Legendary director Hans Neuenfels once again proves his great skill with this interpretation of Mozart’s “Entführung aus dem Serail” (Abduction from the Seraglio). This extraordinary production conducted by Lothar Zagrosek, and with Catherine Naglestad, Kate Ladner and Matthias Klink in the main roles, won the Bavarian Theatre Prize in 1999 and offers a refreshingly new view of one of the most frequently played operas worldwide. Special highlight: Neuenfels places an actor at every singer’s side who not only takes over his role for the spoken original scripts, but also interacts with his singing double and other characters of the piece. In recent decades, directors have sought to revitalise the somewhat naive plot of the “Entführung” with fresh interpretations. Hans Neuenfels, who produced his “first Mozart” here in Stuttgart, retains the story’s naivety and absurdity. He does this in a very stimulating and intelligent way.
Konstanze (singing voice)
Blonde (singing voice)
Osmin (singing voice)
Bassa Selim
Blonde
Belmonte
Pedrillo
Legendary director Hans Neuenfels once again proves his great skill with this interpretation of Mozart’s “Entführung aus dem Serail” (Abduction from the Seraglio). This extraordinary production conducted by Lothar Zagrosek, and with Catherine Naglestad, Kate Ladner and Matthias Klink in the main roles, won the Bavarian Theatre Prize in 1999 and offers a refreshingly new view of one of the most frequently played operas worldwide. Special highlight: Neuenfels places an actor at every singer’s side who not only takes over his role for the spoken original scripts, but also interacts with his singing double and other characters of the piece. In recent decades, directors have sought to revitalise the somewhat naive plot of the “Entführung” with fresh interpretations. Hans Neuenfels, who produced his “first Mozart” here in Stuttgart, retains the story’s naivety and absurdity. He does this in a very stimulating and intelligent way.
1998-01-01
4.667
A loose remake of “12 Angry Men”, “12” is set in contemporary Moscow where 12 very different men must unanimously decide the fate of a young Chechen accused of murdering his step-father, a Russian army officer. Consigned to a makeshift jury room in a school gymnasium, one by one each man takes center stage to confront, connect, and confess while the accused awaits a verdict and revisits his heartbreaking journey through war in flashbacks.
Produced for Glass Eye Pix as part of their 2018 Creepy Christmas Film Festival, in which each short is inspired by a holiday-themed word. This film, the twelfth in the series, is inspired by the word "Christmas lights."
Twenty-year-old Matsuri Takabayashi learns that she only has ten years to live due to an incurable disease. She decides to not dwell on her life and not to fall in love – until she meets a man named Kazuto Manabe at a school reunion.
Meet a tiny girl named Thumbelina who lives in harmony with nature in the magical world of the Twillerbees that's hidden among the wildflowers. At the whim of a spoiled young girl named Makena, Thumbelina and her two friends have their patch of wildflowers uprooted and are transported to a lavish apartment in the city.
Naruto and his friends must get back a jug of stolen holy water from a band of higher class ninjas.
A tormented father witnesses his young son die when caught in a gang's crossfire on Christmas Eve. While recovering from a wound that costs him his voice, he makes vengeance his life's mission and embarks on a punishing training regimen in order to avenge his son's death.
Several generations following Caesar's reign, apes – now the dominant species – live harmoniously while humans have been reduced to living in the shadows. As a new tyrannical ape leader builds his empire, one young ape undertakes a harrowing journey that will cause him to question all he's known about the past and to make choices that will define a future for apes and humans alike.
They've swapped Christmas – again. Can Hayley and James' relationship survive another turbulent family Christmas or has their future together gone off-piste?!
In a city where fire, water, land and air residents live together, a fiery young woman and a go-with-the-flow guy will discover something elemental: how much they have in common.
When a lively young family moves in next door, grumpy widower Otto Anderson meets his match in a quick-witted, pregnant woman named Marisol, leading to an unlikely friendship that turns his world upside down.
Struggling to find his place at Oxford University, student Oliver Quick finds himself drawn into the world of the charming and aristocratic Felix Catton, who invites him to Saltburn, his eccentric family's sprawling estate, for a summer never to be forgotten.
Once again tampering with mother nature to disastrous results, Dr. Herbert West continues his research while serving time in a maximum security prison for his previous exploits. West's limited prison-cell experiments are suddenly interrupted by the arrival of a new prison doctor and the brother of the girl who suffered from West's experiments 13 years earlier.
