Rere's Children is the stunning conclusion to the Amiri & Aroha trilogy. As Arapeta fights for survival in the aftermath of the power station explosion, his arch rival Koriata faces his own demons as he tries to escape being a puppet of the gang. Miriama appears destined to reach the top, until a cruel reversal of fortunes makes her live to regret her contempt for Arapeta's plight. Amiri is a man on the run with a reluctant Aroha, in hiding from his enemies and the authorities, as the story reaches its remarkable climax at the Rere falls.
Lamonge
Amiri
News Anchor
Alice
Hunapo
Margaret
Hayden Searle
Koka
Tamati
Troy
Rere's Children is the stunning conclusion to the Amiri & Aroha trilogy. As Arapeta fights for survival in the aftermath of the power station explosion, his arch rival Koriata faces his own demons as he tries to escape being a puppet of the gang. Miriama appears destined to reach the top, until a cruel reversal of fortunes makes her live to regret her contempt for Arapeta's plight. Amiri is a man on the run with a reluctant Aroha, in hiding from his enemies and the authorities, as the story reaches its remarkable climax at the Rere falls.
2014-07-01
8
Near Luján, the Rerum Novarum music band, composer of former workers of the Flandria cotton plant, continues playing nowadays, in spite of the shutdown of the factory. The old musicians struggle with passion in the need to maintain an identity, in a present where the social values seem to have to disappear. The old workers-musicians, receive "Our Lady of Luján" playing "Oh, María", remembering the early days of the town, of the factory, and of their own lives. They recall an idealistic past, where a Flandria worker used to receive a salary equal to that of a bank manager. They visit the closed factory -once source for employment for thousands of workers- with the knowledge that the country that they helped to build no longer exists. The old musicians gather to enjoy their friendship in the celebration of the 63rd anniversary of the band, while they fight against the ghosts of the economical crisis and social disintegration.
Short film built from photographs, sped up like a traditional stop motion and is meant to be an evocation of the English Eerie and Folk Horror.
With more than 50 million Latinos now living in the United States, Latinos are taking their seat at the table as the new American power brokers in the world of entertainment, business, politics and the arts. As Latinos’ influence in American society has soared, they have entered mainstream American culture, and the proof is in the music. Executive produced by legendary music mogul Tommy Mottola, THE LATIN EXPLOSION: A NEW AMERICA features a dazzling array of artists at the center of Latino cultural power and influence, including Marc Anthony, Emilio Estefan Jr., Gloria Estefan, José Feliciano, Eva Longoria, George Lopez, Jennifer Lopez, Los Lobos, Cheech Marin, Ricky Martin, Rita Moreno, Pitbull, Romeo Santos, Shakira, Thalía and Sofía Vergara. Narrated by John Leguizamo.
Video installation, 2005, at LOKAAL_01 Breda 2007, Burning Marl, curator Frederik Vergaert in Seppenshuis Zoersel, 2005. A woman walking through 3 video images. Three screens display how the day’s light passes by: from the early morning light until late at night. Along with the woman the artist walks through the forest, in the same rhythm, the same pace. Off-screen she looks through the camera, fragmenting time. The age-old androgynous trees are a vertical constant along which the woman moves, as if in an interval between visibility and invisibility, between sound and silence, while the light keeps on evolving metabletically.
After a tense few months following a miscarriage and an unemployment spell, things are finally looking up for Sean and Lisa Miller when Sean lands his dream job at an advertising firm. But when Sean’s assistant, Jen, his self-proclaimed “Work Wife,” begins vying for his affection, it soon becomes clear that she will stop at nothing to rip their marriage apart and claim him as her own.
The documentary tells of women who asserted their ambitions during the GDR era
Through the narration of a tenant of a block of flats on 288 Stournara street, we watch the everyday stories of people living in the city, their problems, their comic situations and their love affairs.
A male lion, right next to bars that are about 6 or 8 inches apart, keenly watches a uniformed zoo attendant toss small morsels of food into the cage. The lion alternates between finding the food on the cage floor and reaching through the bars to swipe at the man, who stays alarmingly close to the beast. In the background are the large rocks and brick wall at the back of the lion's habitat.
Two young men and two girls on a moonlit night confess to each other in their strange fantasies and loves that go beyond the usual standards.. The impetus to making the film was the book of the same name by the Russian religious philosopher Vasily Rozanov, who died 100 years ago. His treatise was devoted to the study of sexuality and its denial in Christianity. The film was made in the style of experimental films of the 1920s with a non-linear narration full of strange surrealistic images. He is black and white and devoid of dialogue. Filmed on film 16 mm of firm "Svema", released in the USSR. This added to his exoticism. The image was put to the music of Alexander Scriabin “The Poem of Ecstasy” (1907).
When a family discover a mysterious woman in the back of seven years' worth of their photos, the wife's search for the truth leads her to question the life she's been living.