A group of city dwellers make a trip of three days and two nights into the isolated countryside to visit a friend in the hills. Their true nature begins to reveal itself: love hidden but never forgotten, primitive desires suppressed in the city, nasty pride that triumphs only over the weak and a strong will for survival that sacrifices even love and friendship.
A group of city dwellers make a trip of three days and two nights into the isolated countryside to visit a friend in the hills. Their true nature begins to reveal itself: love hidden but never forgotten, primitive desires suppressed in the city, nasty pride that triumphs only over the weak and a strong will for survival that sacrifices even love and friendship.
1999-11-06
8
With input from actor and writer Jan Hlobil, director and cinematographer Rene Smaal presents a film in the true surrealist tradition, in the sense that only 'found' elements were used, and that it defies interpretation based on ordinary cause-and-effect time sequence.
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A male lion, right next to bars that are about 6 or 8 inches apart, keenly watches a uniformed zoo attendant toss small morsels of food into the cage. The lion alternates between finding the food on the cage floor and reaching through the bars to swipe at the man, who stays alarmingly close to the beast. In the background are the large rocks and brick wall at the back of the lion's habitat.