Consistent stylistic-thematic structures link and merge throughout the bewildering event chain. The distinction between organic forms and human artifacts is blurred by the visual style which is enigmatic without being ambiguous.
The Film Unit at Sheffield University Union of Students produced many fascinating films during the 1950s, 60s and 70s. This one, with its surreal landscapes and alarmingly prescient storyline, is definitely on the imaginative outer limits of their collection. It has five men on the run from a controlling state organisation that is capturing the population on 3D film images, thereby making everyone dispensable.
A gang member, suffering from severe memory loss, searches for his brother's murderer. He secretly enlists the aid of the investigating Detective, while other members of his gang are mysteriously and sadistically murdered.
A fight to get through the gridlock becomes a fight for survival for Amanda as her body comes to a standstill.
Two cats (one a caricature of Jimmy Durante) battle violently for the affections of a pretty girl cat, who'll dispense her favors on the one who brings her a little bird. Unfortunately for the lovestruck felines, the bird in question is a vicious little thing named Tweety.
After mercifully killing her terminally ill lover, Dr. Christine Allison loses her medical license and spends two years in prison. Once she has completed her sentence, the lawyer who prosecuted Christine, Stephen Dane, hires her to care for his emotionally unstable wife, Liane. Christine takes the job, but when Liane's allegedly dead father reappears, Christine sets out to reveal the family's dark secrets.
A comedic film about a rich household in the time Thailand was developing railways and slaves where yet considered normal, although the slaves in this household are rather a handful.
Traveling by tracks through the streets of Aarhus.
Synopsis 1. "Today's Superpower" (26min, 오늘의 초능력, o-neul-eui cho-neung-ryeok) by Lee Min-seob People who claim to be able to use superpowers once a day gathered! But why can't they use their superpowers? Do they really have superpowers in the first place? 2. "1+1" (30min, 1+1) by Han Jay "Toot! I'm 1+1!" One day, the same alter ego as me appeared! 3. "Jangah & Chichung" (35min, 장아치청, jang-a-chi-cheong) by Kim Tae-hoon-II "Burp!" Once you start burping, there's nothing you can do. A comedy action movie limited to 60 minutes, filled with real superpowers by superheroes. 4. "LOVE SICK" (23min, 러브씩, reo-beu-ssik) by Jung Seung-hoon A year after the end of the zombie crisis, Seung-beom prepares an unforgettable proposal for his girlfriend Ji-yoon who saved him.
A film about the people of Saigon told through the experiences of three young American journalists who, in 1970, explored the consequences of war and of the American presence in Vietnam. It is not a film about the Vietnam War, but about the people who lived on the fringe of battle. The views of the city are arresting, but away from the shrines and the open-air markets lies another city, swollen with refugees and war orphans, where every inch of habitable space is coveted. (NFB)
No pain, no gain. This is the motto of the Yoo family: the father is a successful doctor, the mother supervises their daughter's scholastic performance from the vantage point of their beautiful home. Then cracks appear in the facade which soon deepen and spread. In particular, the father seems to be losing control - he is suddenly faced with a sexual harassment lawsuit and an absurd running battle with a taxi driver.
Julio Iglesias, internationally famous spanish singer, ends his Europe-wide tour in Paris. Before setting off to perform in America, decides to take a brief holiday in the quiet and peaceful Contadora Island in Panama. There, he meets Claudia, a german archaeology tour guide, for whom he'll start falling for, possibly jeopardizing the whole future of his concert tours.
After being a victim of a robbery attempt, a student is scarred for life.
While recuperating in a hospital after he's hit by an automobile, a struggling shopowner dreams what his life might have been like if he'd made different choices twenty years earlier.
