Recorded live at the Nakano Sun Plaza in Tokyo, Japan on October 17, 1984. Lineup: Vocals/Guitar: Robert Smith. Keyboard/Guitar/Sax: Porl Thompson. Keyboard: Laurence Tolhurst. Bass: Phil Thornalley. Drums: Andy Anderson.
Recorded live at the Nakano Sun Plaza in Tokyo, Japan on October 17, 1984. Lineup: Vocals/Guitar: Robert Smith. Keyboard/Guitar/Sax: Porl Thompson. Keyboard: Laurence Tolhurst. Bass: Phil Thornalley. Drums: Andy Anderson.
1985-02-01
5
The story of Charlotte Brown,a waitress and young single mother who will do anything for her daughter Jenny, and when push comes to shove, she does. With a menacing figure on the other end of the phone and a time limit of two hours,she must raise enough money to ensure that she sees the smiling face of her child again. Charlotte's customers are her only hope. The clock is ticking as we see the desperate young mother dealing with one eccentric customer after the next, displaying her charming vulnerability and inspiring strength through all the chaos. With her feet firmly planted on the ground, Charlotte maintains her focus and attempts to beat the clock and save the day.
The Red Mountain Tribe hangs out in my backyard. "Lipton's lovely home movie PEOPLE, in its affection for valuable inconsequential gestures, indicates in the course of its three minutes why there has to be a continuing alternative to the commercial cinema." – Roger Greenspun, The New York Times
A perfect ski vacation heads downhill in Winter Hollow, where any mention of Christmas unleashes the feared Headless Snowman. It's "A Scooby Doo Christmas" when Scooby-Doo and crew set out to melt the ferocious Frosty and save the holiday. It's no fun in "Toy Scary Boo" when all the toys in Happy Toyland start coming alive and wreaking havoc. In "Homeward Hound," a fiercely fanged cat creature petrifies the competing pooches at a dog show, including the visiting Scooby-Doo! Finally, Shaggy and Scooby-Doo's wildest dreams come true when they win a tour of Munchville, home of Scooby Snax dough and it spells out a "Recipe for Disaster."
The Bride unwaveringly continues on her roaring rampage of revenge against the band of assassins who had tried to kill her and her unborn child. She visits each of her former associates one-by-one, checking off the victims on her Death List Five until there's nothing left to do … but kill Bill.
4 TV Episodes Spectacle!
Documentary of the making of the sequel to the popular Schwarzenegger film, The Terminator.
Captain New Eyes travels back in time and feeds dinosaurs his Brain Grain cereal, which makes them intelligent and non-violent. They agree to go to the "Middle Future" in order to grant the wishes of children in New York City. They are to meet Dr. Bleeb of the Museum of Natural History, but get sidetracked with their new children friends and run into the Captain's evil brother, Professor Screweyes.
With input from actor and writer Jan Hlobil, director and cinematographer Rene Smaal presents a film in the true surrealist tradition, in the sense that only 'found' elements were used, and that it defies interpretation based on ordinary cause-and-effect time sequence.
In Paris, Astrid and Raphaëlle discover a human eye at the bottom of a jar of onions. At the same time, in Bordeaux, Alexandra Ehle investigates a corpse from which both eyes have been removed. When the judge decides to connect the two pieces of the puzzle, Astrid, Raphaëlle, and Alexandra realize they have to cooperate, for better or for worse. On the menu: family mystery and orphan disease, but also a little trip down memory lane, muscadet wine, a bike chase, and... an oyster mushroom.
Delves into the history of software development that started as a woman-led industry but has evolved into a majority white-male and Asian-dominated industry. It tackles the tough topic of why women as well as black and Latinx people don’t pursue software careers. The film aims to shine a light on how amazing a career in software can be and how diversification makes better software and can be a generational change for many.
Following their concert for world peace in outer space, Barbie and her band the Rockers are going back home. During the trip back to Earth, the band's space shuttle inadvertently enters a time warp. Upon landing at an airport, they meet Dr. Merrihew and his daughter Kim and soon learn that they have been transported back to 1959. The band then decides to go on a tour around the city alongside Kim. After a performance at Cape Canaveral, Dr. Merrihew helps Barbie and the Rockers return to their time. Back in the present, they stage a big concert in New York City, where Barbie is reunited with an adult Kim and introduced to her daughter Megan.
An intimate portrayal of a quest for love and acceptance at any cost, Q depicts the influence of a secretive matriarchal religious order on filmmaker Jude Chehab’s family and the unspoken ties and consequences of loyalty that have bonded her mother, grandmother, and herself to the mysterious organization. A love story of a different kind, Q is a multigenerational tale of the eternal search for meaning.
Six vignettes pit an assortment of characters against each other in everyday situations.
“Re-Existence” is a documentary about migration stories of individuals from the Brazilian queer community.
Ana and Helen, two divorced women, were close friends as teenagers. Today, amidst the corona virus pandemic and in quarantine, they get in touch after 20 years via internet. Through video conference calls, memories, sensations and emotions reflourishes.
Rome and Ethan have been together for 14 years. He is the love of her life, and she is his number one supporter. They are each other's firsts, and to their friends, they are the perfect couple. When the two begin to feel that their relationship has gone stale, they explore the idea of going open. It's something Ethan wants to do and it's the only way Rome feels she can do to keep her man. They agree that they are allowed to have sex with strangers, but they are not allowed to fall in love. In a relationship built over time, the two begin to "explore" expecting to salvage the exact same thing they are giving up. In the end, they learn the importance of the very thing that they have been blind to–a relationship without trust will eventually crumble.
Rashad is a poor man who loves Shhrzad and takes care of her and her sister Souad who loves him. While the three of them are returning to Cairo, they meet a wealthy man dying inside his car after getting shot, and asks them to deliver a suitcase full of money to a woman in the north coast