A convent-raised woman (Martha Vickers) learns of her American Indian heritage through romance with an educated Navajo (Philip Reed) during the 1880s.
Okeeman (Atoka)
Wateeka
John Curry is a friend of the Navajos who fails in his attempts to keep the white man from exploiting the tribe's secret altars. Realizing that there is oil to be found on the reservation, evil Will Newton gains entry to the area by posing as a trail guide for Elias Manton, an archeologist, and his daughter Mary.
A kickboxing cop abandons the violent life after he accidentally kills his opponent during a match. After quitting, he heads for the Arizona desert to live alone and occasionally work tracking drug runners for the area sheriff. One particularly wily Mexican drug lord, Santos, has been a real thorn in tracker Joe Highhawk's side, so when he encounters the beautiful Claudia and her simpleton brother Anthony running for their lives because she, an accountant, embezzled $20 million from Santos, he decides to help them. This actioner follows what happens next. Along the way, they encounter all sorts of danger, and double cross until the exciting final standoff between the kickboxer and the villain.
The Navajo Kid goes in search of the villains who murdered his foster-father and stole both ring and watch. The trail leads straight to Canyon City, Texas, and smooth cardsharp Honest John Grogan, who is in possession of both the stolen items. But Grogan has an ironclad alibi for the time of the murder, an alibi confirmed by none other than Sheriff Roy Landon.
In the weeks prior to the start of the Civil War, Confederate sympathizers hope to help their cause by inciting a Navajo war in the New Mexico Territory. Director Frederick de Cordova's 1953 western stars Audie Murphy, Robert Sterling, Joan Evans, Ray Collins, Dennis Weaver, Palmer Lee, Jack Kelly, James Best, Bob Steele and Ralph Moody.
Wing Foot is a Navajo educated in an otherwise all-white school. He experiences prejudice from both the whites (because of his race) and the Navajos (who disown him because of his upbringing). Thus, Wing Foot is looked upon as neither Indian nor white, but simply a "redskin".
Joe Enders is a gung-ho Marine assigned to protect a "windtalker" - one of several Navajo Indians who were used to relay messages during World War II because their spoken language was indecipherable to Japanese code breakers.
Fred Martinez was a Navajo youth slain at the age of 16 by a man who bragged to his friends that he 'bug-smashed a fag'. But Fred was part of an honored Navajo tradition - the 'nadleeh', or 'two-spirit', who possesses a balance of masculine and feminine traits.
On a desolate Navajo reservation in New Mexico, three young people – a college-bound, devout Christian; a rebellious and angry father-to-be; and a promiscuous but gorgeous Nádleehi (trans person)- search for love and acceptance.
After a narrow win hands Tuba City High School their 19th state championship, second place finisher Chinle sets out to topple their rivals and finally claim victory for themselves.
This short film follows Tonisha, Toneil and their family as they reclaim their Navajo history and reconnect with ancestors within the canyon walls.
A young Native American man on his way to visit his uncle learns about his Navajo heritage by attending tribal gatherings, traditional ceremonies and listening to old folktales.
Two journalists traverse the Grand Canyon by foot, hoping this 750-mile walk will help them better understand one of America's most revered landscapes and the threats poised to alter it forever.
The film threads together four stories, taking us into the life of a stressed-out Mohawk stockbroker in Manhattan; a young Inupiat girl sent to live with her grandmother in Barrow, Alaska; a Navajo gang member who must find his core values in his reservation on the mesas of New Mexico; and a Quechua healer in Peru, attempting to save a sick child. Each story explores what it means to belong to a specific community. A Thousand Roads is a fictional work, produced by National Museum of the American Indian (NMAI) to explore the human context of the NMAI’s collections. The film is striking visually, and presents through its beauty and its stories an imaginative entry into knowing about Native people living in the vast indigenous geography that comprises the Americas. Rather than presenting a conventional historical perspective, the film is composed of short contemporary fictions about individuals, grounding them in emotional truths to which an audience can easily relate.
Documentary chronicling the government relocation of 10,000 Navajo Indians in Arizona.
It explores the effect that methamphetamine has had on the Navajo Nation and interviews the people whose lives have been affected by the highly addictive drug.
A young half-Navajo convict dying of cancer forces a yuppie doctor to drive him to a magic healing lake.
After police detective Nick Epps witnesses his partner's murder by the Mafia, he's forced enter the witness protection program and is placed on the Navajo Indian Reservation. He tries to settle into his new life, but danger seems to follow him as he becomes involved in a serial killer investigation. Before long, the Mafia tracks him down, and Nick is suddenly trapped between two violent worlds with little hope of escaping alive.