We see the film title card on screen and sound is coming from the cinema, but the screen is black. The filmmaker hands a cellphone with video to two sitting in front of the crowd. The image of the film plays on the phone for those who can see it in the crowd as the audio comes through the cinema speakers.
We see the film title card on screen and sound is coming from the cinema, but the screen is black. The filmmaker hands a cellphone with video to two sitting in front of the crowd. The image of the film plays on the phone for those who can see it in the crowd as the audio comes through the cinema speakers.
2014-12-10
0
A day and night in the life of three alcoholic derelicts: "and the meek shall inherit the earth - six feet of it".
A portrait of Łódź, Poland that exists in a time-warp of sad memory.
Peter Hutton’s essay on the naturalization of the urban landscape. Voluptuously gray, worn and lived in, the city is like a stage set for an invisible drama.
A non-narrative voyage round Sedlec Ossuary, which has been constructed from over 50,000 human skeletons (victims of the Black Death).
Decades after his play first put gay life center stage, Mart Crowley joins the cast and crew of the 2020 film to reflect on the story's enduring legacy.
San Sebastián de los Reyes Bullring, Madrid, Spain, March 27, 1977. In response to the strange political alliances that were taking place between antagonistic forces in search of a self-serving consensus, the anarcho-syndicalist union CNT organizes a rally to denounce the reprehensible machinations of its adversaries. (Documentary shot in 1977; edited and released in 2011).
A coast guard captain on a small Greek island is suddenly charged with saving thousands of refugees from drowning at sea.
Rare documentary footage from around 1900 depicts the mood of life in Berlin at the turn of the century.
Jasmin gazes in delight at the screen of the laptop she uses to make video calls with her father in faraway Somaliland. She asks him if there are hedgehogs there—an important question, because soon she and her brother and sisters will be living there. Her father once fled the war in his native Somaliland. In Finland, he found a second home, and his four children were born there. But he missed Somaliland, and was tired of the racism in Helsinki, so he decided to return with his family.
This experimental film follows the work of two scientists who test a new device that uses specialized circuitry to transfer data between computer networks and living plants. Neither science nor fiction, this documentary highlights the human labor of scientific procedures, attentive to the future they are producing – in which humans will disappear.
The original documentary on the Wigstock festival, back in the day when it was a much smaller affair in Thompkins Square Park. A full day of peace, love, and wigs…
Jean-Claude Rousseau's Jeune femme à sa fenêtre lisant une lettre is not only his first medium-length film, but a chance to discover this filmmaker whom Jean-Marie Straub has called, along with Frans Van de Staak and Peter Nestler, the greatest working in Europe. With this newly restored print there is also a possibility to discover the relationship between Rousseau's art of filming and Jan Vermeer's famous painting. As Prosper Hillairet wrote in 1988, four years after Rousseau had finished Jeune femme ... (for the first time as we know today): «Without adopting the usual systematic spirit and form of cinéma structurel, Rousseau presents us with simple images and leaves it at that. Keeps the image in hand. A minimalist and ascetic expression of cinema: a shot that lasts.»
After being estranged from his family, we observe a young man over four seasons and from far away as he navigates his solitude – all the while attempting to reconnect with his mother.
João Pedro Rodrigues answers the question from the title with an autobiographical short-film.
Afrique 50 is a 1950 French documentary film directed by René Vautier. The first French anti-colonialist film, the film derived from an assignment in which the director was to cover educational activities by the French League of Schooling in West Africa. Vautier later filmed what he saw, a "lack of teachers and doctors, the crimes committed by the French Army in the name of France, the instrumentalization of the colonized peoples". For his role in the film Vautier was imprisoned over several months. The film was not permitted to be shown for more than 40 years.
Esperança, 15, has just arrived in France from Angola with her mother. At Amiens station, they don’t know where to sleep and look for someone who can help them.