The 27th annual Rock and Roll Hall of Fame Induction Ceremony honors: Guns N' Roses, Beastie Boys, Donovan, Laura Nyro, Red Hot Chili Peppers, The Small Faces/The Faces, Freddie King and Don Kirshner. Special guests are set to include Steven Tyler, Chuck D, The Roots, John Mellencamp, Chris Rock, Bette Midler, Carole King and Billy Gibbons.
The 27th annual Rock and Roll Hall of Fame Induction Ceremony honors: Guns N' Roses, Beastie Boys, Donovan, Laura Nyro, Red Hot Chili Peppers, The Small Faces/The Faces, Freddie King and Don Kirshner. Special guests are set to include Steven Tyler, Chuck D, The Roots, John Mellencamp, Chris Rock, Bette Midler, Carole King and Billy Gibbons.
2012-05-05
7.5
The 28th annual Rock and Roll Hall of Fame Induction Ceremony honors: Rush, Albert King, Heart, Randy Newman, Public Enemy, Donna Summer, Lou Adler and Quincy Jones. Special guests are set to include John Mayer and Gary Clark Jr., who will perform for King; Don Henley, who will induct Newman; Jennifer Hudson, who will perform in honor of Summer; Kelly Rowland, Tom Petty, and Dave Grohl and Taylor Hawkins of the Foo Fighters, who will induct Rush. The star-studded event will also feature appearances by Tom Morello, Usher, Pearl Jam's Mike McCready, Jerry Cantrell of Alice In Chains, Spike Lee, Harry Belafonte, Carole King, Chris Cornell, Cheech & Chong, Jackson Browne and John Fogerty.
Jun Hau Timi is a romantic tale of unexpected love in the heart of London. Samir, a dashing and fitness-conscious man from Nepal, is searching for the perfect partner. Shristi, a young and beautiful woman from India, is exploring life in the United Kingdom. One day, Samir decides to visit Tower Bridge in London. As he stands admiring the iconic landmark, he notices Shristi walking nearby. Captivated by her beauty, he approaches her and introduces himself. Shristi warmly responds, and the two strike up an instant connection. Eager to share the city's charm, Shristi takes Samir on a tour of London's landmarks, including London Bridge and other picturesque spots. Their friendship deepens as they spend more time together, and a spark of love begins to grow. The story conveys a simple yet profound message: love can happen anytime, anywhere, with someone who feels like destiny
A young couple reminisces about their relationship on the night of their break up.
As a child, Lenore was tormented by nightmares and obsessed with the dark poems and stories of Edgar Allan Poe. As the lead singer in a Los Angeles band, the adult Lenore (Jillian Swanson) finds herself, friends and colleagues haunted by a murderer from beyond the grave. Only in her dreams -- in which she's visited by Poe's ghost -- will Lenore find the key to defeat her supernatural stalker and finally escape the spirits battling for her soul.
Janma Janma is a Nepali film that delves into love, dreams, and the cycle of life. The story follows Amar and Praya, a couple deeply in love. Praya is haunted by recurring dreams of someone trying to kill her, which leave her anxious and fearful. Amar, along with her parents, reassures her that the dreams aren’t real and encourages her to move forward. Praya eventually finds a new beginning, embracing a fresh life. However, she discovers that her old friends didn’t get the same chance at renewal. She shares this realization with Amar, urging him to cherish love and life. The story concludes with Amar reflecting on her words, highlighting the fleeting yet profound beauty of existence. Janma Janma is directed by Sital Nepal and written by Yubraj Lama. It weaves an emotional narrative of second chances, dreams, and the power of love to overcome life’s uncertainties.
Follows a group of young adults as they navigate life after college.
Meet the crazy continuation of the erotic comedy "Swingers 2" directed by Andrei Ekis. The film is a continuation of 2018 movie, in which the main roles went to the stars Oli Polyakova, Dasha Astafieva and Mikhail Kukuyuk. Married couples in whom passion in an intimate life has long faded away, decided to take desperate steps and exchanged partners. After the events of the first part, time passed. And now Igor has a new problem: he has lost male power. The wife is trying by any means to regain her happiness. What came out of this?
Framed by her stepmother for manslaughter, a convict turns to a parole racket.
