In the summer of '75 Pier Paolo Pasolini's film, "Salò", is stolen from the lab where he is editing it. This is just the first step of an intricate plan that will bring the great poet to his violent death.
In the summer of '75 Pier Paolo Pasolini's film, "Salò", is stolen from the lab where he is editing it. This is just the first step of an intricate plan that will bring the great poet to his violent death.
2016-03-24
5.712
Three well-off young men—former students at Rome’s prestigious all-boys Catholic high school San Leone Magno—brutally tortured, raped, and murdered two young women in 1975. The event, which came to be known as the Circeo massacre, shocked and captivated the country, exposing the violence and dark underbelly of the upper middle class at a moment when the traditional structures of family and religion were seen as under threat.
We are with Pasolini during the last hours of his life, as he talks with his beloved family and friends, writes, gives a brutally honest interview, shares a meal with Ninetto Davoli, and cruises for the roughest rough trade in his gun-metal gray Alfa Romeo. Over the course of the action, Pasolini’s life and his art are constantly refracted and intermingled to the point where they become one.
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Ostia is a fascinating short film directed by Julian Cole and produced for the Royal College of Art, which reconstructs the events leading up to the murder of Pier Paolo Pasolini. Ostia relocates the proceedings to London and stars Derek Jarman as Pasolini. The film features an evocative dream sequence which is accompanied by poignant excerpts from Pasolini’s own poetry, as read by Jarman.
A documentary about Pier Paolo Pasolini and his film 'Salò o le 120 giornate di Sodoma'.
Philo Bregstein tells us this film looks at Pasolini's life and art to explain why he died. The film traces Pasolini's life chronologically - family roots, hiding during World War II, teaching, moving to Rome, being arrested and acquitted many times, publishing poems, getting into film, being provocative, and being murdered. Interviews with Alberto Moravia, Laura Betti, Maria Antonietta Macciocch, and Bernard Bertolucci are inter-cut with readings of Pasolini's poems and with clips from four films - primarily the Gospel According to St. Matthew - to illustrate his changing ideas and points of view. Bregstein makes a case for Pasolini's being lynched.
Portrait of Pier Paolo Pasolini and his literary and cinematographic activity in the proletarian Rome.
A short documentary exploring the ongoing relevance and power of 'Salò o le 120 giornate di Sodoma'.
Behind the scenes footage of Pasolini and crew filming 'Salò o le 120 giornate di Sodoma'.
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