Misunderstood genius, superstar, Hollywood’s fallen angel... Orson Welles left his indelible mark on the 20th century.
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Keith Haring: The Message was released in conjunction with the Keith Haring retrospective at the Museum of Modern Art in Paris. Directed by famed designer, Madonna stylist and Haring confidante Maripol, The Message goes pretty deep into both the artist and the city and times he’ll forever be identified with: New York City, circa the 1980s. The focus, as the title indicates, is upon the “struggles that animated” Keith Haring’s work, his activism – in a word, his “message.”
Three people, each having different aspirations from life, are caught in a tangle of emotions and don’t know the way out. There’s a husband and wife with love eroding from their life. And there’s a single, happy-go-lucky dude who falls in love with the wife.
The small Turkish town of Gaziantep. 16-year-old Mustafa is one of many young boys who study the complex art of making baklava, the Turkish desert renowned across the world. Under the strict eye of the master Baklava makers, Mustafa’s life is one of hard work and dedication to his chosen craft. But Mustafa dreams of a life beyond the confines of the workshop. He still wants to be a baklava master: he just wants to do it on his terms. Soon, against the advice of his friends and family, Mustafa makes a move towards the big city. Will his dreams be realised or will they crumble before him? A film about the impetuousness of youth and the importance of reaching for the stars, Angelos Abazoglou’s innnovative documentary is a moving and joyful coming-of-age tale which will speak to anyone who has ever wanted to fullfill their dreams.
Ultra Music Festival 2015. In the middle of the pouring rain. Dash Berlin wrote history surprising the crowd with one of the most emotional, powerful and energetic sets the festival has ever seen and proved to be right at home at the big main stage.
In this last episode princess Fantaghirò ends up in a parallel dimension fairy land full of kids. Here the princess must fight against a villain called "Nameless".
Three friends, Sakharia, Gopi and Bilal go to a brothel for enjoyment. They find a girl who was forced into prostitution and decide to save her.
The story is about the young soldiers who harassed his sister as an anonymous person Price action really tried to prepare her sister and in this way are new characters into the story. The final sequence of the boys killed his victim.
Miles is sent to therapy by his parents, as the couple believes their son has a problem with drugs. During the therapy session the story takes a turnaround.
Three con artists dupe two Olympians into serving as editors of a new health and beauty magazine which is only a front for salacious stories and pictures.
A young secretary falls in love with her boss, a middle-aged playwright. Complications ensue when her boss' son falls for her.
Live is a live performance by Sunny Day Real Estate. Recoded on the How it Feels to Be Something On tour on May 26, 1999, in Eugene, OR and released in the same year through Sub Pop. The VHS included the promo music videos for "Seven" and "In Circles" Set list: "Pillars" – 5:01 "Guitar and Video Games" – 4:18 "The Blankets Were the Stairs" – 5:48 "100 Million" – 5:37 "Every Shining Time You Arrive" – 4:31 "Song About an Angel" – 6:21 "The Prophet" – 6:02 "J'Nuh" – 5:48 "Rodeo Jones" – 5:08 "In Circles" – 5:00 "Days Were Golden" – 8:42
Tom Melgushi, becoming overexcited from alcohol, wanders around the streets disturbing people. And one day, Flutura, a teacher of the village, gets on his cab, and there was a glimpse of hope for a stable relationship with the young woman. Tom becomes subject of public criticism after Flutura's accident, because she jumped out of the cab fearing Tom's violence.
Trouble has been reported in Placerville where Tom Barton's brother is the Marshal. Arriving Tom finds a phoney Marshal in his brother's place. Learning that Clark is behind the all the trouble and that he is after the Madison stage line, Tom joins up with Mary Madison to fight Clark while he also looks for his missing brother.
Pavlina is a drug addict imprisoned, as well as her boyfriend, for illegal drug manufacturing. They meet again after the amnesty and the vicious circle of drugs starts rolling again.
René has been in prison since he was 16. He is sick of life and doesn’t care about his parents (just as René’s parents never cared about him when he was a child); he doesn’t even know how many more children they had. After the general amnesty, René just hangs around, not satisfied in any job, and with his younger brother he starts stealing. In no time he is back in prison, this time joined by his brother who is still a youth. History repeats itself and René’s life philosophy seems to be confirmed: You enjoy your freedom for a while, then go to prison and the same thing happens all over again.