During the time of the Stolen Generations, thousands upon thousands of Aboriginal girls were taken from their families and pressed into domestic servitude by the Australian Government. They were supposedly employed as servants, but with total control over their movements, wages and living conditions, their lives all too frequently became an inescapable cycle of abuse, rape and enslavement, with consequences that echo powerfully to this day. Recounting the stories of five of these women – Rita, Violet and the three Wenberg sisters – Servant or Slave is a commanding piece of first-person testimony to a dark and unacknowledged corner of Australian history. Shot with admirable craft and humanity by documentarian Steven McGregor (Croker Island Exodus, MIFF 2012), Servant or Slave is a work of great sadness and urgency, bringing to forceful life the human tragedy of Australia's Indigenous history in the unadorned words of those who lived it.
A thoughtful young man ambles around the Han River, providing an expansive setting for his contemplations. During a telephone call on the Jamsu Bridge, connecting the districts of Yongsan-gu and Seocho-gu in Seoul, he discovers his umbrella has been lost by the girl he lent it to, and judging by his disappointed reaction, we can see he is hurt at being forgotten. Another lost soul is on this bridge, a man with a guitar asks for a light and a song. Soon the young man’s problems are put into context, when arguments about umbrellas seem to fade into meaninglessness.
At a nondescript government agency suspended in time, a group of lexicographers are about to settle into their usual routine: the eradication of all unnecessary, objectionable and potentially objectionable words by unanimous vote. Discussions need to be made and decisions reached, by this motley crew, in this gloomy room, for all of humanity, when in walks the new Typist with fresh questions and challenges for the entire group.
Mister De Vries (93) sits at his window awaiting his death. Until one cold winter day he is surprised by the arrival of a parcel. When he subsequently sees a pigeon flying off he knows that this is no ordinary message. His time has come. Mister De Vries momentarily hesitates to open it. When he chances it, he finds his old Frisian skates. There’s only one thing to be done.
A dead man's curse on a London party house seems to echo from 1780 to 1936.
The rag and bone man passes through Betty Boop's neighborhood.
Sunrise over Australia's Great Barrier Reef.
The brilliant writing and troubled life of Californian Larry Levis came to an abrupt halt when he died at age 49. Is self-destruction required for a serious life of art? Featuring an original score by Iron and Wine and film excerpts by award-winning Spanish filmmaker Lois Patiño, this innovative documentary explores his childhood working alongside Mexican-American field hands, three marriages, friendships with America’s greatest poets, and his own words for answers.
Join Ozzy Octave and his friends as they sing and dance to their favourite nursery rhymes. Some of the happening songs include 'Polly Put the Kettle On', 'Michael Finnigan', 'Jack and Jill', 'Pop Goes the Weasel' and 'Oranges and Lemons'.
Alchemy is a double live album originally released in 1984 with an accompanying VHS, now released on DVD and Blu-ray for the first time. Recorded on 23rd July 1983 at the Hammersmith Odeon, London.
Filmed at the Warfield Theatre in San Francisco, California on December 7, 2001, War at the Warfield would become Slayer's first music DVD. Originally set for release on February 13, 2003, it was delayed several times, due to unspecified "production issues". War at the Warfield peaked at number 3 on the Billboard DVD chart with sales of 7,000.
"Up! Live in Chicago" is the third live video album by Canadian singer Shania Twain. Directed and produced by Beth McCarthy-Miller, the concert was held and filmed on July 27, 2003 at Hutchinson Field in the south-side of Grant Park in Chicago, Illinois; over 50,000 people attended. The concert itself differed from that of the Up! Tour (2003–04), featuring a different stage, setlist and production. Behind-the-scenes footage of the singer visiting local landmarks and events was filmed the same week. The concert film premiered on the National Broadcasting Company (NBC) on August 19, 2003. The special was watched by over 8.87 million viewers, becoming the second-most-viewed concert film on television, behind Celine Dion's A New Day... Live in Las Vegas (2003).
Visions of the Beast was released by Iron Maiden on June 2, 2003 and contains every promotional video through 2001's Rock in Rio. It is basically an updated version of The First Ten Years: The Videos and From There to Eternity. It also includes never-before-seen Camp Chaos animated versions of six definitive Iron Maiden songs, interactive menus and discographies, and some special hidden extras.
This is a music video collection showcasing all of Motley Crue's music videos going back to 1981 and running till 2000 and includes performances by the original Motley Crue and features videos with later members John Corabi and Randy Castillo.