Early morning silence is broken by screeching tires as a helicopter bears down on a speeding vehicle. Taking a quick corner, the team tumbles out into the woods as their car pulls away. Now they must make their way through the thick of nature and thick gunfire to accomplish their mission. Not a single word of dialogue is spoken throughout the entire film. Instead, the music, sounds, images and deeply truthful acting turn a simple plot into an intense experience. Passion and intrigue keep building to the very end.
Alain and Diane have been together for 30 years. In his mind, Alain is still 30 years old. But the equation 30 years of routine feelings, empty nest (and incidentally a job where being 50 is like an incurable disease) creates a much less euphoric effect for Diane. She oscillates between depression and free fall - and the first one who says "hormonal" she smokes. Alain loves Diane like crazy and love is proof. He's going to do something crazy for her, something to make her feel vital again, to make her heart beat and youthfulness pulsate. The crazy thing? Leave her. The risk with electroshock ? Unknown: either it wakes up or it burns. They will take it, with their eyes closed.
When a group of friends discover how to conjure spirits using an embalmed hand, they become hooked on the new thrill, until one of them goes too far and unleashes terrifying supernatural forces.
Tad accidentally unleashes an ancient spell, endangering the lives of his friends Mummy, Jeff, and Belzoni. With everyone against him and only helped by Sara, he sets off on an adventure to end the Curse of the Mummy.
Nora and Hae Sung, two childhood friends, are reunited in New York for one fateful week as they confront notions of destiny, love, and the choices that make a life.
Roxana Aubrey decides to drop her studies and escape her life in Paris for a free diving course in the south of France. She is quickly pulled into a life that reaches new depths brought by the weight of an ocean's descent.
Join Barbie “Brooklyn” Roberts, Barbie “Malibu” Roberts, and her sisters Skipper, Stacie, and Chelsea on an underwater adventure as they transform into mermaids to help save the world of Pacifica! In Barbie Mermaid Power™, Barbie and Barbie are summoned by Isla (from Dolphin Magic) to compete to be the underwater Power Keeper in a series of challenges designed to find their inner powers. Through these competitions, they discover whether they are mermaids of Earth, Air, Water, or Fire, all while making new animal and mermaid friends. In this fish-tale of friendship, adventure, and bravery, Barbie, Barbie, and family experience first-hand what it’s like to balance the worlds above and below the sea and learn a lesson in finding their inner powers along the way.
Recorded at the Glyndebourne Festival Opera in 1995, this acclaimed presentation of composer Gioachino Rossini's epic opus ERMIONE is based on Jean Racine's play "Andromache." Set in Troy after the city fell to the Greeks, the production recounts the rancorous battle between widow Andromache and Helen of Troy's green-eyed daughter, Ermione for the love of Pyrrhus
David McVicar's exhilarating new production, with Anne Sofie von Otter in the title role, restores the Opera Comique to Bizet's masterpiece. Philippe Jordan, in his Glyndebourne debut, conducts the London Philharmonic Orchestra, the Glyndebourne Chorus, and a cast which includes Marcus Haddock, Laurent Naouri, and Lisa Milne.
Live performance from the Schwetzinger Festspiele, 1987. At the age of 21, Italian composer Giacchino Rossini penned the masterful comic opera “L’Italiana in Algeri” (“The Italian Girl in Algiers”) in less than a month. The composer’s youthful exuberance comes across in this infectious 1987 performance. Though she’s known mainly for her Wagner roles, acclaimed German mezzo-soprano Doris Soffel shines in the title role of Isabella. Ralf Weikert conducts, and Mauro Pagano oversees sets and costumes.
The gorgeous and evocative Otto Schenk/Günther Schneider-Siemssen production continues with this second opera in Wagner’s Ring cycle. Hildegard Behrens brings deep empathy to Brünnhilde, the favorite daughter of the god Wotan (James Morris) who nevertheless defies him. Morris’s portrayal of Wotan is deservedly legendary, as is Christa Ludwig, as Fricka. Jessye Norman and Gary Lakes are Sieglinde and Siegmund, and Kurt Moll is the threatening Hunding. James Levine and the Met orchestra provide astonishing color and drama. (Performed April 8, 1989)
Siegfried is the third of the four operas that constitute Der Ring des Nibelungen (The Ring of the Nibelung), by Richard Wagner.
