Beautifully filmed by New Zealand nature photographer Richard Sidey over the past decade around the polar regions, Speechless: The Polar Realm is a visual meditation of light, life, loss and wonder at the ends of the globe. This is the second film in Sidey’s non-verbal trilogy which is comprised of: - Landscapes at the World’s Ends (2010) - Speechless: The Polar Realm (2015) - Elementa (2020)
A day in the city of Berlin, which experienced an industrial boom in the 1920s, and still provides an insight into the living and working conditions at that time. Germany had just recovered a little from the worst consequences of the First World War, the great economic crisis was still a few years away and Hitler was not yet an issue at the time.
This pioneering documentary film depicts the lives of the indigenous Inuit people of Canada's northern Quebec region. Although the production contains some fictional elements, it vividly shows how its resourceful subjects survive in such a harsh climate, revealing how they construct their igloo homes and find food by hunting and fishing. The film also captures the beautiful, if unforgiving, frozen landscape of the Great White North, far removed from conventional civilization.
Women getting onto a rickshaw.
A very graceful dance with voluminous draperies, by Annabelle Moore, well-known on the metropolitan stage.
Join barefoot scientist Jesús Rivas in the murky marshes of Venezuela on his quest to understand these huge, fearsome reptiles. Up to 30 feet long, weighing many times more than the scientists studying them, anacondas are difficult subjects at best, but the National Geographic team captures brilliant footage of them swimming, resting, mating, and hunting prey.
Do they really launch themselves onto the shore to grab a hapless snack? See for yourself, and gain a vivid appreciation for their appetites and skills. While your jaw drops at their fearsome agility, you’ll also be learning about their migratory and other behaviours from scientists who observe them daily and strive to increase our understanding of their needs for survival. In this National Geographic ‘Wildlife Special’ you’ll journey around the globe to see their extraordinary hunting techniques in action.
Any unlucky carcass is dispatched in a matter of minutes by a feeding frenzy that attracts jackals and hyenas along with vultures. Scavenging insects swarm over the remaining bones and horns. While this film focuses primarily on the griffin vulture (“nature’s undertaker”), it considers the role of all scavengers in this harsh ecosystem. Generally despised as harbingers of death, they actually help maintain the health of the savannah by disposing of waste and returning nutrients to the soil.
Eerie, forbidding, and darkly beautiful - Okefenokee is ruled by a relative of the dinosaur: the fearsome alligator. Day and night the alligator glides silently through its steamy realm, stony eyes just above the waterline, mouth held in a seemingly perpetual smile.
The eight lionesses soon give birth to their new leaders’ cubs and there are young everywhere, feeding, playing and training for survival. But danger lurks behind virtually every bush, whether from ever-present hyenas or from a clever mongoose. One lonely cub, born late and orphaned early, endures hardships so heart-rending the filmmakers were tempted to intervene. But they decided to let nature run its unpredictable course.
Panorama of Nice from the deck of a ship.
An impression of the funeral parade for Victoria, Queen of England, filmed in London (via https://catalogue-lumiere.com/le-char-funebre/)
Elaborate floats and costumes parading the streets of Nice.
The parade occupies only a small portion of the screen, the crowds are a seething mass that do really move and the Independence Bell is nowhere to be seen.
Lumière Brothers film automobiles driving at the Champs-Elysées.
A view of the entrance to the Stockholmsutställlningen, the World Exhibition in Stockholm.
A variation on the popular Butterfly Dance, released in hand-colored and stenciled versions. The film has the catalogue number 2011 and was likely shot in 1897 but not screened in France until the 10th of December 1899.