A Gay-Nineties musical set in NYC's Bowery and East-Side explores the life of its inhabitants---an Irish policeman and his tap-dancing daughter and music-hall wife; a German professor of music and his singing daughter; and an Italian café-owner, a kindly priest, a struggling young doctor and a saloon-keeper. And a political ward-heeler, Terrence Dowd, who has a deceptive and dishonest plan to sell them all out in order to build a fight arena. But he meets his match in property-owner Claire Adamson.
A Gay-Nineties musical set in NYC's Bowery and East-Side explores the life of its inhabitants---an Irish policeman and his tap-dancing daughter and music-hall wife; a German professor of music and his singing daughter; and an Italian café-owner, a kindly priest, a struggling young doctor and a saloon-keeper. And a political ward-heeler, Terrence Dowd, who has a deceptive and dishonest plan to sell them all out in order to build a fight arena. But he meets his match in property-owner Claire Adamson.
1949-12-19
0
A little entry from the RKO shorts department serving also as an audition-type (stick 'em in one of these and see if they appeal to a real audience, and make a buck or two at the same time)film for studio contractees and budding starlets. And, surrounded and supported by veteran character actors, such as Jack Norton, Jack Rice and Harrison Green, the likes of Tony Martin, Phyllis Brooks and Lucille Ball usually looked pretty good. And soon made for themselves, with studio help, rather nice Hollywood careers.
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