The Met’s spectacular production of Verdi’s Egyptian epic captures both the grandeur and the intimacy of this powerful tale of love and politics. Liudmyla Monastyrska is Aida, the Ethiopian princess-turned-slave in love with the Egyptian warrior Radamès, sung by Roberto Alagna. Olga Borodina is her rival, Amneris, daughter of the Pharao, and George Gagnidze sings Aida’s father, Amonasro, the King of Ethiopia. Principal Conductor Fabio Luisi is on the podium.
An Egyptian military commander, Radamès, struggles to choose between his love for the enslaved Ethiopian princess Aida, and his loyalty to the Pharaoh. To complicate the story further, the Pharaoh's daughter Amneris is in love with Radamès, although he does not return her feelings.
The Glyndebourne Opera's 1981 production of the Benjamin Britten opera, based on Shakespeare's play.
First staged at the Teatro La Fenice in 1846, Verdi’s ninth opera, Attila, returns to the stage of La Scala on December 7th. Following the inauguration of the 2015-2016 Season with Giovanna d’Arco and in anticipation of Macbeth, with Attila Musical Director Riccardo Chailly continues his study of Verdi’s early works, renewing a successful collaboration with creative director Davide Livermore that began with his acclaimed production of Donizetti’s Don Pasquale for La Scala. In this complex opera Verdi experiments with fresh perspectives, featuring spectacular historical settings, introspective angles and moral uncertainties. Attila demands of its performers not only passion and confidence, but also the ability to find subtle accents and psychological nuances.
Claus Guth's exciting 2017 staging of Handel’s "Rodelinda" at Madrid’s Teatro Real, featuring Lucy Crowe and Bejun Mehta as Rodelinda and Bertarido, with conductor Ivor Bolton. After the successes of "Giulio Cesare" in 1723 and "Tamerlano" in 1724, Rodelinda completes the trilogy of Handel’s great opera seria masterpieces. The work was composed in 1725 using Nicola Francesco Haym’s libretto, a work inspired by Antonio Salvi’s earlier libretto which had been itself adapted from Pierre Corneille’s tragedy "Pertharite, roi des Lombards". Rodelinda thus brought one of the most glorious compositional periods in the Handel’s career to a close, about a decade after his arrival in the British capital. Mixing romantic storytelling and political intrigue, Handel produced one of his most beautiful scores, a true operatic tour de force.
“Everyone steals according to one’s position in society.” A social critique, a credo to live by, and a recipe for the hilarious satire of Jacques Offenbach’s Les Brigands! The Opéra Comique’s rollicking 2011 production took full advantage of the talents of stage directors Macha Makeïeff and Jérôme Deschamps (members of the wildly successful French comedy troupe Les Deschiens) and the accomplished music director François-Xavier Roth.
High Definition recording June 2014, Arena di Verona. This opulent production was directed by Franco Zeffirelli and sung by an international cast of excellent singers: Russian mezzo-soprano Ekaterina Semenchuk, soprano Irina Lungu, tenor Carlo Ventre and Carlos Alvarez. The famous opera is staged as a colourful feast for the eyes, true to its source and convincingly acted by soloists, chorus and ballet alike. Conducted by Henrik Nánási it is a gloriously sung musical experience.
The Met assembled a vocal dream team for Jonathan Miller’s stylish production of the eternal Mozart masterpiece: Renée Fleming as the Countess, Cecilia Bartoli as Susanna, and Bryn Terfel as Figaro. With James Levine—one of the world’s great conductors of Mozart—in the pit, Bartoli interpolating two rarely heard alternate arias, and Dwayne Croft as the Count and Susanne Mentzer as Cherubino, this is a performance for the record books.
Giancarlo Del Monaco's passionate and intelligent production of Jacques Offenbach's magnum opus creates a climactic kaleidoscope of deep and convincing emotions. A highly credible incarnation of the pitiable Kleinzach he sings about, Aquiles Machado is the poet who loses his romantic idealism, his reflection and finally his soul to a 'trio of charming enchantresses'.
Live performance from the Opéra de Lyon, July 1 2012. Controversial production by Olivier Py.
Die Walküre (The Valkyrie), WWV 86B, is an opera in three acts by Richard Wagner with a German libretto by the composer. It is the second of the four operas that form Wagner's cycle Der Ring des Nibelungen (The Ring of the Nibelung). The story of the opera is based on the Norse mythology told in the Volsunga Saga and the Poetic Edda.[1][2] In Norse mythology, a valkyrie is one in a group of female figures who decide which soldiers die in battle and which live. Die Walküre's best-known excerpt is the "Ride of the Valkyries". DVD release June 2009.
Richard Strauss's opera, from the Royal Opera House, Covent Garden.