
One film projected two times with a difference of a couple of seconds.
One film projected two times with a difference of a couple of seconds.
1985-03-01
5
5.8A film in which the one 60-story skyscraper that soars in the spaces between roofs spins with incredible speed. I centered the circumference with its 400 or 500 meter radius on the skyscraper and divided it into 48 sections, then took photographs from those spots and shot the photographs frame by frame.
8.5In the middle of a broadcast about Typhoon Yolanda's initial impact, reporter Jiggy Manicad was faced with the reality that he no longer had communication with his station. They were, for all intents and purposes, stranded in Tacloban. With little option, and his crew started the six hour walk to Alto, where the closest broadcast antenna was to be found. Letting the world know what was happening to was a priority, but they were driven by the need to let their families and friends know they were all still alive. Along the way, they encountered residents and victims of the massive typhoon, and with each step it became increasingly clear just how devastating this storm was. This was a storm that was going to change lives.
3.8A usual chain mail is forwarded to a group of people. Some pass it while others ignore. One dies and is followed by series of sudden and unexplainable deaths of others. Soon after, a revelation begins to unfold, the chain mail is cursed and so she has to find the origin and mystery behind to stop the misfortunes it may cause to anyone who fails to pass it before another life perish again. Sandra also suspects Anne is behind the tragic incidents that happened to their friends. Will she break the curse before it's too late or will she become one of the victims?
0.0A daughter confronts her mother with the most difficult question, and gets an answer she was not expecting.
4.0Comedian, actor, and best-selling author Gary Gulman offers up his hilarious insights on a range of topics – from growing up poor to pretentious suffixes – all with a generous helping of his inventive humor and absurdism. Reflecting on his eccentric Jewish American family, Gulman chronicles his childhood experiences with free school lunch programs and questionable dental care, as well as incisive swipes at billionaire-ism.
9.0Drug courier Sal has the war in him. When he meets the charismatic Sasha, his life goes off the rails and he botches an important coup. They flee together and Sal undergoes an astonishing metamorphosis.
The film is a continuous time-lapse with multiple exposures of the sunset from the same angle and position on 16mm film. The shoot was done in a span of 5 years. The title 13 is because the time-lapse has a 13-second interval per frame.
7.0Prequel of the film Nobody, 浪浪山的小妖怪, introducing us to the pig as one of the main characters!
4.2In the 1840's Mexico has ceded California to the United States, making life nearly impossible for the Mexican population due to the influx of land and gold-crazy Americans. Farmer Joaquin Murrieta revenges the death of his wife against the four Americans who killed her and is branded an outlaw. The reward for his capture is increased as he subsequently kills the men who brutally murder his brother. Joining with bandit Three Fingered Jack, Murrieta raises an army of disaffected Mexicans and goes on a rampage against the Americans, finally forcing his erstwhile friend, Bill Warren, to lead a posse against him.
5.0The thrilling story of a lonely Russian immigrant trying to find the "American dream" in present day Los Angeles. To provide care for his dying sister he works as an assistant to a mysterious and dangerous man, but his desire to achieve something more takes him down a dark and risky path. When a seductive call girl enters his life his world is thrown upside down and the choices he makes may have deadly consequences.
6.0Story, paper- mache characters, sets, animation, camera works, editing and sounds created by 12 children, ages 6-12, at the Yellow Ball Workshop. Red Grooms and Dominic Falcone were also involved with the production
0.0Podiatrist Edi passionately takes care of his patients' hurting feet. A courageous cut, a well-aimed stitch, and the previously hidden foot stories come to the surface.
8.0A lyrical look at Antonio Nóbrega’s universe. A lifetime’s work that is characterized by the consistent reading of popular culture. A show in which all elements of our culture are mixed together. A musical and visual journey, guided by the characters Joáo Sidurino and Rosalina from the plays Brincante and Segundas Histórias.
5.0The star in Mad Mad Mad swords is a common man with numerous weaknesses and a complete worthless student of a prestigious school. To the suprise of all, however, he manages to defeat a string of renowned swordsmen, including the one-armed swordsman and the blind swordsman, by tricks and luck.
5.5The struggle between two rival families brings many complications into the life of a people. The priest, with the agreement of the women, get a strike of crossed legs until peace is a fact.
10.0To fly a – way from/out of death, don’t hire a taxidermist but take a ride in this taxidrome! Series of 41 Moving Images - this analogy is possible being conservation at its core rescuing what really matters in the world, like nature, habitats, science and art. It is vital. Yet in a continuously changing environment, the flipside of conservation becomes and here it is where the vital feature of conservation becomes its lifelike trait, a fictive life, a fake life. The embalming process consists of 1) imparting a balmy essence to the dead body, as in the ancient world, 2) by filling its blood vessels with formaldehyde to prevent putrification, as in the modern world, although recently with more regard towards more natural treatments, as for instance in bio-art. To embalm also means to “preserve from oblivion”, and “to cause to remain unchanged”, “to prevent the development of something”.
0.0Filmed in Berlin, July 1990. Images of workers taking down the wall and street peddlers selling pieces of it to make a living.
6.0A ritual of grids, reflections and chasms; a complete state of entropy; a space that devours itself; a vertigo that destroys the gravity of the Earth; a trap that captures us inside the voids of the screen of light: «That blank arena wherein converge at once the hundred spaces» (Hollis Frampton).
