“Ah humanity! reflects on the fragility and folly of humanity in the age of the Anthropocene. Taking the 3/11/11 disaster of Fukushima as its point of departure, it evokes an apocalyptic vision of modernity, and our predilection for historical amnesia and futuristic flights of fancy. Shot on a telephone through a handheld telescope, at once close to and far from its subject, the audio composition combines excerpts from Japanese genbaku film soundtracks, audio recordings from scientific seismic laboratories, and location sound.”—Ernst Karel, Verena Paravel & Lucien Castaing-Taylor
“Ah humanity! reflects on the fragility and folly of humanity in the age of the Anthropocene. Taking the 3/11/11 disaster of Fukushima as its point of departure, it evokes an apocalyptic vision of modernity, and our predilection for historical amnesia and futuristic flights of fancy. Shot on a telephone through a handheld telescope, at once close to and far from its subject, the audio composition combines excerpts from Japanese genbaku film soundtracks, audio recordings from scientific seismic laboratories, and location sound.”—Ernst Karel, Verena Paravel & Lucien Castaing-Taylor
2015-09-15
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In Waziristan, "one of the most dangerous places on earth", Maria Toorpakai defies the Taliban, disguising herself as a boy so she can play sports freely. But when she becomes a rising star, her true identity is revealed and death threats force Maria to leave her country. Undeterred, Maria decides to return facing the danger and to play the sport she loves.
A Syrian radio DJ documents the experiences of herself and her friends as their dreams of overthrowing their elected government give way to the grim realities of sectarian death squads and extremism.
Keeping the Vision Alive is a documentary film containing the voices and images of Korean women filmmakers-both senior filmmakers and also the peers of director Yim. The film is Yim’s homage to both contemporary Korean women filmmakers, written by a filmmaker of the same age, and also to the history of women filmmakers in Korea. Yim does not reveal her own voice or opinion and lets the voices and images of the filmmakers speak for themselves through a non-interventionist camera. From the pioneers, Park Nam-ok, and Hwang Hye-mi, who directed First Experience in 70’s, to recent filmmakers, Byun Young-joo and Jang Hee-sun, the film traces their experiences, troubles, concerns and thoughts as women and women filmmakers. Keeping the Vision Alive calmly and enthusiastically encourages and celebrates the struggles, the resistance and the survival of women filmmakers in a conservative Korean film industry and a male-dominated and sexist social system. (Kwon Eun-sun)
The life and work of Tove Jansson, mainly known for creating the Moomins but also a writer and painter.
Compares treatment of Balinese and Iatmul (New Guinea) babies with American practices. The different methods of bathing children is seen in three contrasting cultures. "New Guinea". A native mother is seen washing her own and a neighbour's children in a river. "U.S.A.". "The 1930's". In a small bathroom, the mother first carefully wipes the child's face with a flannel, before putting him into the bath-tub. "U.S.A.". the 1940's: Similar setting, similar routine, but mother is less protective, child more independent and interested in outside objects. "Bali": In a mountain village, a mother bathes her child in a small tub on a raised platform.
The Ax Fight (1975) is an ethnographic film by anthropologist and filmmaker Tim Asch and anthropologist Napoleon Chagnon about a conflict in a Yanomami village called Mishimishimabowei-teri, in southern Venezuela. It is best known as an iconic and idiosyncratic ethnographic film about the Yanomamo and is frequently shown in classroom settings.
What are the social climate and cultural traditions in Costa Rica which nurture "machismo" and allow the domination of women to continue in Latin America?
Souls in the Sun takes an honest look at some victims of the world's neglect - a few individuals among the teeming masses of poor people.
While the 2016 election catalyzed the Women’s March and a new era of feminist activism, Tamika Mallory and Erika Andiola have been fighting for their communities for decades. Their stories expose the fundamental connection between personal and political and raise the question: what's intersectionality and can it save the world?
The Blackfoot bareback horse-racing tradition returns in the astonishingly dangerous Indian Relay. Siksika horseman Allison Red Crow struggles with secondhand horses and a new jockey on his way to challenging the best riders in the Blackfoot Confederacy.
A young autistic woman defies her doctor's prognosis of lifelong mutism and finds her voice through showing cats.
For 100 years, we have waged war on wildfire in the United States, and ironically, have created a more volatile landscape than ever.
Documentary on the former border patrol sergeant Klein. Klein deserted in 1961, defected to the enemy and betrayed state and military secrets. He was caught by the security forces.
Adorned in pink sequins, little girls from all over a divided, war-torn Ukraine audition to play the role of a national hero whose tears of joy once united their troubled country, the gold-winning figure skater Oksana Baiul.
Each night in Silicon Valley, the Line 22 transforms from a public city bus into an unofficial shelter for the homeless in one of the richest parts of the world.
Barletta, Italy, 2011: one hundred years after the 1911 Fire at the Triangle factory in New York, several textile workers die because of the collapse of the building in which they used to work as employees of an unauthorized knitwear factory. Mariella Fasanella is the only survivor among the women who worked there. Through her words we experience a century-long journey through the rise and fall of manual labour and industrialism in the Western world.
Mollie and Alex are part of a growing group of teens and twenty-something embracing the world of public nudity. They are on a quest to normalize nudity, question the media's obsession with the body beautiful, and encourage other young people to liberate themselves by simply going naked - in the streets, in cafes or at art shows
A magical and moving archive trip through the universal theme of love, from the very first kisses ever caught on film, through the disruption of war to the birth of youth culture, gay liberation and free love, we follow courting couples flirting at tea dances, kissing in the back of the movies, shacking up and fighting for the right to love.
Edward R. Murrow narrates Humphrey Jennings' short documentary about life in England during wartime.
Documentary.In its catalogue, a Czech travel agency offers a "journey into the unknown", a tour of North Korea. That spring was the second time since 1990 that a group of Czech tourists set foot in the DPRK. The film follows twenty-seven Czechs who have decided to spend approximately 2,600 Euros on a sightseeing tour of a country which cultivates a cult of personality, maintains concentration camps for its citizens and doesn't hide its development of nuclear weapons. Foreign visitors are only allowed a view of a carefully prepared illusion, thoroughly supervised by "guides". What is more, the North Korean system is starkly reminiscent of our own past. Which emotions do our travellers experience: sympathy, nostalgia or, in contrast, happiness that "we already have this behind us"? How does a Czech person, after being accustomed to eighteen years of freedom and democracy, come to terms with the directives and restrictions of a totalitarian system?