
I due Foscari was Verdi's sixth opera and based on Lord Byron's play The Two Foscari. Rich in intrigue, the plot tells of the final days of the famous Venetian doge, Francesco Foscari, and his illegal overthrow in 1457.

Jacopo Foscari
Lucrezia Contarini
Barbarigo
Pisana
Fante
Servo del Doge

I due Foscari was Verdi's sixth opera and based on Lord Byron's play The Two Foscari. Rich in intrigue, the plot tells of the final days of the famous Venetian doge, Francesco Foscari, and his illegal overthrow in 1457.
2012-01-01
6
5.0Part of Tutto Verdi series - La battaglia di Legnano (2012) Trieste. 'La battaglia di Legnano' ('The Battle of Legnano') is an opera in four acts, with music by Giuseppe Verdi to an Italian-language libretto by Salvadore Cammarano. Most of the early Verdi operas are sort of rare for a reason. They do not rise to the heights of genius that his middle period and late period operas did. However, there are always some beautiful arias or choruses and most of them are great fun......sort of like bel canto on steroids! What I mean is that you can hear that he was coming from the bel canto tradition, but he liked to inject a lot more power into the characters and their music.
8.0The story of J. Robert Oppenheimer's role in the development of the atomic bomb during World War II.
7.5A bad day gets worse for young detective Murakami when a pickpocket steals his gun on a hot, crowded bus. Desperate to right the wrong, he goes undercover, scavenging Tokyo’s sweltering streets for the stray dog whose desperation has led him to a life of crime. With each step, cop and criminal’s lives become more intertwined and the investigation becomes an examination of Murakami’s own dark side.
6.0During China's Song Dynasty, a mysterious murder occurs at Chancellor Quin Hui's palace after meeting delegates from the neighboring Jin Dynasty. The members become embroiled not just in a murder mystery, but a larger conspiracy concerning the fate of the empire.
6.7Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.
5.8The film is divided into two episodes, The Hair of Disgrace and The Magician, both focusing on the theme of the occult and beliefs.
7.1Billy is released after five years in prison. In the next moment, he kidnaps teenage student Layla and visits his parents with her, pretending she is his girlfriend and they will soon marry.
6.7Bill Whitney is worried that he is different to his sister and parents. They mix with other upper-class people while Bill is more down to earth. Even his girlfriend seems a bit odd. All is revealed when Bill returns home to find a party in full swing.
7.5The life of a Russian physician and poet who, although married to another, falls in love with a political activist's wife and experiences hardship during World War I and then the October Revolution.
7.1Magali, forty-something, is a winemaker and a widow: she loves her work but feels lonely. Her friends Rosine and Isabelle both want secretly to find a husband for Magali.
7.3George Stroud, a crime magazine's crusading editor, has to postpone a vacation with his wife - again - when a glamorous blonde is murdered and he is assigned by his publishing boss to find the killer. As the investigation proceeds to its conclusion, Stroud must try to disrupt his ordinarily brilliant investigative team as they increasingly build evidence that he is the killer.
7.8Documentary filmmaker Genya Tachibana has tracked down the legendary actress Chiyoko Fujiwara, who mysteriously vanished at the height of her career. When he presents her with a key she had lost and thought was gone forever, the filmmaker could not have imagined that it would not only unlock the long-held secrets of Chiyoko’s life... but also his own.
7.0During a year, a very content couple approaching retirement are visited by friends and family less happy with their lives.
6.5A small-time conman has his loyalties torn between his estranged mother and his new girlfriend, both of whom are high-stakes grifters with their own angles to play.
6.9Everyone in Marco's life seems constantly restless, from his brilliant but unhappily married parents to his own wife Marina, or even Luisa, the real love of his life, a girl he met during a fateful summer in the '70s and always stayed in touch with. Tragedy and fate seem to haunt him, yet he somehow manages never to get ensnared in the chaos—like his namesake, “the hummingbird”, he focuses all his energy at standing still.
7.4If Stan, Kyle and Cartman could just work together, they could go back in time to make sure Covid never happened. But traveling back to the past seems to be the easy answer until they meet Victor Chaos.
6.1Special Forces commandos on a mission are abducted mid-operation by a mysterious spacecraft. Upon waking aboard, they find themselves prey to a relentless alien race in a fight for survival.
6.7A small but growing Texas town, filled with strange and musical characters, celebrates its sesquicentennial and converge on a local parade and talent show.
7.8A photographer takes up newsreel shooting to impress a secretary.
6.9Shinji and Masaru spend most of their school days harassing fellow classmates and playing pranks. They drop out and Shinji becomes a small-time boxer, while Masaru joins up with a local yakuza gang. However, the world is a tough place.
