In 1995, Adina Howard made waves in the world of music with her hit song “Freak Like Me.” Never before had a solo R&B female artist made such a bold and controlling stance sexually through song. Along with becoming one of the highest selling singles and most played music videos on MTV and BET in 1995, Adina Howard’s performance allowed young women of color and future recording artist to express their sexuality without shame. “Adina Howard 20: A Story of Sexual Liberation” shares Adina’s story through her own words as well as the impact that she made during the 1990s and thereafter. Adina speaks on her relationship with Tupac Shakur, the banning of her music video from BET, landing a cameo role in the movie “Waiting to Exhale,” her encounter with legendary vocalist Nancy Wilson, working with Hollywood giants Jackie Chan and Jamie Foxx and the sudden halt to her stardom due to her comments about record exec Sylvia Rhone.
In 1995, Adina Howard made waves in the world of music with her hit song “Freak Like Me.” Never before had a solo R&B female artist made such a bold and controlling stance sexually through song. Along with becoming one of the highest selling singles and most played music videos on MTV and BET in 1995, Adina Howard’s performance allowed young women of color and future recording artist to express their sexuality without shame. “Adina Howard 20: A Story of Sexual Liberation” shares Adina’s story through her own words as well as the impact that she made during the 1990s and thereafter. Adina speaks on her relationship with Tupac Shakur, the banning of her music video from BET, landing a cameo role in the movie “Waiting to Exhale,” her encounter with legendary vocalist Nancy Wilson, working with Hollywood giants Jackie Chan and Jamie Foxx and the sudden halt to her stardom due to her comments about record exec Sylvia Rhone.
2015-08-21
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Arguing that advertising not only sells things, but also ideas about the world, media scholar Sut Jhally offers a blistering analysis of commercial culture's inability to let go of reactionary gender representations. Jhally's starting point is the breakthrough work of the late sociologist Erving Goffman, whose 1959 book The Presentation of the Self in Everyday Life prefigured the growing field of performance studies. Jhally applies Goffman's analysis of the body in print advertising to hundreds of print ads today, uncovering an astonishing pattern of regressive and destructive gender codes. By looking beyond advertising as a medium that simply sells products, and beyond analyses of gender that tend to focus on either biology or objectification, The Codes of Gender offers important insights into the social construction of masculinity and femininity, the relationship between gender and power, and the everyday performance of cultural norms.
As seniors in high school, Troy and Gabriella struggle with the idea of being separated from one another as college approaches. Along with the rest of the Wildcats, they stage a spring musical to address their experiences, hopes and fears about their future.
Off-camera, a Western traveler tells us of hearing singing from his hotel window in Bombay. He searches for the source, and discovers a caste of street performers, eking out a modest living. We see individuals and groups, old and young, snake charmers and those hired to sing at family celebrations. A few talk about their lives and refute accusations of kidnapping lodged against the caste. A troupe of women sing at a party for a pregnant woman - they are saucy and blunt, encouraging and sisterly.
This short documentary, shot in July 1976 at the Mannes College of Music on Manhattan's Upper East Side, marks the first collaboration between Merchant Ivory Films and composer Richard Robbins, who would go on to provide the musical scores for nearly all Merchant Ivory films. Later in 1976, 'Sweet Sounds' was shown at the New York and London Film Festivals. It was also broadcast on PBS.
Raised a boy in East Berlin, Hedwig undergoes a personal transformation in order to emigrate to the U.S., where she reinvents herself as an 'internationally ignored' but divinely talented rock diva, inhabiting a 'beautiful gender of one'.
Explores the beginnings of Rap music on the West Coast in the LA area, mostly focusing on Uncle Jamm's Army and Alonzo Williams with the World Class Wreckin' Cru (with footage of Dr. Dre and DJ Yella performing before they created NWA).
A documentary that charts the never ending hustle of up and coming, as well as seasoned hip-hop producers.
Producciones Yllana and Ara Malikian present PAGAGNINI, an innovative, non-text musical show that brings to life some of the most treasured musical pieces in the World in the key of comedy.
A documentary chronicling the rise of Awful Records, with background on each member of the crew.
Live in Atlantic City is a live album and home video release by American rock band Heart, recorded during their concert at the Trump Taj Mahal in Atlantic City for VH1's Decades Rock Live! show on March 10, 2006.
Lebanon today. The traces of the civil war are all too tangible as government corruption becomes unbearable. In a country where conflict and peace are caught in an endless cycle, musicians from different backgrounds pool their talents to create an underground music scene. Each evokes his or her representation of Lebanon: its shifting geographical, political, historical and social borders, its painful passage through conflict and instability. A touching portrait of a young generation trying to build an oasis in a hostile environment where the forces of destruction continue to wreak havoc.
Radiohead's performance at the OpenAir festival in St. Gallen on July 2, 2016 Setlist: 1 - Burn the Witch 2 - Decks Dark 3 - Desert Island Disk 4 - Ful Stop 5 - No Surprises 6 - Weird Fishes/Arpeggi 7 - Everything in Its Right Place 8 - Idioteque 9 - Street Spirit (Fade Out) 10 - Bloom 11 - Paranoid Android 12 - Nude 13 - 2 + 2 = 5 14 - There There 15 - Exit Music (for a Film) 16 - Karma Police
This film from acclaimed theater director Lonny Price charts the journey of the original cast of Stephen Sondheim's "Merrily We Roll Along" in the 30-plus years since the musical debuted on Broadway at the Alvin Theatre in 1981.
James and Linda struggle to take care of her nephew, and his grandma, but when they receive more bad news, their only solution is to retreat to a fantasy.
Through humor, anecdotes and their songs, mythical Venezuelan ska band Desorden Público tells their story and that of three decades of their country.