Dev, though a self proclaimed wise man, finds comfort in being a loser, having given up on life as a result of a love gone wrong. A life changing event takes him on a journey to a coffee plantation.
Shondha
Dev, though a self proclaimed wise man, finds comfort in being a loser, having given up on life as a result of a love gone wrong. A life changing event takes him on a journey to a coffee plantation.
2015-03-06
0
Usha, a well-educated girl, is married to Kumar by her drunkard father. Being illiterate, Kumar gets jealous of Usha's education and her frank nature. He abuses her and she leaves their home and begins to battle for women's right. She gives birth to a son and starts to work in a factory, where male workers start to dominate her.
A gay cop and a lesbian teacher enter a sham marriage to pacify their families but find that relationships — both real and fake — aren't all that easy.
Encountering a young couple on the road, an elderly lady tells them her story
Wah Taj is a Bollywood drama film directed by Ajit Sinha, presented by Jayantilal Gada (Pen India Pvt Ltd) and co produced by Pawan Sharma and Abhinav Verma under the banners of Pun Films Pvt. Ltd. and SpyderWave Films. It features actors Shreyas Talpade and Manjari Fadnis in the lead roles.
Captain Ranvir is assigned the task of apprehending two terrorists named Shaka and Dara. Upon arrival in the region, he meets with and falls in love with Radhika, the daughter of Rajasaheb, who also is a Mantri. The latter approves of him, and arranges his wedding with his daughter. Before the engagement could take place, Ranvir finds out that he has a rival in Shaka, who was in love with Radhika before, and is all set to prevent this marriage at any and costs. Ranvir decides to postpone his wedding until such time he arrests Shaka and his associates - a decision that will not only pit him against well-armed terrorists, but also result in the abduction of a bus-load of Vaishnodevi devotees - which include Radhika and her Bua.
The Verma family consists of two brothers, Vijay and Sharad (Jeetendra and Govinda respectively), Vijay's wife, Ganga (Reena Roy), and their daughter. Sharad is unmarried and is studying in college, while Vijay runs the household on his income. In college, Sharad meets with Punam (Meenakshi Sheshadhri) and both are attracted to each other. Ganga and Vijay get them married, but permit them a married life only after they complete their studies, which they do so. They are devastated to learn that Punam cannot be a mother, so Ganga lets Punam mother her child. Soon Sharad gets a job, which gets him to re-locate to another city, and there are tearful good-byes. Punam decides to keep Ganga's child with her. But Ganga has been kind to Punam and Sharad for a reason, and now the time has come for payback.
Charged with the brutal killing of Savitri and Kutti, facing a death-sentence, or life in prison, accused Bombay taxi-driver, Satyaprakash Tripathi, prosecuted by his very own brother, Gautam, tells his story of how he arrives in the city along with his mother, Shanti, and sister, Gauri; how they get estranged from Gautam; how Gauri becomes a prostitute; and how he ended up being arrested by the Police.
Munish and JK were friends, bound together in many ways. JK has helped Munish in his education, a trip to England for higher education and has now made him Engineer-in-charge for his prestigious dam project. JK's brother Ravi is engaged to Munish's sister. But these bonds of friendship are severely tested when Munish finds out that JK's vast empire is not built on totally honest business practices and refuses to support him. JK interprets Munish's behavior as avenging the fact that JK loves his girl, Meena, and expects Munish to give way for him in return for his favours. But Munish knows otherwise. He knows that though he loves JK dearly and would sacrifice his life, his love for him, he will not compromise on his principles. How will the conflict between emotion and principle be resolved? Will Munish have to choose between his heart and his conscience?
Vidya lives a middle-class lifestyle in a virtually lawless town called Amarpur, India, along with her widower and disabled dad, Shambhu; married brother, Shiva and his wife, Lata; and her paternal grandma. She studies in the Arts Commerce and Science college in Bombay, and is summoned home to get married to a man of her family's choice, to which she reluctantly agrees. On the day of the marriage, a dancer performs an item which angers Mahadev, who is the Mukhiya of Mandaur, another lawless...
In a small village in Madhya Pradesh, two different communities fight over a water pump installation. When a member of one of the communities, Nathu (Kishore Kadam) decides to protest against a decision he feels is unjust, he angers the local land owner, who decides to impose economic sanctions on the community in an effort to starve them out of the village. When Nathu's house is burned down in mysterious circumstances, Nathu seeks the comfort of a temple, and prays for a solution. Instead he finds himself abused and beaten by the land owner for breaking a rule that bans members of Nathu's community from entering the temple. It later emerges that the situation in the area is being used as a plot for a film made in Bombay, however characters featured in the film are misrepresented, which leads to tension on the set and eventually violence spills.
In this loose adaptation of Charlotte Brontë's Jane Eyre, childhood sweethearts Kamla and Shankar are separated and grow up in different worlds. The girl is brought up to be a priestess, while the boy becomes a dejected thakur, turned vindictive by life's injustices. Fate inevitably brings them together again, but Kamla does not know about her beloved's secret.
Meeting while on vacation, Ved and Tara sense a connection but vow to keep their real identities a secret. Years later, their paths cross again.
A single mother finds solace with a wealthy, but lonely hotel magnate, together they find love until her past comes back to confront her.
Praveen Patel, a 45-year-old married businessman, is approached by Shanaya, an actress, who wants to move in with him to prepare for a role. So he pretends to be single to impress her.
Tum Ho Yaara is being made under the banner of Dreams on Frames & House of Pandit and is directed by Natty Kumar & Dr. Jay.
A fourteen year old Dalit (lower caste) boy in rural India is killed for writing a love letter.
A group of teenage friends are blamed for the murder of their schoolmate and run away from home to avoid answering to the authorities. Having faith in his students, the troubled gang's school principal proves to be a good Samaritan who sets out to locate the teenagers and find out what really happened.
1987 Hindi drama film written and directed by Sudhir Mishra, in a directorial debut. It starred Manohar Singh, Habib Tanvir, B. M. Shah, Pankaj Kapur, Sushmita Mukherjee and Naseeruddin Shah in lead roles
It is a reincarnation story about the love between Leela and her lover, which is left incomplete because one of them has been murdered. The story comes to circle after 300 years; when Leela has taken birth as Meera and her lover's character is also reborn.