Directed by Zaza Khalvashi.
Directed by Zaza Khalvashi.
1990-08-01
1
The film is set in southern Georgia during Ottoman control, where inhabitants, who were driven from their homes due to enemy invasions, try to return home through different means. One of these inhabitants is the young scholar Antimoz.
13 year old Lili fights to protect her dog Hagen, and is devastated when her father sets Hagen free on the streets. Still innocently believing love can conquer any difficulty, Lili sets out to save her dog. Failing in his desperate efforts to find his beloved owner, Hagen joins a canine revolt leading a revolution against their human abusers.
In this dreamlike film, a nameless father and his son, Aleksei, live together in an apartment in St. Petersburg. Aleksei's mother has died and consequently the two have a very close relationship. When Aleksei acquires a girlfriend, she refuses to take a back seat to his bond with his dad, and breaks up with him. Aleksei is also experiencing nightmares, dreading separation from his father to be a part of the military as his father was.
The short film (conveyed in a parable-like story structure) follows a man devoted to himself and the blessings of his attributed god. He struggles to survive a primitive life and is forced to take action to ensure his own prosperity.
This film ballad is dedicated to those who never returned home from WW2. A group of retreating Soviet soldiers, crossing a lunar terrain in a desperate attempt to escape death, is attacked by a German fighter plane that appears like a bolt from the blue. One by one they are killed. Then suddenly, in an unlikely denouement bordering on the mystical, the attacker is shot down with a simple rifle. For ideological reasons that defy understanding this film, one of Viktor Hres’ earliest works, was shelved in 1967 by Soviet censors. In 2010, it was restored by the Debut Studio of the Oleksander Dovzhenko Film Studio with the support of the Ministry of Culture and Tourism of Ukraine.
The war is over. Once a young sculptor, and now a soldier, he returned home. Married, there were children. In search of work, he was hired to make grave monuments. Time passed... At one time, visiting a cemetery with friends, he saw with different eyes all his work done over the years...
A poetized chronicle of the events taking place in one of the Georgian villages in the late 19th century, when, to save a forest, the innumerous intelligentsia could rally the people and oppose the industrialists…
Banned in the Soviet Union for its "negative" content and never released, Kalatozov was forced to retreat from filmmaking for seven years because of this film. The film sets out to illustrate the old adage, "For want of a nail, the battle was lost," showing how the inferior quality of something so trivial as a nail in a soldier's boot leads inexorably to the capture of an armored train. Kalatozov had intended to demonstrate the crucial and universal importance of efficiency in Soviet industry, but the government decided that his fable gave a negative impression of the Red Army's capabilities.
A full-blooded, interesting life has long eluded the house where a mother, father, son and daughter live. Trivial household matters, conversation at dinner about duty — that's all that connects them. The situation changes when it becomes known that the family inherited the village house, and that it will probably be necessary to enter into a struggle with the joint heirs. From the bottom of chests, old albums and documents confirming the priority of the family are extracted, and intrigues begin ...
Lithuania, 1977. Memories of childhood, adolescence, and first love in a small provincial town, shown through complexity of human relations at this periodical film.
It's hunting season, as well as Eda's 25th birthday. As a present, her father offers her an apartment under seizure.
A faithful recounting of the ministry, trial and martyrdom of the fifteenth century Bohemian priest John Hus, who built on the reforms of John Wycliffe, taught the Bible in the vernacular and who influenced Martin Luther a century later.
Sandamarutham is an age old story of an honest cop and his mission against a deadly villain, the only silver lining here is that Sarath Kumar has played both the villain and hero. Sarveswaran (Sarath Kumar) is a deadly don in Kumbakonam and he runs the underworld chemical bomb business to devastate the entire country. Mean time, we are shown another Sarath Kumar (Suriya) who is an undercover cop and he gets to know the real side through his honest cop friend Thirumalai (Samuthira Kani) who was murdered by the same chemical bomb. On his mission Suriya also encounters RR (Radharavi) who is a close friend of Sarveshwaran. The rest of the story tells how Suriya knocks down Sarveswaran.
Four cops try to stage a crime in their crime-free, model village so that they are not transferred from the place. But their naive attempts result in far-reaching conclusions.
Can a 100-year-old tea shop, which is more of a home for a group of regulars and a legacy for its soft-spoken owner, survive a road widening plan?