7.1The deformed Phantom who haunts the Paris Opera House causes murder and mayhem in an attempt to make the woman he loves a star.
0.0Takarazuka Revue's Phantom based on the play by Maury Yeston and Arthur Kopit.
6.5Woody Allen's production of the Puccini comic opera at LA Opera in 2015
0.02014 marks a year of celebration recognizing the 150th birthday year of the German late-Romantic orchestral, operatic and lied master composer, Richard Strauss (1864-1949). Arabella (premiered 1933, Dresden) was the last of the half dozen Strauss works to feature a libretto by the great Austrian writer Hugo von Hofmannsthal. This production, from the most recent Salzburg Easter Festival is, after Capriccio, the second of three Richard Strauss operas C Major is releasing in honor of the composers birth, life and work. The star-laden cast includes soprano Renèe Fleming, baritone Thomas Hampson, Albert Dohmen (Covent Garden, Wiener Staatsoper, MET) and Gabriela Beaková (Wiener Staatsoper, Covent Garden). With Christian Thielemann and the Staatskapelle Dresden, the music of Richard Strauss is in the best of hands. (ORF) Thielemann gets the best out of the cast...especially Renée Fleming with her luxurious soprano FAZ
0.0Rarely has a production of Verdi’s Otello been staged in such a prestigious location: the courtyard of the Palazzo Ducale in Venice! This special outdoor “event production” of the Teatro La Fenice takes place amidst genuine late-Gothic and Renaissance architecture highlighted by spectacular projections: “A set of singular fascination” (Il Corriere Musicale). Critics were full of praise for the musical performance, designating conductor Myung-Whun Chung as the “absolutely dominating force” of the performance (GB Opera). The lead role is sung by Gregory Kunde, who successfully interpreted both Verdi’s and Rossini’s Otello in one year, perhaps the first tenor ever to do so. He “reproduces every accent, every colour demanded by Verdi with sensibility and intelligence” (OperaClick).
10.0Viva Vivaldi! is a concert by the Italian mezzo-soprano Cecilia Bartoli interspersing arias from the 20 surviving operas of Vivaldi with two concertos. Given with the early music ensemble Il Giardino Armonico before a very appreciative audience in the Théâtre des Champs-Élysées, the performance is part of Bartoli's exploration of the Venetian composer's opera music which also includes The Vivaldi Album. There is a startling dynamic energy, which contrasts powerfully with the more restrained interpretations by singers such as Emma Kirkby. Bartoli's natural Italian and the live atmosphere of Maria Grazia d'Alessio's oboe gives her interpretation of the quietly haunting and melodically rich "Non ti Lusinghi la Crudeltade" from Tito Manlio a particular piquancy. The Flautino Concerto is a most attractive interlude, while the more famous Lute/Violin Concerto beguiles with its exquisite lyricism.
9.0The celebrated mezzo-soprano Cecilia Bartoli joins Bryn Terfel for a recital of arias and duets recorded at Glyndebourne Opera House in 1999. The programme features favourite pieces from Mozart, Rossini and Donizetti, with the London Philharmonic Orchestra conducted by Myung-Whun Chung.
0.0John Eliot Gardiner conducts Gluck’s 1776 French version of “Alceste” at the Théâtre du Châtelet in Paris. Soprano Anne Sofie von Otter takes the title role of Alceste, Queen of Thessaly, who offers to die at the hands of the gods in place of her husband, Admète (Paul Groves), so that the people will not lose their king. Alceste is then saved from the underworld by Hercule (Dietrich Henschel).
0.0In the awe-inspiring Teatro Olimpico,Vicenza, Cecilia Bartoli, recognised as one of the best singers of our time, gives the most outstanding recital of work from a variety of composers such as Caccini, Schubert, Handel, Vivaldi, Bellini, Donizetti,Mozart, Rossini, Viardot and Bizet.
0.0Performed live at the Royal Opera House, Covent Garden, Gluck's opera in three acts is conducted by Hartmut Haenchen. Performers include Jochen Kowalski, Gillian Webster and Jeremy Budd, alongside the Royal Opera Chorus and Orchestra. When Orpheus mourns for his late wife Eurydice, the god Cupid offers him the chance to descend into the underworld and lead her back to the land of the living, on the condition that he does not look at her face. He sets out on his journey, but his path to the Elysian Fields is blocked by the fierce Furies.
