Albeit unaware, we all have an opinion: guys without a job, a cigarette in one hand, a beer can in the other... It's easy to label them as junkie, leach, or welfare case. A reason for the producers to show that there is more than one truth. The men central in this film present a viewpoint that is both piercing and confronting. THIN LINE is not always comfortable to watch but provides pressing critical comments from an unexpected angle. This "fascinating perspective on the standard thinking of our society", as the jury report stated, was rewarded with a Wildcard by the Dutch Filmfund in 2014.
Albeit unaware, we all have an opinion: guys without a job, a cigarette in one hand, a beer can in the other... It's easy to label them as junkie, leach, or welfare case. A reason for the producers to show that there is more than one truth. The men central in this film present a viewpoint that is both piercing and confronting. THIN LINE is not always comfortable to watch but provides pressing critical comments from an unexpected angle. This "fascinating perspective on the standard thinking of our society", as the jury report stated, was rewarded with a Wildcard by the Dutch Filmfund in 2014.
2015-02-21
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Albeit unaware, we all have an opinion: guys without a job, a cigarette in one hand, a beer can in the other...
On the night of October 30, 1993, River Phoenix is set to play with his band at the Viper Room on Sunset Boulevard when he dies suddenly of a drug overdose on the sidewalk outside the club. "Stand By Me" was his breakthrough, "Indiana Jones And The Last Crusade" popularized him, and "My Own Private Idaho" solidified him as an idol for an entire generation.
In Bettina Büttner’s exquisitely lucid documentary Kinder (Kids), childhood dysfunction, loneliness, and pent-up emotion run wild at an all-boys group home in southern Germany. The children interned here include ten-year-olds Marvin and Tommy. Marvin, fiddling with a mini plastic Lego sword, explains matter-of-factly to the camera, “This is a knife. You use it to cut stomachs open.” Dennis, who is even younger, is seen in a hysteric fit, mimicking some pornographic scene. Boys will be boys, but innocence is disproportionately spare here. Choosing not to dwell on the harsh specifics, Büttner reveals the disconcerting manner in which traumatic episodes can manifest themselves in the mundane — a game of Lego, Hide and Seek, or Truth or Dare. Filmed in lapidary black-and-white, Büttner’s fascinating film sheds light on childhood from the boys’ characteristically disadvantaged perspective — one not yet fully cognizant — leaving much ethically to ponder over.
Italian-born Laura Huxley, a teenage violin virtuoso, played for European royalty and made her American debut at Carnegie Hall before leaving the concert stage to become a renowned psychotherapist and author. In 1956 Laura married Aldous Huxley, author of BRAVE NEW WORLD, literary giant and prophet of the 20th century.
Once again, David Graham Scott examines how some addicts use the plant medicine iboga to detox rapidly—and how, sometimes, the conditions in which they detox put them at risk.
This film is a story about that time in the Baltics, Latvia, and Riga. Young rebels of 1960s – nonconformists, hippies and beatniks – have turned into a generation of well-known writers, poets, musicians, directors, as well as politicians of the new independent Latvia. The ones who were 18, 20, or 25 in 1960s are half a century older today. The protagonists of the film are united by the bohemian gathering place of their youth, a small nameless cafe in the Old Town of Riga, commonly referred to as “Kaza” (The Goat). This place is surrounded by legends, myths and humorous stories.
Robert Mitchum narrates an anti drug propaganda film.
Megacities is a documentary about the slums of five different metropolitan cities.
Elvis and Priscilla are one of the most famous celebrity couples of all time. But the story that lies beneath the glamorous facade is more toxic than what first meets the eye. Elvis has defined Pricilla's life. His comment that she was "young enough that he could train her any way he wanted", in the end, came true. Though their relationship was bound by true love, what were the conditions that let it flourish?
Documentary feature about 11-time Jeopardy! champion and Internet iconoclast, Arthur Chu.
The term "mongrel complex" refers to a feeling that is characteristic of certain classes in Brazilian society. This feeling, marked by defeatism, pessimism, and misinformation, is closely linked to the denial of "who we are as brazilians". The documentary "The Mongrel Complex" explains this feeling, discusses the theme, and gives a brief social and political panorama of Brazilian reality.
Castiglione d'Otranto, in the South of Italy. A group of thirty-year-olds no longer accept that the solution to the economic, ecological and political problems of the territory is always "to leave". They propose to the villagers who own pieces of uncultivated land, often felt as a burden, to put them in common. They decide to stay, to link their lives to the land and to invest in a value: being together. Castiglione becomes the village of restance. They cultivate ancient seeds and local biodiversity, they make decisions together, they develop a local economy. Accepting the shadows of the past, another potential of the place is rediscovered.
Openland is an art film guided by issues surrounding micro states and its derivative definitions. Through intertwining interviews, meta-narratives, and digital landscapes, Openland unfurls a dialogue between consciousness, individuality and collectivity.
Vancouver's Downtown East side is home to thousands of drug addicts, prostitutes, and the mentally ill. Amateur cameraman K.R.T. spent one summer on these mean streets getting to know longtime homeless drug addicts Ken and Lisa. This seemingly random footage was given to first time writer/director Josh Laner who found a story of people trying to connect in an area where no one seems connected to much of anything. An intimate and surreal look at life on the streets in Canada's most impoverished postal code. This is Josh Laner's first film.
As police and DEA agents battle sophisticated cartels, rural, economically-disadvantaged users and dealers–whose addiction to ICE and lack of job opportunities have landed them in an endless cycle of poverty and incarceration–are caught in the middle.