2015-04-23
7.375
Mr. Magoo and Waldo are on a cruise aboard an ocean liner when the near-sighted MaGoo accidentally falls into the ship's swimming pool and thinks he has fallen overboard. When he tries to rescue one of the swimmers, the ship's captain jumps in and rescues Magoo. The grateful---and talkative---MaGoo informs the ship's captain that he will inform the ship's captain of his good deed and, when last seen, MaGoo is heading in the direction of the swimming pool.
Vimeo hires a struggling documentarian to document a festival he can't get into.
Kirsty Young takes a unique look at the story of the Royal Christmas broadcast and how the tradition started by King George V in 1932 has found a place at the heart of Christmas Day.
New York City's various bridges transform into an urban jungle (jazz version) or an alien landscape (electro-acoustic version).
UigiG needs to go out and feel, like his favourite film's star. His girlfriend, just like her, loves to smoke and enjoy the authenticity... but that's before she ceases to exist.
This Is Where I Came In is the Bee Gees' 22nd and final studio album (twentieth worldwide), released in 2001. It is the only album of all-new material released by them on the Universal Music label (which had acquired the rights to the group's releases on Polydor Records when they bought that label's parent PolyGram). The album peaked at #6 in the UK, while the single, "This Is Where I Came In", reached #18. In the US, the album peaked at #16. The group appeared on the A&E concert series Live by Request in April, 2001 to promote the new album.
Colonel Ed Wyatt is regarded by pilots under his command as being a ruthless disciplinarian. His co-pilot, Lt. Hobson Lee, and Jo McWethy, a war correspondent assigned to the squadron become more friendly than meets Wyatt's approval. When Wyatt's plane is forced down behind enemy lines, he orders his crew to proceed to the American lines with the vital film they have shot, while he remains behind to hold off the enemy.
Anolan is a soloist in a string orchestra, lives with her mother and dedicates every minute to his profession; Enmanuel is a peasant resident in the Sierra Maestra who devotes his time to working the land, accompanied by his young son.
Jerry Blake (aka Federal Operator 99) teams-up with Joyce Kingston to thwart the plans of escaped crime boss Jim Belmont.
After a comic introduction, we look closely at a shrimp. Eyes on stilts, color patterns, pinchered walking feet, a rostrum. We watch shrimp eat using a strong claw and a fine one; we watch digestion. After eating, shrimp clean themselves. The female lays eggs that cling to her feet. After three weeks, the eggs hatch explosively. Few larvae live to adulthood. We watch an adult shed its carapace with a final leap, leaving it vulnerable; other shrimp attack.
A collection of Steve Martin's best skits.
Two young women leave claustrophobic city life behind and move to a small border town. There they meet a border guard, involved in smuggling to and from the country. Both women fall for him, resulting in jealousy.
Chinatown is a place where crime and betrayal are rampant. Violent crime detective Ko Jeong-hyeok (Seo Joon-yeong) can't rest a day. He tries to rid the streets of criminals but he's to busy cleaning up his own mess because of his habit of using physical violence first.
In "Diana: The Mourning After" Christopher Hitchens sets out to examine the bogusness of "a nation's grief", tries to uncover the few voices of sanity that cut against the grain of contrived hysteria. His findings suggested that the collective hordes of emotive Dianaphiles sobbing in the streets were not only encouraged but emulated by the media. In the aftermath of Diana's death a three-line whip was enforced on newspapers and on TV, selling the sainthood line wholesale. The suspicion was that journalists, like the public, greeted the death as a chance to wax emotional in print, as a change from the customary knowing cynicism, to wheel out all those portentous phrases they'd been saving up for the big occasion. Sadly, they just seemed to be showboating; the eulogies, laments and tear-soaked platitudes ringing risibly hollow.
A manufacturer of furniture sees his business go down and decides to rob banks to pay his staff. Het gets romantically involved with one of his victims.
A portrait of Swedish troubadour Cornelis Vreeswijk.