0.0The film is an observational telling of a watchman in an apartment complex in Guwahati, Assam, India. It blends documentary to explore his alienation and raise the question of empathy vis-a-vis his occupation: its existence beyond what may be referred to as a linear time or the time occupied by the privileged. His time is interpreted as existing in an another time characterised by the banal quality of his job. The film attempts to do away with any narrative control where the subject (the spectator) too exercises a reciprocal gaze on the filmer: by becoming an observer to his own filming, the film's own privileged gaze is confronted.
4.7"Like a Dream That Vanishes" continues Sternberg’s work in film both thematically and formally: the ephemerality of life echoed in the temporal nature of film, as the stuff of life echoed on the energy, life-force in rhythmic light pulses (Your life is like a candle burning). Imageless emulsion is inter-cut with brief shots of natural elements and mise-en-scene of the stages of human life: a little boy runs and falls; teens hang out together at night smoking; sun shines through tree branches; men pace, waiting; flashes of lightning; an elderly man speaks philosophically about miracles.
7.0The film features amazing scenes of places never before seen gathered by key space missions that culminated with groundbreaking discoveries in 2015. It features a spectacular flight though the great cliffs on comet 67P, a close look at the fascinating bright "lights" on Ceres, and the first ever close ups of dwarf binary planet Pluto/Charon and its moons.
The Black Album places scrutiny on the notion of "Black Excellence" in a revisionist take.
5.0The inner world of the great painter Max Ernst is the subject of this film. One of the principal founders of Surrealism, Max Ernst explores the nature of materials and the emotional significance of shapes to combine with his collages and netherworld canvases. The director and Ernst together use the film creatively as a medium to explain the artist's own development.
6.6The 1960s was an extraordinary time for the United States. Unburdened by post-war reparations, Americans were preoccupied with other developments like NASA, the game-changing space programme that put Neil Armstrong on the moon. Yet it was astronauts like Eugene Cernan who paved the uneven, perilous path to lunar exploration. A test pilot who lived to court danger, he was recruited along with 14 other men in a secretive process that saw them become the closest of friends and adversaries. In this intensely competitive environment, Cernan was one of only three men who was sent twice to the moon, with his second trip also being NASA’s final lunar mission. As he looks back at what he loved and lost during the eight years in Houston, an incomparably eventful life emerges into view. Director Mark Craig crafts a quietly epic biography that combines the rare insight of the surviving former astronauts with archival footage and otherworldly moonscapes.
0.0Shot in two places marrying with each other by a single and fractured bridge between Condrieu and les Roches-de-Condrieu, this film is the continuation of exploring ephemeral movement through the use of editing, camera movements and color sampling.
3.8An anthology of one-minute films created by 51 international filmmakers on the theme of the death of cinema. Intended as an ode to 35mm, the film was screened one time only on a purpose-built 20x12 meter public cinema screen in the Port of Tallinn, Estonia, on 22 December 2011. A special projector was constructed for the event which allowed the actual filmstrip to be burnt at the same time as the film was shown.
7.3A new age of space exploration, and exploitation, is dawning. But surprisingly, some of the boldest efforts at putting humans into space are now those of private companies started by a handful of maverick billionaire businessmen. Beyond mass space travel, and even space mining and manufacturing, the dream of Elon Musk and others is true space exploration. His company, SpaceX, already delivers supplies to the International Space Station, and their next step is delivering astronauts too. But their true ambition is to ensure the survival of the human race by crossing our solar system and colonizing Mars in the next decade. Could commercial spaceflight companies eventually make us a space-faring civilization?
6.5For us, a thought always presupposes a society, a culture and above all the consciousness of time. We are haunted by immortality, human notion par excellence. As if the world was here to fascinate us. And to disappoint us. The film travels around the bulb like the Earth around the Sun. Light makes the film visible. A fragile film, like our existence. In the orbit of the film tragedy and our reality, the image resists the cruelty of the experiment.
7.7In one single, epic camera move we journey from Earth's surface to the outermost reaches of the universe on a grand tour of the cosmos, to explore newborn stars, distant planets, black holes and beyond.
0.0Man Ray, the master of experimental and fashion photography was also a painter, a filmmaker, a poet, an essayist, a philosopher, and a leader of American modernism. Known for documenting the cultural elite living in France, Man Ray spent much of his time fighting the formal constraints of the visual arts. Ray’s life and art were always provocative, engaging, and challenging.
7.2Travel alongside the astronauts as they deploy and repair the Hubble Space Telescope, soar above Venus and Mars, and find proof of new planets and the possibility of other life forming around distant stars.
A short documentary about Fritz Lang's film 'Frau im Mond', and its relation to the science and history of real space travel.
5.2"Ryuta is 5 years old. Even though he is my son, I sometimes wonder what this small person is to me. Even though I see his joys and sadnesses and know the feel of his warmth on my skin when I hold him, there are moments when my feelings for him become vague and blank." - Takashi Ito
0.0A small portrait of the volatility of intimacy and of breaking free from abusive cycles: made in response to a year of collapsing relationships and violent accidents that left me broken, dislocated and stuck in my apartment.