Lada is a product of "educational“ or "corrective“ institutions. Not only is he not educated or corrected, he simply does not understand anything about life. He solves his problems in his own way – by swallowing sharp objects.
Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. This first half of her two-part film opens with a renowned introduction that compares modern Olympians to classical Greek heroes, then goes on to provide thrilling in-the-moment coverage of some of the games' most celebrated moments, including African-American athlete Jesse Owens winning a then-unprecedented four gold medals.
Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. Where the two-part epic's first half, Festival of the Nations, focused on the international aspects of the 1936 Olympic Games held in Berlin, part two, The Festival of Beauty, concentrates on individual athletes such as equestrians, gymnasts, and swimmers, climaxing with American Glenn Morris' performance in the decathalon and the games' majestic closing ceremonies.
"Blockade" takes place in the mountains and valleys of northern British Columbia, at the heart of the boldest aboriginal land claims case to challenge the white history of Canada. The Gitksan and Wet'suwet'en hereditary chiefs claim that everything within 22,000 square miles, including the trees, is rightfully theirs.
A portrait and tribute to Canadian filmmaker Deepa Mehta.
Love and desire fill the minds of villagers in a Hungarian speaking village in Transylvania, Romania, even in their old age. Time has stood still here, and although most of the village’s inhabitants are elderly, they are refreshingly young at heart.
Documentary on the exodus of the Dominican illiterate laborers to Puerto Rico during the late 1980's to 1990. Focuses on the plight of Dominican women who, faced with no economic opportunities in Santo Domingo, embark in an illegal boat trip to Puerto Rico.
Discusses the mass immigration to the United States from the Dominican Republic due to the poor economic conditions there. Includes interviews with people, primarily women, who have emigrated and gives details on the hardships the travelers endure.
Documents the life and musical production of Puerto Rican music composer, Tite Curet Alonso. Includes Tite Curet's last interview before his death.
Features the life of feminist Luisa Capetillo in late 19th and early 20th century Puerto Rico.
A film pioneer, Binka Zhelyazkova was at the forefront of political cinema under Bulgaria's Communist dictatorship. Though she remained faithful to the communist ideals she became an avid critic of the regime and brought upon herself the wrath of its censorship. As a result four of her nine films were shelved and released to the public only after the fall of the regime in 1989, and Binka Zhelyazkova became known as the bad girl of Bulgarian cinema. A provocative portrait that reveals the pressures and complexities that arise when art is made under totalitarianism.
For five years, Schmitt and Lynch followed the buffalo hunt in the American West. Their fascinating portrait of a disappearing world contrasts unspoiled landscapes with commercial influences on the American myth.
How the mysteries surrounding Jeffrey Epstein’s life and death gave rise to a conspiracy theory that will never die.
Through interviews with both victims and instigators, Nanfu Wang, a first-time mother, breaks open decades of silence on a vast, unprecedented social experiment that shaped — and destroyed — countless lives in China.
Actress Rosie Perez makes a stunning directorial debut in this heartfelt tribute to Puerto Rican pride. She takes an in-depth look at the complex and often controversial history of Puerto Rican-U.S. relations. By turns shocking and celebratory, this wide-ranging documentary examines such rich themes of the Puerto Rican experience as family, language, and racism, all with careful consideration of historical context.
A documentary on the once promising American rock bands The Brian Jonestown Massacre and The Dandy Warhols. The friendship between respective founders, Anton Newcombe and Courtney Taylor, escalated into bitter rivalry as the Dandy Warhols garnered major international success while the Brian Jonestown Massacre imploded in a haze of drugs.
In the Realms of the Unreal is a documentary about the reclusive Chicago-based artist Henry Darger. Henry Darger was so reclusive that when he died his neighbors were surprised to find a 15,145-page manuscript along with hundreds of paintings depicting The Story of the Vivian Girls, in What is Known as the Realms of the Unreal, of the Glodeco-Angelinnian War Storm, Cased by the Child Slave Rebellion.
From behind the closed doors of women's washrooms, The Powder Room reveals women sharing intimacies in the privacy of each other's company. Originating from the director's observation that women trade secrets with friends and strangers in public washrooms, this innovative and candid documentary takes us to high school bathrooms, seniors centres' powder roooms, Newfoundland dance halls, New York nightclubs, a sauna in Copenhagen, a Casablanca hamman and country-and-western bars in Texas. In each location, as women are filmed in verité sequences, they confess their joys, their frustrations and their pain about love, sex, relationships with men and friendships with each other.