress in the times of the Crusades, Armida sets out to regain the love of the Frankish knight Rinaldo (Lawrence Brownlee) by putting her magical spells on him. She at first succeeds to draw him into her web of sorcery, but ultimately divine intervention—and his fellow soldiers—free Rinaldo from his enchantment—much to the vengeful fury of Armida and her demons.
This 2003 performance of Georges Bizet's 19th century opera Carmen was produced and directed by filmmaker and stage director Franco Zeffirelli, best known to many for the Academy Award-winning big-screen adaptation of Shakespeare's Romeo and Juliet. Shot at the Arena di Verona, the production features Marina Domashenko in the title role and music by the Orchestra of the Arena di Verona under conductor Alain Lombard.
Richard Eyre’s stunning new production of Bizet’s opera was the talk of the town when it was unveiled on New Year’s Eve 2009. Elīna Garanča leads the cast as the iconic gypsy of the title—a woman desired by every man but determined to remain true to herself. Roberto Alagna is Don José, the soldier who falls under her spell and sacrifices everything for her love, only to be cast aside when the toreador Escamillo (Teddy Tahu Rhodes) piques Carmen’s interest. With dances created by star choreographer Christopher Wheeldon and conducted by rising maestro Yannick Nézet-Séguin, this Carmen brings every aspect of Bizet’s tale to thrilling life, from its lighthearted beginning to its inevitably tragic climax.
Robert Lepage’s remarkable Met Opera production of Wagner’s Der Ring des Nibelungen, the 2013 Grammy Award Winner for Best Opera Recording, is now available as individual DVDs. Siegfried features Bryn Terfel, Jay Hunter Morris, and Deborah Voigt, with Fabio Luisi conducting.
Ring Cycle, pt 4. Siegfried is drugged and tricked into kidnapping his wife, since she has the Ring now. More double-crossings, Siegfried ends up dead. Brunnhilde has had enough of this, tosses the Ring into the river and torches the place.
Adaptation of John Gay's 18th century opera, featuring Laurence Olivier as MacHeath and Hugh Griffith as the Beggar.
Bizet’s rarely heard opera returned to the Met for the first time in a century on New Year’s Eve 2015, in Penny Woolcock’s acclaimed new production. Star soprano Diana Damrau sings Leïla, the virgin priestess at the center of the story. Matthew Polenzani and Mariusz Kwiecien are Nadir and Zurga, rivals for Leïla’s love who have sworn to renounce her to protect their friendship—and who get to sing one of opera’s most celebrated duets, “Au fond du temple saint.” Nicolas Testé is the high priest Nourabad and Gianandrea Noseda conducts Bizet’s supremely romantic score.
Disciplined Italian composer Antonio Salieri becomes consumed by jealousy and resentment towards the hedonistic and remarkably talented young Viennese composer Wolfgang Amadeus Mozart.
Live performance from Oper Leipzig, 26 November 2005.
Tenor Jonas Kaufmann is riveting as the title character of Gounod’s popular opera, seen in this Live in HD presentation of Des McAnuff’s thrilling 2011 production that places the mythical and timeless story in an early 20th-century setting. René Pape as Méphistophélès is menacing and elegant in equal measure, and Marina Poplavskaya delivers a searingly intense portrayal of the innocent Marguerite. Russell Braun as her brother, Valentin, shines in his Act II aria. On the podium, Yannick Nézet-Séguin brings out all the lyricism and drama of Gounod’s score.
Live performance from the Metropolitan Opera, March 1, 2014. Absent from the Met stage since 1917, Borodin’s masterwork about an introspective prince’s military campaign against the invading Polovtsians returned in 2014 with a first-rate cast and an astonishing production by Dmitri Tcherniakov. Well worth the wait, the sets feature visually striking projections interlaced with lush flowering fields, and the first act delivers one of opera’s most exciting dance medleys, a portion of which went mainstream in the 1950s when Tony Bennett recorded “Stranger in Paradise.”
Met Music director James Levine conducts a cast of youthful stars in Mozart’s sophisticated comedy about testing the ties of love. Susanna Phillips and Isabel Leonard are the sisters Fiordiligi and Dorabella, who are led to believe their fiancés have gone off to war. Matthew Polenzani and Rodion Pogossov are Ferrando and Guglielmo, the lovers who return in disguise to test their girls' fidelity. Danielle de Niese sings the scheming maid Despina and Maurizio Muraro is Don Alfonso, the philosopher and mastermind pulling the strings.
Live performance from the Metropolitan Opera, 27 February, 1996.