In 1967, during the making of “La Chinoise,” film director Jean-Luc Godard falls in love with 19-year-old actress Anne Wiazemsky and marries her.
Lucy, a small-town girl from Ohio, discovers the delightfully bizarre films of legendary filmmaker Federico Fellini and sets off on a journey across Italy to find him.
Naples. Present day. Giovanna, a combative 60-year-old social worker on the frontline of the daily war against pervasive criminality, is confronted, like a modern Antigone, with a moral dilemma that threatens to destroy her work and her life. Giovanna runs an after-school centre that takes care of underprivileged children; a grassroots alternative to the mafia dominance of the city. But one day, young Maria, wife of a ruthless Camorra criminal on the run, and her two children take refuge at the centre, and ask Giovanna for protection.
Kiroku boards with a Roman Catholic family and falls for the daughter Michiko. He ignores his feelings, joins a gang, gets in fights and, eventually, becomes involved with the radical Kita Ikki group.
Just as the disheveled and alcoholic filmmaker Ismaël embarks on a difficult new film project, his life is sent into a tailspin. His wife Carlotta, presumed dead for 20 years, come crashing back into his life creating chaos in his work and his current romantic relationship with the starry-eyed astronomer Sylvia.
One evening, while her parents go out for dinner, 18-year-old Louise, alone in her hotel room at Taj Mahal Mumbai, hears strange noises out in the corridor. Within minutes, she realises that a terrorist attack is underway. Her only connection to the outside world is her cell phone, which allows her to maintain contact with her father, who is desperately trying to reach her from the other side of a city that has been plunged into chaos. Louise must spend a long night alone in the face of danger. She will never be the same again.
Ben Hall is drawn back into bushranging by the reappearance of his old friend John Gilbert. Reforming the gang, they soon become the most wanted men in Australian history.
Narumi is on bad terms with her husband, Shinji, when, one day, Shinji goes missing. He comes back a couple of days later, but he seems like a totally different person, and he is now gentle and tender. He goes for a walk every day. Meanwhile, journalist Sakurai covers the story of a family that was brutally murdered, when an unexplained phenomenon takes place. Shinji Kase tells his wife that he came to Earth to invade.
The five daughters of a famous actor, all from different mothers and different nationalities, get together on the 10th anniversary of his death for a celebration of his career.
After a love affair ends badly, a young Parisian named Paul sinks into the same kind of deep depression that led his sister to kill herself. He moves back home with his father and aimless brother Jonathan but refuses to get out of bed.
August 1715. After going for a walk, Louis XIV feels a pain in his leg. The next days, the king keeps fulfilling his duties and obligations, but his sleep is troubled and he has a serious fever. He barely eats and weakens increasingly. This is the start of the slow agony of the greatest king of France, surrounded by his relatives and doctors.
When young Baptiste meets Cookie Kunty, a young Parisian drag queen, he feels compelled to start a new photographic project.
Lorna is a young Albanian woman in a marriage of convenience with Claudy, a heroin addict. Just as Lorna is about to be granted Belgian citizenship, Claudy finds the strength to detox; this presents a problem not only for Lorna, but for the criminal who brokered the deal.
Under the German occupation, in a small French town, the arrival of a new priest arouses the interest of all women... Barny, a young communist and atheist woman, can not however be more indifferent. Driven by curiosity, the young skeptic went to the church in order to challenge this.
Isabelle, Parisian artist, divorced mother, is looking for love, true love, at last.
If anyone knows anything about bikes, it’s Raoul Taburin, official bicycle dealer of Saint Céron, a lovely village in the South of France. But Raoul has a terrible secret: he has never been able to keep his balance on a bike without using stabilisers. His childhood and teenage years were spent trying to overcome his flaw - in vain. All attempts to tell his secret have also failed. Nobody believes him. When photographer Hervé Figougne moves to Saint Céron, the two men become fast friends. And when Figougne offers to photograph Raoul riding a racing bike along a mountain precipice, the moment of truth has arrived. He does all he can to avoid the photo shoot. But everything goes against him and he finally has to accept his destiny. “At least”, he thinks, “people will have to believe me”. But for Raoul Taburin, things are never that simple...
Poor Benjamin gets stuck in a time-loop while on detention with his high-school crush.
The story of a busy man, who fills his time travelling to Africa, South America and the Middle East. His passion for his job has distanced him from his loved ones. He’s been divorced for three years and has since seen his son very little. When the latter disappears, he is forced to stand still, and soon discovers things about his ex-wife and, above all, his son. A terrible feeling of guilt overwhelms him and he decides to find his son at all costs...
A prestigious Stockholm museum's chief art curator finds himself in times of both professional and personal crisis as he attempts to set up a controversial new exhibit.
