Making of Songs From the Sparkle Lounge
Making of Songs From the Sparkle Lounge
2008-04-25
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A dramatization of the early years of the hard rock band, Def Leppard, the group faces both success and personal tragedies such as drummer, Rick Allen losing his arm in a car accident and guitarist Steve Clark's alcohol addiction.
This program takes a track by track look at the making of the album. We speak to Joe Elliott, Rick Allen, Phil Collen, and Rick Savage who lead us through the original multitrack tapes. Joe and Phil play acoustic versions of 'Pour Some Sugar On Me" and "Hysteria," and Sav and Phil demonstrate riffs and licks from the songs, and explain the genesis of the songwriting. Features songs: Animal, Rocket, Love Bites, Hysteria, Women, Armageddon It, and Pour Some Sugar On Me. In this episode of the CLASSIC ALBUMS series, the surviving members of Def Leppard discuss the making of HYSTERIA as they sort through and explain the original multi-track tapes. In addition, some impromptu acoustic performances and musical demonstrations further dissect this classic album
The legacy of Hysteria is undeniable. A classic album that was four years in the making, it dominated the charts for two years, achieved certified Diamond status and brought worldwide superstardom to Def Leppard back in 1987. Then in December 2018 Sheffield’s finest made their long-awaited debut at London’s O2 Arena and to honour the event, Def Leppard performed the ground-breaking Hysteria album in its entirety. This explosive, chronological set of Hysteria (+ more) features hits Pour Some Sugar On Me, Animal, Women and an encore that includes unforgettable classics, such as When Love And Hate Collide, Let’s Get Rocked and Photograph. This is a celebration of a career defining album from one of the all-time greatest British rock groups.
A performance captured live over nine nights during the band's spring 2013 residency at The Joint located in the Hard Rock Hotel, Las Vegas in which Def Leppard plays through the entirety of their most successful album, "Hysteria," in its entirety. Plus two additional hits, "Rock of Ages" and "Photograph" as an encore. Finally "Viva! HYSTERIA" showcases for the first time a career-defining album (excluding concept albums) performed live in its entirety - from start to finish - for a commercial audio/video release. "Viva! HYSTERIA"! is unlike any show Def Leppard has ever done or will ever do again.
Documentary about the band and the recording of their third album, and 4 music videos. The back of the release lists one of the videos as being "Be Like That", but "Loser" appears on the DVD instead.
Gary Moore and band playing songs from his hard rock years during the Monsters of Rock tour. Filmed on May 21st 2003 at the Sheffield Hallam FM Arena.
A statuette bought in an antique shop in Tokyo may lead to the discovery of a great treasure.
A simple filmed performance featuring Cantor, done up in his stage minstrel makeup, allegedly at the Ziegfeld Theatre Roof Garden, but actually filmed on a soundstage at the Paramount Astoria studio.
Country singing star Jimmie Rodgers sings three songs in this short: "Waiting for a Train", "Daddy and Home", and "T for Texas", all his own compositions.
Matt, a young glaciologist, soars across the vast, silent, icebound immensities of the South Pole as he recalls his love affair with Lisa. They meet at a mobbed rock concert in a vast music hall - London's Brixton Academy. They are in bed at night's end. Together, over a period of several months, they pursue a mutual sexual passion whose inevitable stages unfold in counterpoint to nine live-concert songs.
For Jimmy Smith, Jr., life is a daily fight just to keep hope alive. Feeding his dreams in Detroit's vibrant music scene, Jimmy wages an extraordinary personal struggle to find his own voice - and earn a place in a world where rhymes rule, legends are born and every moment… is another chance.
A chronicle of country music legend Johnny Cash's life, from his early days on an Arkansas cotton farm to his rise to fame with Sun Records in Memphis, where he recorded alongside Elvis Presley, Jerry Lee Lewis and Carl Perkins.
County Durham, England, 1984. The miners' strike has started and the police have started coming up from Bethnal Green, starting a class war with the lower classes suffering. Caught in the middle of the conflict is 11-year old Billy Elliot, who, after leaving his boxing club for the day, stumbles upon a ballet class and finds out that he's naturally talented. He practices with his teacher Mrs. Wilkinson for an upcoming audition in Newcastle-upon Tyne for the royal Ballet school in London.
Expecting the usual tedium that accompanies a summer in the Catskills with her family, 17-year-old Frances 'Baby' Houseman is surprised to find herself stepping into the shoes of a professional hoofer—and unexpectedly falling in love.
A detailed chronicle of the famous 1969 tour of the United States by the British rock band The Rolling Stones, which culminated with the disastrous and tragic concert held on December 6 at the Altamont Speedway Free Festival, an event of historical significance, as it marked the end of an era: the generation of peace and love suddenly became the generation of disillusionment.
In this wildly entertaining vision of one of the twentieth century’s greatest artists, Bob Dylan is surrounded by teen fans, gets into heated philosophical jousts with journalists, and kicks back with fellow musicians Joan Baez, Donovan, and Alan Price.
Norman Young wants to marry Margot Grahame but a contract with a producer prohibits her from marrying during a five year period. Norman spends millions to take over the contact.
Don Casto is a widower who spends most of his evenings carousing at nightclubs while, behind his back and much to his annoyance, Ramon courts his daughter Paquita. One of the vaudeville acts that Don Casto particularly admires is Ramper the Clown. However, when the clown removes his make-up he becomes Ramon. The young couple now try to trick the father into accepting their engagement.
This production is a gala affair; the sets are traditional (evocative of 18th-19th century Spain); the lighting is bright, so colors are good and one can see all of the action. Singers are generally well chosen and perform admirably. However, at this point, slight reservations creep in; although Janowitz (Fidelio/Leonore) and Kollo (Florestan) look "good" and act well, the singing parts tax them a bit when pushed to the limit. Most of the time that doesn't matter, and an argument can be made that a little vocal strain is in character with their dire plight. Ideally, for me, Vickers as Florestan would have added extra vocal heft and more sensitive acting than Kollo.