The last 15 years has seen a boom in the UK graphic arts and illustration industry, with a DIY scene emerging and prospering alongside new and affordable leaps in technology. So much of our lives is now spent in the virtual digital realm, so what will become of the tactile objects we all hold so dear? Will we see books disappear in our lifetime?
The last 15 years has seen a boom in the UK graphic arts and illustration industry, with a DIY scene emerging and prospering alongside new and affordable leaps in technology. So much of our lives is now spent in the virtual digital realm, so what will become of the tactile objects we all hold so dear? Will we see books disappear in our lifetime?
2015-10-02
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The personal odysseys of some of the most influential advertising visionaries of all time and the stories behind their campaigns.
He may not be household name, but Joe Caroff is one the most influential graphic designers of the 20th century. His work is a history of the pop culture of our time: from iconic corporate logos (like ABC News and ORION Pictures) and book jackets (Norman Mailer’s The Naked and the Dead) to some of the most instantly recognizable “title treatments” for such classics as WEST SIDE STORY, A HARD DAY'S NIGHT, CABARET, LAST TANGO IN PARIS, MANHATTAN, and the James Bond gun logo. Caroff’s story is told by the centenarian himself, with reminiscences of growing up during the Depression and service in WWII, along with interviews with Phyliss Caroff, his wife of over 70 years, producer Mike Medavoy, and others.
Czech painter and illustrator Alphonse Mucha (1860-1939) ranks among the pioneers of the Art Nouveau movement at the end of the 19th century. Virtually overnight, he becomes famous in Paris thanks to the posters that he designs to announce actress Sarah Bernhardt’s plays. But at the height of his fame, Mucha decides to leave Paris to realize his lifetime project.
A brief history of the DC Comics character Batman, created by Bob Kane in 1939.
Big money artists and mega-collectors pay a high price when art collides with commerce. After a series of paintings by an unknown artist are discovered, a supernatural force enacts revenge on those who have allowed their greed to get in the way of art.
Despite constant disrespect, Olivier Giroud always delivered. Hear from France's all-time leading goalscorer and more legends of the game as they discuss the striker's incredible career.
Eliezer Batista – O Engenheiro do Brasil is a documentary about the life of Eliezer Batista, former president of Companhia Vale do Rio Doce, twice Minister of State and one of the most influential characters in modern Brazil. The film reflects the thoughts and feelings of a visionary man and his achievements in Brazil and the world.
Documentary about the making of Renata Litvinova's 2004 film: "The Goddess: How I Fell in Love."
A bleed on the brain and concussion inspire a crash victim to confront the heartbreak, trauma and confusion of losing connection with the only person they ever really knew.
A short documentary on the charms of cross-country skiing. Beyond the formal beauty of the images, there floats a certain nostalgia for unknown landscapes. Something rare that pushes the neophyte to want to follow these free men, on the white paths, on exhilarating walks, taking the time to look at the landscape. Film without words.
In a world where energy sources remain untapped and electricity goes to waste, "Stranded" takes viewers on a gripping journey into the heart of Bitcoin mining, revealing the ingenious solution that not only fuels the cryptocurrency but also reclaims wasted energy. "Stranded" explores the untold story of Bitcoin miners who've uncovered a way to harness stranded electricity, transforming it into Bitcoin. This short film offers a captivating introduction to the feature documentary "Dirty Coin."
Prior to leaving Hampshire College in 1980, Tom was working on a 16mm film inspired by Jose Arguelles' book, The Transformative Vision: Reflections on the Nature and History of Human Expression. Shot in sync and MOS, the footage reflects Tom's interest in perception, human consciousness, and signaled his evolving interest in fusing non-fiction, experimental and dramatic genres. All the original materials for this unfinished film were stored at the LA home of Ken Levin, another Hampshire College alum who along with several other students, worked with Tom on this project, which he called the Architecture of Mountains.
An impressive reconstruction of time through archival materials, it explores through three characters the fate of 6 million immigrants who made our River Plate the most European region in all of Latin America. The three characters are fictional but their stories are real. From this collective adventure is a trace, a trace: it is the record of the photographers and filmmakers who documented the immigration process.