16 Days in Afghanistan is a documentary that documents the state of Afghan people after the fall of the Taliban.
16 Days in Afghanistan is a documentary that documents the state of Afghan people after the fall of the Taliban.
2007-01-01
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During the 1980s, Russia fought a disastrous war in Afghanistan. Shot by a Western crew, the 40 minute film includes footage of combat missions with the Spetsnaz elite units, helicopter gunship pilots from a Kabul-based Air Assault Unit flying missions, the patrolling of the Salang mountain pass and the military hospital in Kabul. Soviet General Lev Serebrov referred to the making of the film as "An experiment in glasnost".
A Russian guitarist was enlisted in 1984 in the Afghan war. Imprisoned, he will meet an Afghan musician and a French journalist.
After his best friend disappears following a violent argument, a troubled marine must wrestle with his identity and guilty conscience.
Haji Omar and his three sons belong to the Lakankhel, a Pashtoon tribal group in northeastern Afghanistan. The film focuses on his family: Haji Omar, the patriarch; Anwar, the eldest, his father's favorite, a pastoralist and expert horseman; Jannat Gul, cultivator and ambitious rebel; and Ismail, the youngest, attending school with a view to a job as a government official.
After spending years in California, Amir returns to his homeland in Afghanistan to help his old friend Hassan, whose son is in trouble.
Three stories told simultaneously in ninety minutes of real time: a Republican Senator who's a presidential hopeful gives an hour-long interview to a skeptical television reporter, detailing a strategy for victory in Afghanistan; two special forces ambushed on an Afghani ridge await rescue as Taliban forces close in; a poli-sci professor at a California college invites a student to re-engage.
A Danish officer, Michael, is sent away to the International Security Assistance Force operation in Afghanistan for three months. His first mission there is to find a young radar technician who had been separated from his squad some days earlier. While on the search, his helicopter is shot down and he is taken as a prisoner of war, but is reported dead to the family.
Elderly Dastaguir and his newly deaf 5-year-old grandson Yassin hitchhike and walk, but mostly walk, as they make their way to the coal mine where Dastaguir's son Murad works. Dastaguir must tell Murad that the rest of their family were all killed in a recent bomb attack.
La vie devant elle is the diary of the exile of Elaha, a 14 year old Afghan girl, who films herself with a small camera to tell her story. Through her story, the film portrays the reality of children growing up on the road, tossed from place to place to flee conflicts in the hope of finding a normal life.
A documentary exploring the experience of going to war with a Military Working Dog, trained to find bombs before they can kill or maim soldiers, often at the expense of the dog's sanity.
Three stories of immigrants trying to start new lives in Poland: an Afghan traumatised by the war, a Ukrainian lost in her own body, and a Belarusian running away from painful love. The Afghan, Azzam, works as a translator for the Polish army. In his homeland he is treated like a traitor. Having been evacuated to Poland, he is unable to shake off the war experiences. The Ukrainian, Wiera, escapes to Poland to undergo sex reassignment surgery in secret from her family. An unexpected visit from her father and little son will make her face the question of her own identity once more. Żanna, the Belarusian, leaves her husband, a dissident, and lives together with her daughter at her sister’s in Warsaw. She wants to move out as soon as possible and make a normal home. Things get complicated when her husband gets arrested again.
A biplane pilot is saddled with a spoiled industrialist's daughter on a search for her missing father through Asia that eventually involves them in a struggle against a Chinese warlord.
A headstrong young girl in Afghanistan, ruled by the Taliban, disguises herself as a boy in order to provide for her family.
Afghanistan, immediately post-9/11: Small teams of Green Berets arrive on a series of secret missions to overthrow the Taliban. What happens next is equal parts war origin story and cautionary tale, illuminating the nature and impact of 15 years of constant combat, with unprecedented access to U.S. Special Forces.
Marzia, My Friend is the story of an Afghan woman in her twenties, who like all young people dreams of love, freedom and an interesting job. She dreams of peace and independence, but because she lives in Afghanistan, her dreams are revolutionary. Ultimately Marzia’s story becomes a symbol of the wider struggle of Afghan women: it is about the right to make decisions about your own life. The film follows Marzia’s life from spring 2011 to the end of 2014, when international troops were due to leave Afghanistan.
What happens when you can no longer practice the profession that is part of your identity? You Can’t Stop the Music is a portrait from today’s Afghanistan, where life in the shadow of the Taliban can at times seem surreal. When the Taliban took over Afghanistan, Akbar Adeli was a music student at Kabul University. For conservative Afghans, music had been suspect even before the Taliban takeover, but it soon became a gamble with one’s life – especially since Akbar plays Western pop music.
The friendship between Christophe de Ponfilly and Commander Massoud, a legendary figure of the Afghan resistance against the Soviet invader, goes back to the filmmaker's first film, "A Valley Against an Empire", made in 1981. Fifteen years later, weakened, isolated, betrayed by many of his own, the "Lion of Panshir" has not surrendered to his new and implacable enemies, the Taliban. While preparing his next offensive, he evokes his commitment and his fights, and bears witness to a history in which he has been one of the main actors for twenty years. At the same time, the director questions the role and power of the media, as well as his own approach as a filmmaker. Commander Massoud was killed in an attack in September 2001.
Mina Bakhshi, Haniya Tavasoli and Rabia Hussain had a fair amount of latitude for women in Afghanistan, able to pursue their education, go to work, and explore hobbies and interests. Joining Ascend, a nonprofit organization teaching leadership and rock climbing to women, gave them the chance to test their personal and cultural limits and explore the mountains of their home country. But when the Taliban took over in August 2021, Ascend became their one chance to escape a regime that would restrict their freedoms and future.