A 2015 Finnish short film.
Dancer
A 2015 Finnish short film.
2015-05-08
7
Strong women take care of the property while the men focus on chasing women.
A young actress arrives late to a casting, making up a great excuse without knowing a small detail.
Fed up with the bullying from their classmates, Jorge and Emilio plan a shooting at their school.
A short comedy spoof about Universal Monsters and their everyday unconventional work done at their very own talent agency for their movies.
A group of artists settle in a swamp on the banks of the Indre River. Meanwhile, a voice describes a utopian world.
Video installation, 2005, at LOKAAL_01 Breda 2007, Burning Marl, curator Frederik Vergaert in Seppenshuis Zoersel, 2005. A woman walking through 3 video images. Three screens display how the day’s light passes by: from the early morning light until late at night. Along with the woman the artist walks through the forest, in the same rhythm, the same pace. Off-screen she looks through the camera, fragmenting time. The age-old androgynous trees are a vertical constant along which the woman moves, as if in an interval between visibility and invisibility, between sound and silence, while the light keeps on evolving metabletically.
A voyeuristic journey through the homoerotic work of Alair Gomes.
Two documentary filmmakers travel through alternate dimensions to uncover the truth about a graffiti artist who has vanished.
After a DUI brings Arnold to rock bottom, living in his van gets worse when it breaks down outside of a raunchy underground comedy club. Now Arnold will chase a dream he never pursued - if he can earn the trust of the crazy family he never knew he needed.
The author Thomas meets his childhood friend Hoffman on an autumn night in 1997. They decide to let a dream come true: to make a film of a play by Thomas, Veranda for a Tenor, with Hoffman in the lead role. The story takes us back to the summer of 1961, which changed their lives. The writing of the script awakens memories and forbidden questions are answered. Their friendship is put to the test a final time. Veranda for a tenor is a film about male friendship, but also about love. Their love for the same woman...
Sylvia has succeeded in making her son Robert a minister in the French Republic. His old servent, Gabriel, interrupts the young man during an "erotic" conference with the singer Betty. She's there, because her politically inappropriate songs is about to get her banned from the stage, which the minister would like to prevent. A fight breaks out between Robert and Gabriel and Sylvia, his mother, has to confess to Robert, that Gabriel is actually his father. When the minister once again misbehaves, this time at a ball, his servant and father Gabriel decides that the time has come to slap his son in everyone's presence. Robert is forced to resign and a journalist from the People's Front suggests Gabriel for the post of minister. - The film was classified after the end of the german third empire as a reservation film.
Azhagar, son of a police constable, is tempted to take bad habits seeing his father in his younger days. Azhagar along with his friends incur the wrath of everyone though they are good-hearted and ready to help others. Fate comes in the form of rich and influential Kazhuvanadhan's family. His sons Karutha Pandi and Viruman are feared by everyone. The brothers mistake their sister of falling in love with Azhagar and kills her. They cover it up as suicide. Now they go behind Azhagar. But sequence of events leaves Kazhuvanathan dead and the blame falls on the four friends. In a bid to take revenge on them, Viruman hires a contract killer Pandi (Vikranth), who is in the business only to educate his young brother. Whats happens after this forms the climax. It is gore and bloodshed all the way.
Australia says goodbye to The Crocodile Hunter
"Eyes of the Rainbow" deals with the life of Assata Shakur, the Black Panther and Black Liberation Army leader who escaped from prison and was given political asylum in Cuba, where she has lived for close to 15 years. In it we visit with Assata in Havana and she tells us about her history and her life in Cuba. This film is also about Assata's AfroCuban context, including the Yoruba Orisha Oya, goddess of the ancestors, of war, of the cemetery and of the rainbow.