The Dutch violinist and the Johann Strauss Orchestra perform a number of musical hits. André Rieu is one of the bestselling modern classical artists, with over 20 million sales worldwide and a string of successful tours behind him. Rieu set up the Johann Strauss Orchestra in 1987 with the dual aim of promoting the waltz music he loves while introducing a wider audience to the pleasures of classical music. Here Rieu and his orchestra turn their attention to memorable songs from stage musicals, providing their own take on a number of popular tunes.
The Dutch violinist and the Johann Strauss Orchestra perform a number of musical hits. André Rieu is one of the bestselling modern classical artists, with over 20 million sales worldwide and a string of successful tours behind him. Rieu set up the Johann Strauss Orchestra in 1987 with the dual aim of promoting the waltz music he loves while introducing a wider audience to the pleasures of classical music. Here Rieu and his orchestra turn their attention to memorable songs from stage musicals, providing their own take on a number of popular tunes.
2014-05-26
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Joining multi-Grammy Award winning and one of the biggest UK artists of all time, Adele, for a unique and special night at the legendary London Palladium, where she performs her chart-topping single Easy On Me, as well as tracks from her new album, 30.
Irina Evteeva’s debut quickly became a kind of manifesto for the one-room experimental studio: it defines classification by interweaving animation, appropriated footage, feature and documentary to form a unique whole, a film that rushes backwards into the future, thereby re-inventing Futurism. Mayakovskiy is the star; his occasional presence holds together a film driven by the sound, the beat, of his poetry. Evteeva develops a dramatic structure of flaring, fading, being from light: violin strings become rays, quivering dull yellow spots, pictures. The plot assails the material from which it derives energy from material. History, growling and roaring, finds its form.
Enric Marco, ex-president of the Spain’s main deportees’ association, embarks on a car trip to Germany, a demythologising journey into his past. Two years earlier, a historian had shown that Enric Marco wasn’t the member of the Resistance he had claimed to be, and that he’d made up the stories of his experiences in a concentration camp that he had been recounting on television for years. Now, Marco retraces the route of his 1941 train journey as part of a convoy of workers sent by Franco to Hitler, in the middle of the Second World War.
Ealing comedy starring music hall star George Formby. An eager newspaper reporter (Formby) goes undercover to expose a gang of counterfeiters. Posing as a wrestler and waiter in his investigative efforts, George proves a greater menace to public order than the criminals he is chasing.
Simon has to drive his old aunt Mala and two of her friends, Lydia and Colette, to the seaside. While driving, he gets a call from his girlfriend, Alice, which turns into an argument. Being the Jewish grandmothers that they are, the three women slowly but surely interfere. This, of course doesn't solve anything...
A love story sprinkled with spies. A young hero pilot is vulnerable in front of foreign agents due to his love. Based on the novel "Zbor de noapte" (Night Flight) by Nicolae Tăutu. Acting debut for Ion Besoiu
A Peacemaker, who rejects his final mission to save an endangered planet, is believed to be cursed when a solar storm hits his spaceship.
Based on and built around the west coast radio program, "The Hollywood Barn Dance", although no members of the 1947 cast of the program are in the film, but the better-known (on a national scale) Ernest Tubb and His Texas Troubadors, Jack Guthrie and Jimmy and Leon Short more than make up for that. The slight plot, around 18 songs, begins with Tubb and his band searching for $2000 needed to rebuild their town chuch after it burned down while they were rehearsing in it. Hollywood, here they come!
Lucie the Quebecker and Nicole the Frenchwoman with the "funny accent" are both twenty-six, single and share their Montreal apartment as they share their joys and sorrows. The first works in radio, the second in an airline company, and both have a married lover who, every Friday evening, rushes off to a home that has been forsaken for a while, saying: "Bye, see you Monday"...
Diana Parker learns that a home intruder is none other than her biological daughter, given up for adoption years ago. However, they soon discover that a remorseless killer will do anything to stop the family reunion including murder.
Sol, a bold fugitive lost in a dangerous post-apocalyptic desert world, searches for a missing woman named Catherine and her illusive captor, the Nomad King. With enemies at every turn, Sol's only chance of finding Catherine is with the help of a rogue and mysterious wanderer, Cleo.
A crime story writer comes to the French Alps for vacation. However, an envelope given by a strange man, would put him in a conflict between two teams of spies. A young blonde hotel burglar will help him get out of this mess.
Photographed: August 19, 1901. Location: Broadway and 14th Street, New York, N.Y. Duration: 0:22 at 15 fps. Biograph production no. 2264. Descriptions: - "A couple of trams, one traveling towards the camera, the other traveling away, and the passengers who get on and off." - "Electric trolley's pick up and drop off passengers on Broadway near Union Square. The area was originally part of Elias Brevoort's farm in the early eighteenth century. It eventually contained the intersection of the Bowery and Bloomingdale Road (now Broadway) and in 1811 was known as Union Place. Between 1860 and 1910 retail stores such as Tiffany's and Brentano's moved to the area, which became the midpoint in the fashionable shopping district later known as the Ladies' Mile."
BIG VOICE captures a tumultuous year in the life of a visionary high school choir teacher and his students as they overcome seemingly insurmountable obstacles to become one big voice in this inspiring musical documentary.
Incredible tapestry of desert images shot by Kate McCabe, woven to music by Brant Bjork. Duna Records.
30 years after his last visit to Japan, John Williams has returned for a special concert – making his debut with the world-famous Saito Kinen Orchestra in renditions of his beloved film scores and reuniting with his longtime friend, world-renowned conductor Seiji Ozawa (1935-2024). Captured live on record at Suntory Hall last year, John Williams In Tokyo is now being be released by Deutsche Grammophon and follows his acclaimed concert albums, The Berlin Concert and John Williams in Vienna, which topped charts around the globe.