Based on a true story, this is a subtle tale of re-affirmation of the identity of the artist following the Armenian Diaspora. It is an encounter with his alter-ego, a dialogue with his own conscience, a gradual dawning of the truth and an authentic glance at life... themes understandable by all. The film is an episode in the life of the director, a life full of surprises, and all the more so for being a cosmopolitan Armenian-American now standing on his native soil, his ultimate source of creative energy and ideas.
A showman introduces a small coastal town to a unique movie experience and capitalizes on the Cuban Missile crisis hysteria with a kitschy horror extravaganza combining film effects, stage props and actors in rubber suits in this salute to the B-movie.
An award-winning comedy set in a depressed town in the South Wales Valleys. When the local cinema is closed down, the former projectionist, plagued by money problems, devises an ingenious plan to make money.
Even though the protagonist of the Canadian Femme De L'Hotel is a female filmmaker, one would think twice before suggesting that this effort by Swiss-born director Lea Pool is autobiographical. Paule Baillargeon portrays a well-known director who returns to her home town of Montreal to film a high-budget musical drama. At her hotel, Paule has a brief but unsettling encounter with a suicidal elderly woman (Louise Marleau). This element of the plot is briefly forgotten as we get to know the actors in Paule's current project. Then she meets the old lady again, and with mounting incredulity Paule discovers that the actual events in the woman's life mirror the fictional events in the director's film.
An exiled filmmaker finally returns to his home country where former mysteries and afflictions of his early life come back to haunt him once more.
During the summer of 1968, a young French woman staying in an isolated country house reflects upon her involvement in the events of that May.
A small-time thief steals a car and impulsively murders a motorcycle policeman. Wanted by the authorities, he attempts to persuade a girl to run away to Italy with him.
Lukas, a young schizophrenic man, has to deal with a new town, a new relationship, and the paranoia in his head.
A renowned New York playwright is enticed to California to write for the movies and discovers the hellish truth of Hollywood.
It's 1957, and James Whale's heyday as the director of "Frankenstein," "Bride of Frankenstein" and "The Invisible Man" is long behind him. Retired and a semi-recluse, he lives his days accompanied only by images from his past. When his dour housekeeper, Hannah, hires a handsome young gardener, the flamboyant director and simple yard man develop an unlikely friendship, which will change them forever.
Pierrot escapes his boring society and travels from Paris to the Mediterranean Sea with Marianne, a girl chased by hit-men from Algeria. They lead an unorthodox life, always on the run.
After their fathers death, two brothers dispute the inheritance: the local movie theater known as Linterna Mújica. Their dispute may or not bring the town to its apocalypse, but it will for sure turn it upside-down.
The third in a series of films featuring François Truffaut's alter-ego, Antoine Doinel, the story resumes with Antoine being discharged from military service. His sweetheart Christine's father lands Antoine a job as a security guard, which he promptly loses. Stumbling into a position assisting a private detective, Antoine falls for his employers' seductive wife, Fabienne, and finds that he must choose between the older woman and Christine.
Now aged 17, Antoine Doinel works in a factory which makes records. At a music concert, he meets a girl his own age, Colette, and falls in love with her. Later, Antoine goes to extraordinary lengths to please his new girlfriend and her parents, but Colette still only regards him as a casual friend. First segment of “Love at Twenty” (1962).
Antoine is now 30, working as a proofreader and getting divorced from his wife. It's the first "no-fault" divorce in France and a media circus erupts, dredging up Antoine's past. Indecisive about his new love with a store clerk, he impulsively takes off with an old flame.
Claude Massoulier is murdered while hunting at the same place as Julien Vercel, an estate agent who knew him and whose fingerprints are found on Massoulier's car. As the police discover that Marie-Christine Vercel, Julien's wife, was Massoulier's mistress, Julien is the prime suspect. But his secretary, Barbara Becker, while not quite convinced he is innocent, defends him and leads her private investigations.
Shinji is a middle-aged, sleaze film director who used to be famous. He hardly goes back home and moves from one woman to another. In spite of his idleness, women are very fond of him and look after him compassionately for whatever reason.
Nick is the director of a low-budget indie film. He tries to keep everything together as his production is plagued with an insecure actress, a megalomaniac star, a pretentious, beret-wearing director of photography, and lousy catering.
A struggling family owns a Filipino porn theater where prostitutes conduct their business.
Agnès Varda eloquently captures Paris in the sixties with this real-time portrait of a singer set adrift in the city as she awaits test results of a biopsy. A chronicle of the minutes of one woman’s life, Cléo from 5 to 7 is a spirited mix of vivid vérité and melodrama, featuring a score by Michel Legrand and cameos by Jean-Luc Godard and Anna Karina.