The folkloric group "Nzale," founded in 1979 in Bangui, practices a traditional dance called "M'baka M'Bokou," which means "strength" and is a symbol of victory. It is a battle dance: each dancer wears the skin of the animal he wishes to incarnate. One dancer stands in the middle of a circle and fights the other dancers who come to confront him one after another.
The folkloric group "Nzale," founded in 1979 in Bangui, practices a traditional dance called "M'baka M'Bokou," which means "strength" and is a symbol of victory. It is a battle dance: each dancer wears the skin of the animal he wishes to incarnate. One dancer stands in the middle of a circle and fights the other dancers who come to confront him one after another.
1985-01-01
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A documentary based on the book Umbanda no Brasil by the scholar Mata e Silva, who is interviewed by the director. The book studies the Brazilian religion known as spiritism, a syncretism of African beliefs and magical rites, Indian beliefs and images, and Catholic symbols.
Kandia "the gold voice of Manding", is the nickname given to Ibrahima Sory Kouyaté (1933 - 1977), which was the emblematic singer of independent Africa.
Fela Anikulapo Kuti created the musical movement Afrobeat and used it as a political forum to oppose the Nigerian dictatorship and advocate for the rights of oppressed people. This is the story of his life, music, and political importance.
Tchai is the word used by Ju/'hoansi to describe getting together to dance and sing; n/um can be translated as medicine, or supernatural potency. In the 1950's, when this film was shot, Ju/'hoansi gathered for "medicine dances" often, usually at night, and sometimes such dances lasted until dawn.
Women from three separate Ju/'hoan bands have gathered at a mangetti grove at !O to play an intense game in which under-tones of social and personal tensions become apparent.
A journey back through Dacia Maraini's and her trips around the world with her close friends cinema director Pier Paolo Pasolini and opera singer Maria Callas. An in-depth story of this fascinating woman's life. Maraini's memories come alive through personal photographs taken on the road as well as her own Super 8 films shot almost thirty years ago.
A group of teenagers go out to a den in the woods for a night of drinking, unaware that their behaviour touches on issues of ritual, folklore, mysticism and UFOs.
In the same vein as Meri's other documentations, this one takes advantage of the glasnost policy to discuss the social and ecologic impact of the Russian oil industry on the natives and the lands they inhabit.
Documentary following Serbian football coach Zoran Đorđević as he helps form South Sudan's first national football team.
The Matica slovenská (a mostly government-sponsored cultural, academic, and archival institution) employed Karol Plicka (1894-1987) as its ethnographer, who was able to make documentary shorts from about 1926. He obtained funding from the President’s Office in 1928 to produce an hour-long documentary about village life, Through Mountains and Valleys (Po horách, po dolách). It was awarded a Gold Medal at the International Exposition of Photographic Art in Florence and received an Honorable Mention at the International Venice Film Festival in 1932.
Karel Plicka was also cinematographer of this short movie. Editor in charge was Alexander Hackenschmied. There is an extraordinary emotional charge, every shot is working on its own, such as photographs, paintings and poetic complement intertitles in this short. From the perspective of nature and the perspective is shifting to the people and their habits, work and clothes. Peculiar documentary shots underscore Ruthenians (men, women and children) who are interested in looking into the camera and the curious "eye" showing off their habits.
At America's elite MIT, a Ghanaian alum follows four African students as they strive to graduate and become agents of change for their home countries Nigeria, Rwanda, Tanzania, and Zimbabwe. Over an intimate, nearly decade-long journey, all must decide how much of America to absorb, how much of Africa to hold on to, and how to reconcile teenage ideals with the truths they discover about the world and themselves.
Children and teenagers throw sticks, berries, and leaves at each other from perches in a large baobab tree.
This 1944 black and white silent film provides brief glimpses of the lifestyle among Kenya's white/European settlers during the Second World War.