Year 2009 Northwest of the Peruvian jungle, near the border with Ecuador, a mining company enters the depths of the virgin forest in search for mineral resources, regardless of the damage it can cause. The entry is made with the approval of the government without the consent of the indigenous people living there Awajún. Known for their courage and bravery, the Awajún hold back the invaders; but in the struggle for their land, they are brutally beaten by the ultra-liberal government. Violence begets violence. Through a video workshop aimed at awajún, the director follows the trail of an irreparable injury.
Year 2009 Northwest of the Peruvian jungle, near the border with Ecuador, a mining company enters the depths of the virgin forest in search for mineral resources, regardless of the damage it can cause. The entry is made with the approval of the government without the consent of the indigenous people living there Awajún. Known for their courage and bravery, the Awajún hold back the invaders; but in the struggle for their land, they are brutally beaten by the ultra-liberal government. Violence begets violence. Through a video workshop aimed at awajún, the director follows the trail of an irreparable injury.
2014-02-01
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A glimpse into the lives of thousands of street cleaners who sweep the streets of Kuwait
Pop Warner shows 1890s football equipment and explains to his modern 1931 team how the game was played.
“In this legendary sculpture/performance Acconci lay beneath a ramp built in the Sonnabend Gallery. Over the course of three weeks, he masturbated eight hours a day while murmuring things like, "You're pushing your cunt down on my mouth" or "You're ramming your cock down into my ass." Not only does the architectural intervention presage much of his subsequent work, but all of Acconci's fixations converge in this, the spiritual sphincter of his art. In Seedbed Acconci is the producer and the receiver of the work's pleasure. He is simultaneously public and private, making marks yet leaving little behind, and demonstrating ultra-awareness of his viewer while being in a semi-trance state.” – Jerry Saltz (via: http://www.ubu.com/film/acconci_seedbed.html)
Mutar, who fought in the war, is back in Guinea. In his luggage, he brings strange objects. Fatu, his daughter, takes the opportunity of Mutar's absence to open his bag. Shortly afterwards, Fatu's boyfriend Idrissa finds Mutar with his hand soiled in blood and Fatu dead. It is then that Idrissa picks up a drum.
Commemorates the centennial of American movies with a montage of clips and music scores from the most important movies of the century.
Based on two poems by Rafael Alberti, Garabatos (“Scribbles”) is a reflection on childhood, education and the demise of innocence. Music by Pierre Henry, Pierre Schaeffer and Edgard Varèse.
Mandaue Landfill, The Philippines: the 50 families who call this home are the bottom of their society; the lowest of the low. But material wealth is not the only kind of riches, and where there is hope and resourcefulness there is always the chance of a better life.
The story of Shinya Kimura, a creator of custom motorcycles which he designs with a unique philosophy of love, life and simplicity.
Black & White, Short Film, United States, Silent.
The warping lens used to photograph 10th Avenue seems to puzzle the filmmakers.
The Internet is haunted at Morningwood Road, they must appease the ghost before she makes a meme of them all.
A former witch loses her son while shopping. Knowing evil forces are still lurking, she frantically searches for him, but comes across a discovery.
The bizarre adventures of the cartoon character Foska, drawn by 22 animators working in collaboration. Each animator worked on his or her own sequence only and did not know what action preceded or followed his or her sequence, except that the first drawing of a sequence is the last drawing from the previous sequence. Preserved by the Academy Film Archive in 2010.
In order to enjoy a romantic private swim together, Jo and Eddie hide when their local swimming pool is closing for the evening. But unknown to them, a killer is on the loose - and in the building with them.
This story takes place in Lisbon at the time of the great maritime discoveries. Explorers, looking like pigs, arrive in the harbor after a long voyage across the oceans. Everywhere in the city small groups gather and congratulate each other. They organize spontaneous round dances and celebrate their return. Meanwhile, a young pig has the strange feeling of being completely isolated from the others in his own native city...
This Vitaphone one-reel short, written by the author of "Show-Off", George Kelly
Adults have the Pike and Coney Island amusement parks, so the rascals put up their own rides in a large vacant lot. Mickey's got big plans for expansion when surveyors show up to begin work on a factory. The gang travels by donkey cart to the office of Henry Mills, President of Pan American Export Company, to protest. Henry, in his 60s, is still a boy at heart: he has his chauffeur stop the car so he can join a sandlot game. He bails on a meeting with his board of directors, going with the kids to the factory site where he stops the workers and helps our gang add more rides. The directors follow him, and they get put to work. Will they ever have their meeting?