Out of the Mist: An Alternate History of New Zealand Cinema(2015)

Workers Leaving the Lumière Factory(fr)

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

Visions of Europe(en)

Twenty-five films from twenty-five European countries by twenty-five European directors.

Auge in Auge - Eine deutsche Filmgeschichte(de)

This is not merely another film about cinema history; it is a film about the love of cinema, a journey of discovery through over a century of German film history. Ten people working in film today remember their favourite films of yesteryear.

Drive-by Shooting(en)

With a movie camera mounted in the passenger seat of his car, Andy Anderson drove around filming his local neighbourhood of Fort Worth, Texas. The procession of sunny lawns and quiet houses has a day-dreamy innocence, however on the soundtrack, a narrator recites from the police records of over 600 crimes committed in the area. Domestic violence, petty theft, drug related assault; the list of vicious and hapless actions unfolds randomly, "a woman said her husband punched her in the face when he asked her for ten dollars and she didn't have the money. theft; two lawnmowers.." In a powerful counterpoint of sound and image Drive By Shooting creates a two hour-long surveillance film that misses all the action, yet evokes a sense of vulnerability on the streets and violence behind closed doors.

Mother Earth’s Inner Organs(en)

The first mountains that the Amsterdam-based Colombian artist and filmmaker Ana Bravo Pérez saw in the Netherlands were black. In this experimental work, she follows the stench of the coal in the port of Amsterdam back to its origin: an open wound in northern Colombia. The mine is located in the territory of the Wayuu and has a huge impact on the indigenous people.

Holy Angels(en)

Documentary about the Holy Angels Residential School in Alberta, where hundreds of First Nations children were imprisoned.

Carta para Raúl Ruiz(es)

James Bearden: Man of Metals(en)

An essay style film in the vein of Orson Welles' "F For Fake" and Jon Jost's "Speaking Directly". From 2011 to 2013, filmmaker Kristian Day randomly documented the art and actions of the award winning metal sculptor, James Bearden. Refusing to make another artist documentary, Day insisted on illustrating Bearden's creative process through surreal and id oriented story telling.

Costa Rica Banana Republic(es)

This film was originally made for the International Conference on Human Settlements (HABITAT) which was held in Vancouver, Canada. Taking as an example the production and marketing of bananas and the prevailing conditions in the world market - dominated by the virtual monopoly of three multinational companies -, it is shown how as a result of this monopolistic domination, the Costa Rican State has stopped receiving equitable taxes for what that, in the end, the housing and public services offered by the country are characterized as those of an underdeveloped society. The attempt made since 1974 by a group of banana-producing countries, aimed at improving sales prices to multinationals and raising taxes; The resulting “banana war” are examples of the enormous efforts that small banana countries have to make to achieve greater justice in the prevailing market conditions.

Woher kommst du eigentlich? Schwarze in Deutschland(de)

Prejudices, ignorance, and racism still leave their mark on the everyday life of black Germans, respectively Europeans, until today. How do Afro-Germans deal with their history? Which colonial-racist patterns still shape our society today? With insights into various historic epochs, it is made clear that THE history of the Black people does not exist. And neither exists THE history of white people.

The Sound of Crickets(es)

After the disappearance of Aldemar his wife decided to get overall uncertainty by including him in the list of deaths in the 1938 Colombian National Census. Today, 83 years later, I repeat her. I try to find myself among the numbers in the digital database in order to finish the torture that has also implied my own disappearance.

A Bing Crosby Christmas(en)

The program on this DVD is basically a retrospective produced in the early 1990s for public television that was originally called «A Bing Crosby Christmas: Just Like the Ones You Used to Know» that was narrated by Gene Kelly and hosted by Bing's widow, Kathryn Crosby. The program itself features clips from fifteen of Bing's classic television specials, concentrating on the period from the early 1960s onwards when he included Kathryn and their three children in the programs.

The Red Bank. James Joyce: His Greek Notebooks(el)

This documentary aims to register this unknown side of James Joyce: His Greek Notebooks. Trieste. Bloomsday, 2013. Dance in slow motion, accompanied by text. By deconstructing the body, we turn it into a memory: of the body, of life, of texts. The biographical references to Joyce and Mando Aravantinou, combined with the diagonal slicing of the image, cancel the realism of the landscape, including that of the Narrator’s space/study. As a culmination, Joyce’s letter “A request for a loan in Greek” functions as a timely denunciation. Various routes through cities, such as Trieste, London, New York, and Athens; languages such as Greek and English. In addition to the primal myth of Ulysses, there is another issue: Greek is “the language of the subject of Ulysses”

Here and Elsewhere(fr)

Here and Elsewhere takes its name from the contrasting footage it shows of the fedayeen and of a French family watching television at home. Originally shot by the Dziga Vertov Group as a film on Palestinian freedom fighters, Godard later reworked the material alongside Anne-Marie Miéville.

All This Can Happen(en)

A flickering dance of intriguing imagery brings to light the possibilities of ordinary movements from the everyday which appear, evolve and freeze before your eyes. Made entirely from archive photographs and footage from the earliest days of moving image, All This Can Happen (2012) follows the footsteps of the protagonist from the short story 'The Walk' by Robert Walser. Juxtapositions, different speeds and split frame techniques convey the walker's state of mind as he encounters a world of hilarity, despair and ceaseless variety.

Images of the Orient - "Vandalic Tourism"(en)

Working from archives of private film footage from a trip to India by the upper class of the late 1920s, a period of strong anti-colonial outbreak, Yervant Gianikian and Angela Ricci Lucchi deconstruct the images and analyze the attitude and behavior of Westerners in the East.

Blin Cat(ru)

A video essay about a conversation the director had with a friend about a particular picture of a cat sitting in front of a plate of blins.

The Dreamed Films(fr)

Belgian filmmaker Eric Pauwels' meditation on dream, travel and film.

Una identidad en absurdo Vol. 1(es)

Guillermo Gómez Álvarez explores the identity politics of Puerto Rico via archival footage from various sources that clash with nine original songs from local independent musicians and a thematic analysis from a psychoanalyst and a historian. From the juxtaposition the absurd becomes coherent and the coherent becomes absurd as Puerto Rican identity is defined and rejected almost simultaneously.

Decasia(en)

A meditation on the human quest to transcend physicality, constructed from decaying archival footage and set to an original symphonic score.