An elementary student named Junichi is having trouble returning an eraser he borrowed from his secret crush, Maeda. With the support and encouragement of rookie teacher Anna, Junichi gets over his shyness and starts a band with his classmates.
Ayumi Hamasaki Arena Tour 2003-2004 A was released on September 29, 2004
Bonus video included in the physical copy of the recording, Linkin Park plays "Papercut" during the "Linkin Park: Road to Revolution - Live at Milton Keynes" concert.
Bonus video included in the physical copy of the recording, Linkin Park plays "Somewhere I Belong" during the "Linkin Park: Road to Revolution - Live at Milton Keynes" concert.
Bonus video included in the physical copy of the recording, Linkin Park plays "Points of Authority" during the "Linkin Park: Road to Revolution - Live at Milton Keynes" concert.
This film puts the album Back In Black under the spotlight and with the help of those who worked on the record, friends of Bon Scott, AC/ DC biographers and others who were there at the time, discovers how the album was made, how it was received and how it still inspires musicians and fans alike to this day. Featuring rare and classic footage of the group, interviews with Bon Scott and Angus Young, exclusive contributions from friends, colleagues, journalists and biographers, every track from the album reviewed and reappraised by a panel of esteemed experts and plenty more besides. Although it wasn't until after the release of the Back In Black album that AC/DC became global superstars, the era most fondly remembered by fans of this extraordinary band is when Bon Scott was at the helm - between 1974 and 1980. And if there's one album from that time which illustrates best what the mighty 'DC were all about during those years, it has to be Highway To Hell.
A live + intimate concert series
Live show filmed during the Death Metal Massacre tour on February 16, 2000 at the Rave in Milwaukee, WI. One of the most extreme heavy metal bands ever, Cannibal Corpse acknowledge no boundaries of speed, power, or "good taste" in this full-on concert video. Cannibal Corpse: Live Cannibalism features interviews with the members of the band and their loyal fans in between numbers, in which they tear through a range of classic tunes.
An overview of the early years--late 1970s, early 1980s--of San Francisco punk band Dead Kennedys, with clips from some of their live concerts and footage of landmark San Francisco locations of the punk music scene. Jello Biafra and The Dead Kennedys show why they're the kings of satire in 9 live early performances.
A 1-hour Documentary looking at the Manchester post-punk group and its infamous leader Mark E Smith. The Film follows the current band recording their final Session for the John Peel Show (they were his favourite group and recorded more sessions than any other band) as well as chronicling the chaotic history of the band & its numerous line-up changes.
Arguably second only to Muddy Waters among the Mississippi Delta singers who traveled north and pioneered urban electric blues (their supposed rivalry is the subject of one of this DVD's bonus features), Wolf was a big, imposing man with an inimitable, booming voice and a lasting influence on generations of rock & rollers--all of which comes across in the 90-minute film.
The band Fugazi is documented over a period of more than ten years (1987-1998) through performance footage and interviews with the band and their fans. Director Jem Cohen's relationship with band member Ian MacKaye extends back to the 1970s when the two met in high school in Washington, D.C.. The film takes its title from the Fugazi song of the same name, from their 1993 album, In on the Kill Taker. Editing of the film was done by both Cohen and the members of the band over the course of five years. It was shot from 1987 through 1998 on super 8, 16mm and video and is composed mainly of footage of concerts, interviews with the band members, practices, tours and time spent in the studio recording their 1995 album, Red Medicine. The film also includes portraits of fans as well as interviews with them at various Fugazi shows around the United States throughout the years.
As KISSology - Vol. 1 (1974-1977) announces loudly, all the chutzpah and bombast that made KISS so huge--the fire-breathing, the blood-dripping, the kabuki-mask make-up and platform shoes, the synchronized head-bobs--were in place from the very beginning. KISS's 1974 concert in San Francisco is virtually identical to their 1977 concerts in Japan and Houston, at the peak of their popularity. For hardcore fans, this opportunity to bask in the nuances of five performances of "Black Diamond" and six performances of "Firehouse" is essential viewing, but for the less committed the pleasures of KISSology lie in the bizarre collisions pop culture is heir to: Gene Simmons, in full costume, declaring himself "evil incarnate" on The Mike Douglas Show;