It's been more than 1,000 days since the workers of Cort/Cortek Guitar begun a struggle after the company abruptly closed down. Meanwhile, musicians performed for the workers so many people are aware of the company's injustice, but the company has yet to respond. The workers visit international instrument expositions all around the world, meet other guitar companies such as Fender and Ibanez who subcontract with Cort, and share the struggle with them. The workers also align with musicians in Japan and the USA. They achieve international solidarity through music.
Self
It's been more than 1,000 days since the workers of Cort/Cortek Guitar begun a struggle after the company abruptly closed down. Meanwhile, musicians performed for the workers so many people are aware of the company's injustice, but the company has yet to respond. The workers visit international instrument expositions all around the world, meet other guitar companies such as Fender and Ibanez who subcontract with Cort, and share the struggle with them. The workers also align with musicians in Japan and the USA. They achieve international solidarity through music.
2011-09-01
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Almost 200 women file by a device on the wall from which they take their time checks. A man runs half-way across the screen at the end of the film.
A camera on an overhead crane travels down a large, long aisle where men are shown working on large machinery on either side. Carts carrying equipment are shown traveling on rails down the aisles. There are also men walking in the aisles. From Bitzer's Westinghouse Works series.
On the left of the screen, a small group of men lift the top off of what appears to be a turbine with a crane and continue to check the machine, tightening various parts with wrenches. On the right side, a few men appear to be testing the workings of what may be a turbine.
Blue-collar workers, executives, and other people at the Pirelli Bicocca plant talk about the upcoming shutdown of the factory. It's the end for a piece of history of Italian industry and also for a place of memory of workers' struggle: the movie documents the different reactions and scales of awareness determined by class belonging to the functions held in the factory by the interviewees.
In July of 2019 the Blackjewel coal company announced it was declaring bankruptcy. Miners were told to stop working mid shift, and their last paychecks bounced. The miners retaliated by blocking a train full of coal, camping out on the coal tracks for weeks. Queer regional organizers made their way to the encampment to support the miners. The encampment became a place for community gathering and mutual aid distribution. Sarah Moyer, a film maker living in Kentucky, also made their way to the encampment and filmed this short documentary on the blockade. (Summary from Queer Appalachia)
A cinema verite study of the world of the blue-collar worker and the economic and psychological bind in which he is caught.
The workers talk about the pleasure of starting work in a shipyard, the pride of making the vessel, and the recognition of workers and the high spirit of their novel struggle. There was solidarity everywhere, even in each other's mind. But there is no more energy in Hanjin Shipyard. The workers have been laid-off and the strike shows no sign of stopping. A 34 year-old worker committed suicide as well. It's the fourth who has become a martyr for the cause. Why have the laborers who worked at Hanjin shipyard separated like this? They are starting to ask themselves why they decided to hate each other.
Documentary about the history of 20th century globalization through the lens of the World Trade Organization's changing art collection; from works of human subjects showcasing the potential of dignified labor, to their replacement with abstract maps and grids for the valorization of the modern trade system.
Documentary that shows the changing attitude towards immigrant labor in The Netherlands. The documentary follows three immigrants that arrived in Holland 30 years ago to work in a bakery.
With the unexpected dismissal of 2045 workers, the strike by Ssangyong employees has received the most public support and attention since the IMF. It was an intense period inside and outside the factory.
A portrait of Chicagoland ICU nurse Jeanette Alvarez-Basem captured through the perspective of her son Ben Basem. Between her night shifts and Illinois Nurses Association union meetings, Jeanette navigates what it means to be a nurse and a human during the first year of the COVID-19 pandemic.
China, Cambodia and Bangladesh have known for two years violent movements of workers' protests. Outsourcing of the subcontractors for a poor country to another are not without consequences. With the awareness of workers and soaring prices, social stability of these countries is no longer guaranteed. The protests and walkouts multiply. Facing the dull anger but rising of these workers, the authorities can not remain inert. This documentary describes the increasing power of a new protest generation of workers, younger, and less docile. To discuss this problem, this film survey examines the question of social relationships in Chinese companies, including Foxconn, the Taiwanese electronics giant, which is the largest employer in China.
A movie follows a regular working day of a woman who works in a factory. She wakes up at 3am and goes to sleep at 10pm.
A documentary about the continuing case of Samsung semiconductor plant. The film is a story about nameless people wearing white coat, hat and mask worked in a clean room exposing eyes only.
The Delano Manongs tells the story of farm labor organizer Larry Itliong and a group of Filipino farm workers who instigated one of the American farm labor movement’s finest hours – The Delano Grape Strike of 1965 that brought about the creation of the United Farm Workers Union (UFW). While the movement is known for Cesar Chavez’s leadership and considered a Chicano movement, Filipinos played a pivotal role. Filipino labor organizer, Larry Itliong, a cigar-chomping union veteran, organized a group of 1500 Filipinos to strike against the grape growers of Delano, California, beginning a collaboration between Filipinos, Chicanos and other ethnic workers that would go on for years.
THE DEVIL'S FIRE is an original documentary from WSKG Public Television and filmmaker Brian Frey. Utilizing never-before-seen photographs and investigative archival material, the film tells the story behind the Binghamton Clothing Company's charismatic owner, Reed B. Freeman, and the young immigrant workers trapped in the deadly blaze that hot Tuesday in July of 1913.
Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.
On March 25, 1911, a catastrophic fire broke out at the Triangle Waist Company in New York City. Trapped inside the upper floors of a ten-story building, 146 workers - mostly young immigrant women and teenage girls - were burned alive or forced to jump to their deaths to escape an inferno that consumed the factory in just 18 minutes. It was the worst disaster at a workplace in New York State until 9/11. The tragedy changed the course of history, paving the way for government to represent working people, not just business, for the first time, and helped an emerging American middle class to live the American Dream.
4, April, 2014. Worker's who worked in "SaengTak" are get to the struggle to require adjust of working environment for safely food, and guarantied a Three Right of labors. Then. Worker's tried to record there's own struggle and launch forth to street, However, Law, Capital, unconcern of crowd and avoid of famille are swallow up them.
In the late 1960s and early 1970s, girls aged 12 to 16 began working at Pyeonghwa Market. Running sewing machines, they also study the Labor Standards Act under the tutelage of Jeon Taeil. On September 9, 1977, they were imprisoned fighting against the government that closed labor classes, shouting, “The next Jeon Taeil will be a woman!” Now the middle-aged girls recall the memories of the life of female workers, social contempt, and stigma. Watching the sunrise in the East Sea, they admire, ‘How fair it is because everybody can see it.’ Sewing Sisters rewrites the history of maledominated Korean labor struggles in the 1970s with news interviews of female workers belonging to the Cheonggye Clothes Union.