The film is about Vettikadu Sivan (Jayasurya), a young, intelligent man who sets out on a mission to settle a score and give a peace of mind to his uncle Vettikadu Sadasivan (Jagathy Sreekumar) who is the chief minister of the state. To do this, Sivan hatches a plan to get the twin brother of Sadasivan who is settled in Gujarat and is an ordinary banana seller and a bit on the lesser side of intelligence.
The film is about Vettikadu Sivan (Jayasurya), a young, intelligent man who sets out on a mission to settle a score and give a peace of mind to his uncle Vettikadu Sadasivan (Jagathy Sreekumar) who is the chief minister of the state. To do this, Sivan hatches a plan to get the twin brother of Sadasivan who is settled in Gujarat and is an ordinary banana seller and a bit on the lesser side of intelligence.
2008-04-17
2
This musical version of the tale of the boy who wouldn't grow up aired live on television on March 7, 1955. It was so popular that it was restaged the following year, and again four years later.
Static images of an old country house are combined with voices of the past to evocative effect. Haunting and nostalgic, 'Return' conveys the life that exists in old, abandoned places.
A young British widow shelters an old medical school colleague, a man who has somehow turned himself invisible. As his isolation grows and his sanity frays, he schemes to create a reign of wanton murder and terror across the city.
A family begins to fall apart when their eldest daughter is diagnosed with schizophrenia.
Krishnakumar is a resident of an agraharam in Kalpathi. Along with his studies, he pursues a career as a percussionist and teaches the mridangam to local students. He is in love with a girl—the daughter of a family friend. Their relationship is not only approved, but supported by both families. Kichu moves on to the city of Kochi (Ernakulam) to enroll at an engineering college. The villain - Sudhi - is a senior student and the youngest of three brothers; he pursues a real estate business and routine crimes associated with it. In all his villainous endeavours on the campus he is supported by his brothers.
Trying to find their luck, husband and wife, Lucian and Andra start a new business by managing a guesthouse hidden somewhere deep in the mountains.
A man trying to maintain his innocence finds himself tormented by a vengeful entity looking to consume his soul.
"Tot Tap" with teacher Rosemary Boross is a fun-filled introduction to the world of tap dance for children. It is a beginner class designed for children ages four through six, teaching the basics of tap, including toe taps, heel taps, shuffles, cramp rolls and more. The music helps the children hear the rhythms and execute them clearly and easily.
Less than a year after Geist activated the Death Force, which decimated most of Jerra's population, he has kept himself busy by dismantling the Death Force machines one by one. Most of the remaining human population have fled to a remote haven run by a warlord named Krauser. Krauser is another MDS unit, MD-01, who has a technology that hides his mobile fortress from the Death Force.
Backlash (2009) was a PPV that took place on April 26, 2009, at the Dunkin' Donuts Center in Providence, Rhode Island. The 11th and final event under the Backlash banner, it featured talent from all three WWE brands: Raw, SmackDown, and ECW. The event's card featured seven matches. The main event consisted of a Last Man Standing match for the World Heavyweight Championship, in which Edge competed against John Cena. The other main match scheduled on the event's card was a Six-Man Tag Team match for the WWE Championship between Triple H (champion), Batista and Shane McMahon, and The Legacy (Randy Orton, Cody Rhodes and Ted DiBiase). Other matches included an "I Quit" match between Jeff and Matt Hardy and three singles matches: Christian versus Jack Swagger for the ECW Championship, followed by CM Punk versus Kane, and Chris Jericho versus Ricky Steamboat.
THE BLUE HOUR tells the story of Tanya, a young woman with a mysterious past who finds herself trapped in a sexual hell in Los Angeles. Punctuated by striking visuals and avant-garde editing, THE BLUE HOUR is a lost masterpiece of late period sexploitation.
Three young women, who each have a sought-after commodity - their virginity. Kristina, Karina and Katya each try to make their way in a world ruled by fame, popularity and money.