It's the final chapter in the cult classic Class of Nuke'Em High Trilogy, and this time the fate of Tromaville hangs in the balance! Following the destruction of the Nukamama Power Plant by the lovable and horribly mutated toxic squirrel Tromie. Roger Smith (Brick Bronsky) and his half-subhumanoid son Adlai (also played by Brick Bronsky) are working to rebuild Tromaville into a place where human and subhumanoid can live together in peace. Unbeknownst to them, Adlai's twin brother Dick (again played by Brick Bronsky!), kidnapped at birth and raised by the evil Power Clite, has plans to regain contol of the Subhumanoids and turn Tromaville into a nuclear waste dump. In a showdown for the ages, "The Good, the Bad and the Subhumanoid" face off in an explosive sci-fi battle of epic proportions!
In this comedy, a garbage truck driver stumbles across $5,000. He decides to use the money for a wild night on the town. He and his girlfriend do not know that the money represents the spoils of a blackmailer's scheme.
Otowa is a former Seto Inland Sea island farmer who has moved to the mainland in order to find work, but instead ends up dead. The film begins with the discovery of her corpse, which leads to an investigation that uncovers the narcotics, prostitution, and murder in which many poor farmers had found themselves trapped after World War II.
Sohrab, a young Iranian soldier, finds himself face-to-face with his fellow citizens during a demonstration.
While striving for the top digital messenger spot Flash makes a fatal error putting young love in jeopardy. Now he must risk everything he has worked for in order to make it right or save his reputation.
Ko-Ko and Fitz emerge from an inkwell into the sultan's harem.
A descent into the maelstrom of anguish that tormented Arthur Lipsett, a famed Canadian experimental filmmaker who died at 49. A diary transmuted into a clash of images and sounds charting a prodigious frenzy of creation, a tableau depicting an artist’s dizzying descent into depression and madness: with LIPSETT DIARIES, Theodore Ushev renews his filmmaking aesthetic and explores what happens when genius is on a first-name basis with madness.
Experimental animation film, with a visual focus on geometrical shapes and straight lines
A powerful, emotional and sometimes humorous look at the daily life of a prison inmate and a corrections officer.
Primo and Jeanne are playing tennis in the sun beside the sea, but Jeanne's mind is not on the game. In a small apartment under the rooftops of Paris, Jeanne and Jules make love. In Paris and on the Riviera, a seagull follows the love life of this young woman, her doubts and her solitude.
A family lives in a house that teeters precariously on the very tip of a mountain. The balance of the house is affected not only by the family that lives inside, but also their cow, dog, cat, a passing bird, and a man with a couple of sheep who returns in a car. The slopes of the hill themselves also seem rather slippery at times.
A reading of the Grand Prize-winning essay in the Earth Day 50 Art & Essay Contest, April 22, 2020, held in Clark County, Nevada. Narration by winner Sydney Lin; illustrated by the top 20 artwork entries; music by permission, Zukir Hussain.
Mickey, Minnie, Horace Horsecollar, and Clarabelle Cow go on a musical wagon ride until Peg-Leg Pete tries to run them off the road.
A gingerbread comes to life, enacting revenge for his fallen brother.
A dark fable about a woman who kills herself with her imagination.
In the ark, which has been perched for millennia on a snowy mountain top, an old hermit waits for a new flood. A scientific expedition approaches, just when the rain begins to fall.
Entering an antique shop, a young man finds an intriguing drawing which is hiding a secret, 70-year-old love letter on the back. After finding out that the 105-year-old author is still alive, and determined to find out if the story is real, the man goes on an unusual journey
Ponders the possibilities of what awaits us at the end of our life.
In describing the foundations for SOLAR SIGHT, artist Lawrence Jordan writes, "A question I had in mind was: what's the place of the human being in the cosmos? More and more we think about what is 'beyond.' Less and less is art concerned. I don't know why. The question seems a bit grandiose but I approached it quite simply. I have never worked with color photography as primary background to cut-out animation before. I was surprised that the result was so powerful (helped by John Davis' very resonant music). It was liberating to release human figures into an apperception of suggested space, along with the primordial enigma of the revolving sphere."