0.0Officers Ferrando and Guglielmo are certain that their lovers Dorabella and Fiordiligi are faithful to them, but the cynical Don Alfonso challenges them to a bet that the women will be unfaithful given the chance. The officers thus pretend to go off to war, and return in disguise as Albanian strangers, to woo Dorabella and Fiordiligi incognito. The ladies are initially frosty, but soon warm to their new suitors, spurred on by their maid Despina. Performed at the La Scala Theatre in Milan.
0.0A production of Mozart's opera recorded live at Zurich Opera House in 2000. Cecilia Bartoli leads an all-star cast including Roberto Saccà, Liliana Nikiteanu, and Agnes Baltsa. The conductor is Nikolaus Harnoncourt. Filmed live at the Zurich Opera House in February 2000 on a set which visualises the subtitle "The School for Lovers", the plot revolves around two army officers arguing about the fidelity of their brides, then setting out to test their chastity. Despite the often playful humour, this is not only psychologically telling music-making, but reveals Mozart exploring the structure of opera, discarding convention to mix large ensemble sections with arias for as many different combinations of singers as possible. With Liliana Nikiteanu attractively contrasted with Bartoli, and thoroughly convincing performances by Roberto Sacca (Ferrando) and Oliver Widmer (Guilelmo), this Così has a freshness and flow which, coupled with the timeless romantic themes, feels very contemporary.
0.0Lovely but lethal, the evil Princess Turandot comes to life through the performance of Luana De Vol in this visually stunning production of Giacomo Puccini's Peking-set opera directed by Nuria Espert and conducted by Giuliano Carella. In this 2004 performance at the Gran Teatre del Liceu in Barcelona, Spain, all the subtleties of Puccini's unique tonality and unconventional instrumentation are in ample evidence.
0.0Tosca is a melodrama of love, betrayal and death set in the revolutionary unrest of 1800. The story concerns the opera singer Floria Tosca who tries to save her lover, the painter Mario Cavaradossi, from the brutal chief of police, Scarpia. Through-composed and expertly orchestrated it contains some of Puccini’s best-known lyrical arias and remains one of his most performed operas. In this 2022 production, an eminent cast is directed by the acclaimed Australian director Barrie Kosky – ‘the Amsterdam audience was completely swept off its feet by Kosky’s stunning production’ (Opera News).
9.0The first-ever audio-visual recording of this opera – directed by Christof Loy, conducted by Marc Albrecht and with Sara Jakubiak, Brian Jagde and Josef Wagner in the leading roles
0.0Starring Jonas Kaufmann as Bacchus and featuring Emily Magee with Daniel Harding conducting the Vienna Philharmonic, Ariadne auf Naxos was filmed at the acclaimed Salzburg Festival in 2012. This release also includes "Le Bourgeois gentilhomme."
0.0Passion, jealousy and betrayal take center stage at Londons Royal Opera House in a spectacular production of the worlds most popular opera. Bizets Carmen is packed with some of the best-loved and memorable music in all of opera. In this characteristically vivid and vibrant stage production by Francesca Zambello, beautifully filmed in 3D by Julian Napier, Seville is brought to life with ranks of soldiers, crowds of peasants, gypsies and bullfighters as well as a magnificent horse, a donkey and even some chickens! This spectacular RealD and Royal Opera House production features a supremely talented cast, gripping drama and Bizets energetic and passionate score. It is truly a musical event to remember!
6.0Inspired by one of the twentieth century's greatest novels, composer Lorin Maazel evokes Orwell's totalitarian nightmare, where "Big Brother" is always watching, and those guilty of "thoughtcrime" are condemned to face their worst fears in the infamous "Room 101". Filmed during world premiere performances of Robert Lepage's spectacular and psychologically gripping Royal Opera production and conducted by the composer, an international cast brings George Orwell's dark vision to shattering operatic life.
10.0Premiered in 1787, “Don Giovanni” exposes the timeless theme of a man hovering between vitality and destruction. Neither morality nor the law can stop this serial lover in his quest to conquer all women as he places his own pleasure above all other principles. Today, the rich depth of Mozart’s masterpiece still astonishes audiences with its mix of comedy and seriousness, pleasure and love, entertainment and murder. At the helm of this new Salzburg Festival production, in a near-live broadcast from the Great Festival Hall, director Romeo Castellucci promises to focus on the ambiguity and inner turmoil of this serial lover whose immoral behaviour condemns him to a deadly solitude. The exceptional cast – featuring Italian baritone Davide Luciano (Don Giovanni), Russian soprano Nadezhda Pavlova (Donna Anna) and Finnish bass Mika Kares (the Commendatore) – is accompanied by the chorus and musicians of the musicAeterna ensemble, conducted by Vitaly Polonsky and Teodor Currentzis.