Yallah! Underground follows some of today’s most influential and progressive artists in Arab underground culture from 2009 to 2013 and documents their work, dreams and fears in a time of great change for Arab societies. In a region full of tension, young Arab artists in the Middle East have struggled for years to express themselves freely and to promote more liberal attitudes within their societies. During the Arab Spring, like many others of this new generation, local artists had high hopes for the future and took part in the protests. However, after years of turmoil and instability, young Arabs now have to challenge both old and new problems, being torn between feelings of disillusion and a vague hope for a better future.
When a Mongolian nomadic family's newest camel colt is rejected by its mother, a musician is needed for a ritual to change her mind.
The film describes the microcosmos of the small village Wacken and shows the clash of the cultures, before and during the biggest heavy metal festival in Europe.
Bernadette Corporation describes this work as "A fashion film about the poetry of Stéphane Mallarmé and the color white." Produced for the 2000 Walker Art Center exhibition Let's Entertain, this short film employs a range of strategies to approach the idea of nothingness, emptiness, and vacuity, with an eye to how these notions relate to contemporary mass-cultural entertainment. Juxtaposing "documentary" takes on a fashion shoot with footage of semiologist Sylvère Lotringer giving an impromptu lecture on Mallarmé on a frozen lake, Hell Frozen Over maintains an ambiguous stance from which to both critique and celebrate the power of surface.
Critical review of the English punk rock band's 1979 album, 'London Calling'. The program features input from industry experts, including film director and DJ Don Letts, rare performance footage and clips from songs such as 'Should I Stay Or Should I Go', 'White Riot' and 'London Calling'.
Tells the story of the "only true hardcore punk band of the 90s" - HAMMERHEAD. This film is an attempt to approach a band that seems to have always been a mystery to some.
Born in Arcoverde, in the backlands of Pernambuco, the lonely boy who was raised by his father after his mother left, João Silva soon discovered a passion for the northeastern rhythms, such as the baião, xote and forró. He went to Rio de Janeiro when he was still a little boy to meet the idol Luiz Gonzaga. Both men, who were not very fond of each other when they first met, became not only great friends but also partners in many hits like “Doutor do Baião”, “Nem se Despediu de Mim” and “Pagode Russo”.
Every summer, thousands of country music fans from all over the world move in to Nashville for four days to experience CMA Music Festival - four days of music from hundreds of artists including live concerts, meet & greets, autograph signings, celebrity sporting events, and more.
Traces the history and mechanics of the guitar riff over 60 years from the 1950s, from Chuck Berry through Hank Marvin, Black Sabbath and others to the White Stripes. Featuring interviews with some of the core arbiters of change and new techniques.
Featuring dozens of performances from the living rooms, backyards, and unconventional venues throughout Athens, GA, the first Athens Rising film takes a deep look at music, dance, food, stand-up comedy, strange theater, visual art, and the origins of AthFest.
The story of The Boomtown Rats, who fought a conservative Ireland, broke through the UK punk scene, scored global No 1 hits and revolutionised the world with Bob Geldof’s Live Aid.
Documentary telling the history of the Washington DC music venue "The Bayou."
A double journey into Kerala in India. Ghedalia Tazartes dips himself into the sea of Indian traditions in Kerala, from Katakhali dance and music to field recordings on location. A fantastic journey beyong India, through countries of the imagination. Another genre and cross cultural experience by the French master.
Renowned Photographer Chris Floyd captured the tumultuous life of the iconic band The Verve from the inside, as they toured as relative unknowns on their first American tour, all the way through to their farewell tour in 1997 at the very top of their game. Using previously unseen photographs, self shot video from the band and interviews, this is an intimate look at an important moment in popular culture. Chris candidly talks about the relationship he had with the band and reveals incredible insight into his process, as well as explaining his views on the meaning of the relationship between photographer and subject and what can happen when that professional line becomes blurred.
Exclusive interviews, live performances and studio recording sessions offer an intimate look at how OneRepublic became the successful band it is today.