A ruthless real estate agent discovers a passion for piano and auditions with help from a young virtuoso, but the pressures of his corrupt career threaten to derail his musical aspirations.
Letters, Riddles and Writs is a one act opera for television by Michael Nyman broadcast in 1991.
This series comprised six lectures on music, which cumulatively took the title of a work by Charles Ives, The Unanswered Question. Bernstein drew analogies to other disciplines, such as poetry, aesthetics, and especially linguistics, hoping to make these lectures accessible to an audience with limited or no musical experience, while maintaining an intelligent level of discourse: Syntax refers to the study of the structural organization of a sentence, or as Bernstein summarizes, "the actual structures that arise from that phonological stuff."
This series comprised six lectures on music, which cumulatively took the title of a work by Charles Ives, The Unanswered Question. Bernstein drew analogies to other disciplines, such as poetry, aesthetics, and especially linguistics, hoping to make these lectures accessible to an audience with limited or no musical experience, while maintaining an intelligent level of discourse: Bernstein provides two distinct meanings of the term ambiguity. The first is "doubtful or uncertain" and the second, "capable of being understood in two or more possible senses"
A documentary that explores the challenges that a life in music can bring.
Conductor: Claudio Abbado. Orchestra/Ensemble: Berlin Philharmonic Orchestra. 1.Symphony no 1 in C major, Op. 21 2. Symphony no 2 in D major, Op. 36 3. Symphony no 3 in E flat major, Op. 55 "Eroica" 4. Symphony no 4 in B flat major, Op. 60 5. Symphony no 5 in C minor, Op. 67 6. Symphony no 6 in F major, Op. 68 "Pastoral" 7. Symphony no 7 in A major, Op. 92 8. Symphony no 8 in F major, Op. 93 9. Symphony no 9 in D minor, Op. 125 "Choral"
Jenny is young. Her life is over. She killed someone. And she would do it again. When an 80-year-old piano teacher discovers the girl’s secret, her brutality and her dreams, she decides to transform her pupil into the musical wunderkind she once was.
The film covers a hundred years in the lives of the Ricordi family, the Milan publishing house of the title, and the various composers and other historic personalities, whose careers intersected with the growth of the Ricordi house. It beautifully draws the parallel between the great music of the composers, the historic and social upheavals of their times, as well as the "smaller stories" of the successive generations of Ricordi.
This series comprised six lectures on music, which cumulatively took the title of a work by Charles Ives, The Unanswered Question. Bernstein drew analogies to other disciplines, such as poetry, aesthetics, and especially linguistics, hoping to make these lectures accessible to an audience with limited or no musical experience, while maintaining an intelligent level of discourse: Lecture 5 picks up at the early twentieth century with an oncoming crisis in Western Music. As these lectures have traced the gradual increase and oversaturation of ambiguity, Bernstein now designates a point in history that took ambiguity too far.
This series comprised six lectures on music, which cumulatively took the title of a work by Charles Ives, The Unanswered Question. Bernstein drew analogies to other disciplines, such as poetry, aesthetics, and especially linguistics, hoping to make these lectures accessible to an audience with limited or no musical experience, while maintaining an intelligent level of discourse: This lecture takes its name from a line in John Keats' poem, "On the Grasshopper and Cricket". Bernstein does not discuss Keats' poem directly in this chapter, but he provides his own definition of the poetry of earth, which is tonality. Tonality is the poetry of earth because of the phonological universals discussed in lecture 1. This lecture discusses predominantly Stravinsky, whom Bernstein considers the poet of earth.
Lyrical biography of the classical composer, depicted as a romantic hero, an accursed artist.
This series comprised six lectures on music, which cumulatively took the title of a work by Charles Ives, The Unanswered Question. Bernstein drew analogies to other disciplines, such as poetry, aesthetics, and especially linguistics, hoping to make these lectures accessible to an audience with limited or no musical experience, while maintaining an intelligent level of discourse: Phonology is the linguistic study of sounds, or phonemes. Bernstein's application of this term to music results in what he calls "musical phonology".
The grand scale and magnificent acoustics of the Roman arena in Verona are ideally suited to the pageantry of Verdi's Egyptian opera, presented here in a staging that is true to the original 1913 production, framed by obelisks and sphinxes and filled with chorus and dancers. Chinese soprano Hui He has won international acclaim for her portrayal of the eponymous slave girl whose forbidden love for the war hero Radamés (Marco Berti, the experienced Verdi tenor) brings death to them both.
Frederick Ashton's La Fille mal gardée (The Wayward Daughter) is one of the choreographer's most joyous and colourful creations. Inspired by his love for the Suffolk countryside, the ballet is set on a farm and tells a story of love between Lise, the daughter of Widow Simone, and Colas, a young farmer. It contains some of Ashton's most stunning choreography, most strikingly in the series of energetic pas de deux that express the youthful passion of the young lovers, performed here by Natalia Osipova and Steven McRae. The ballet is laced with exuberant good humour, and elements of national folk dance, from dancing chickens and a maypole dance to a Lancashire clog dance for Widow Simone, performed by Philip Mosley.
The film is a parody of Disney's Fantasia, though possibly more of a challenge to Fantasia than parody status would imply. In the context of this film, "Allegro non Troppo" means Not So Fast!, an interjection meaning "slow down" or "think before you act" and refers to the film's pessimistic view of Western progress (as opposed to the optimism of Disney's original).
The historic Toscanini television concerts with the NBC Symphony Orchestra. Broadcast #9 was of a concert on March 22, 1952, at Carnegie Hall, featuring Beethoven's 5th Symphony and Respighi's Pines of Rome. (Concerts #8 and #9 were released on "Vol. 5" in the DVD series.)