Between the French La Nouvelle Vague and the Italian Neorealismo, Europe had been undergoing a continuous cinema transformation since the 1950s, while the ailing American studio system groaned under its own weight and inertia. New Hollywood had arrived with Bonnie and Clyde in 1967, and already by 1968 it was changing how Hollywood thought and acted. The student film scene was getting ready to explode, and it knew it.
Self - Interviewer
Self
Between the French La Nouvelle Vague and the Italian Neorealismo, Europe had been undergoing a continuous cinema transformation since the 1950s, while the ailing American studio system groaned under its own weight and inertia. New Hollywood had arrived with Bonnie and Clyde in 1967, and already by 1968 it was changing how Hollywood thought and acted. The student film scene was getting ready to explode, and it knew it.
1968-01-01
0
14 year-old Janiyah Blackmon wrestles with her new life in New York City as her mom tries to move her family out of the shelter system and into a stable home.
Tilly, Miah and Safa are three young women who endure debilitating period pain. Following an adolescence with little menstrual education, support or relief, they navigate the physical and emotional toll of intensely painful periods while trying to maintain a normal life.
The Karugamo High School Baseball Team has not been doing well. After losing badly to the Eagles, many of the players leave, and the team now has only eight players, one too few to play a game. Going against his principles, the main character Harumaki Shunpei decides to buy a baseball robot. However, since he does not have enough money, he ends up buying the maid robot named Azusa. Even though Azusa has a warm heart and strong determination, it doesn't appear that she stands a chance against her adversaries who were top-of-the-line baseball robots. The team's only hope seems to lie in a secret buried within Azusa's clouded past.
The main committee is of the opinion that the rating "especially valuable" can be retained. The style of the film is appropriate to the subject of "Visiting Busch" in its concentrated limitation to the authentic living environment. The individual visual motifs are composed with great care. On the one hand, the small world appears endearingly portrayed, on the other hand, the film's allusions to the background of the Wilhelm Busch phenomenon are convincing. Above all, the Committee would like to uphold the rating because the film, made in 1961, sought out the people who still knew Busch and bear witness to them in the film in an impressively simple and not exaggerated manner.
With his industry on lockdown and no end in sight, Toronto chef Luke Donato tries to keep his culinary passion alive during the COVID-19 pandemic - even if it means teaching a group of misfits online.
A documentary special taking a look at the upcoming films making up the DC Universe. Kevin Smith hosts with Geoff Johns, as they take a look at Batman vs Superman: Dawn of Justice, Suicide Squad, the upcoming Wonder Woman and Justice League movies.
Robert, an ex-shipyard welder from Govan in Glasgow, reflects on how his experiences have influenced his compulsion to write.
Manny has moved to a new school, and it's not easy to fit in. After wishing he had more friends, Manny finds a mysterious collar and puts it on Rufus, the family dog. Suddenly, Rufus turns into a boy! Manny's not sure what to do, so he enrolls Rufus in school. When the other students notice Rufus's silly dog antics -- chasing squirrels, eating without utensils, asking for belly rubs, and catching a soccer ball with his mouth -- he immediately becomes the most popular kid around. Manny is jealous of his new best friend but eventually learns that a dog's loyalty to his owner always comes first.
A series of ten shots, three minutes in length, of various locales in Munich.
Women of mature years talk about their marriage, their first time, their intimate relationship with sexuality. In the repetition of these ancestral rituals, the director questions her own lack of marriage, of children, and with it, a chain of mother-daughter relationships that is dying out.
Little heroine, a music school student, wanders through the backstreets of Warsaw's Old Town and discovers a world to which others have no access. It is a world of extraordinariness and beauty of sounds. And these are sounds that are the most important thing for the girl – the hubbub of children, the sounds of the street, the puffing of a tractor, the tuning of an organ, the sweeping of a broom and the sound of jets flying overhead.
Filmmaker Alain Resnais documents the atrocities behind the walls of Hitler's concentration camps.
Tobin, a transgender teen living in Squamish, BC, prepares for his acting debut where he’ll be playing a male leading character in the youth play. While rehearsals are in progress, his friends and chosen family band together to help remove him from a difficult living situation and connect him the support he needs.
Twenty years later, the producers of "Heavy Metal Parking Lot" track down and interview some of the heavy-metal fans originally featured in the 1986 cult classic.
Of Maine’s more than 5000 commercial lobstermen only 4% are female. The Captain celebrates that fearless minority through the lens of Sadie Samuels. At 27 years old, she is the youngest and only female lobster boat captain in the Rockport, Maine harbor. Despite the long hours and manual labor of hauling traps, Samuels is in love — obsessed even — with what she calls the most beautiful, magical place on the planet. Her love for lobster fishing was imparted early in her childhood by her dad Matt, who has been her mentor and inspiration since she was a little girl in yellow fishing boots.
Wilhelm II. returns from his trip to Bethlehem