Anthony's Broken Mirror(1957)

Smoke and Water(sh)

The subjects are trains and trainyards, which were key iconic symbols in the Yugoslav Black Wave films of the decade that followed. Lazić would also turn pro, directing mostly for television with the intermittent feature film to his credit.

Notes on the Circus(en)

The short film is a montage of sped up clips of The Ringling Brothers Circus in action set to a musical track. The film is separated into four segments, each segment which focuses on different acts within the circus. The later segments often incorporate clips from earlier segments, mostly as background to the featured acts. The speed of the clips match the tempo of the soundtrack music.

Fight Club (Russian version)(ru)

The Russian version of the movie "Fight Club" is not just a Russian version of a well-known cult film, it is the result and of the hard work of two young men and their love for cinema, Alexander Kukhar (GOLOBON-TV) and Dmitry Ivanov (GRIZLIK FILM) , who are responsible for this project, from the development of its idea and the selection of the cast, to the organization of filming and financial support. Filming lasted a whole year. Everyday work, constant trips, searching for suitable film sets and an exhausting schedule - all this was not in vain and resulted in an unusually amazing and original project - the film "Fight Club", created in the very heart of southern Russia, in the city of Krasnodar, by two young people

Red(en)

Three years living in Sunset Park, living between the BQE and the Greenwood Cemetery, accumulating footage of junkyard cats, Park Slope strollers, burned out cars, flying birds.

The United Monster Talent Agency(en)

A short comedy spoof about Universal Monsters and their everyday unconventional work done at their very own talent agency for their movies.

John Wesley Harding: Don't Look Back Now - The Film(en)

Filmed with four cameras, over two shows at Union Hall, Brooklyn, on October 27th, 2008, this film is especially for those of you who miss the live experience: the sweat, the proximity, the forgotten lyrics. This is far better than a Zoom show with me sitting at my desk: it looks and sounds beautiful. It’s what you really want to see (as opposed to being the only thing we can bring you) and it’s the absolute closest thing to being at one of my shows. And - as luck would have it - I’m playing all your favorite songs. How do I know? Because we asked you to choose the setlist way back then, and you did.

Bienvenue chez les Loud(en)

Salut !(fr)

Based on an article by journalist Rose-Aimée Automne T. Morin who questions our attitude on public transport in 2022, the film is an adaptation, in the form of a short film, of this social experiment. HI ! allows you to get inside the journalist's head. Is it normal to live so individualistically in this type of public transport? What if we gave ourselves the chance to reconnect with the humans around us...

Hour of Fear(pt)

In São Paulo, Alberto is an insane and sadistic man that kills women, and lives with his mother that covers all his mess. When he kills his mother's employee Eliana, stabbing her in the bathtub, they bury her in the backyard of their house. Eliana's fiancé unsuccessfully seeks her out and when Alberto's mother advertises that she needs a driver, he applies for the job to sneak around the real estate trying to find Eliana.

Octubre(en)

A man struggles with his past, in order to find his present, in this 1993 surreal, avant-garde visual-drama. Written and Directed by Jose Pelaez, Photographed and Edited by Carlos Garcia, and Starring Mel Nieves.

Mozart: Le Nozze di Figaro(it)

David McVicar's spellbinding production of LE NOZZE DI FIGARO is set in 1830s post-revolution France, where the inexorable unravelling of an old order has produced acute feelings of loss. In the relationship between Finley's suave, dashingly self-absorbed Count and Röschmann's passionately dignified Countess, which lies at the tragic heart of the opera, the sexy ease between a feisty Figaro (Erwin Schrott) and a sassy Susanna (Miah Persson) is starkly absent, the tenacious spark between Marcellina (Graciela Araya) and Bartolo (Jonathan Veira) suggesting what might be rekindled. The production is superbly complemented by the beauty of Paule Constable's lighting and Tanya McCallin's evocative sets. Antonio Pappano conducts (and accompanies the recitatives) with invigorating wit and emotional depth.

First Sight(en)

A boy experiences the joy and sorrow of love at first sight.

Antoraay(bn)

A story of friendship rights, dependence, memories in university hall life with physical disability.

Richard Himber and His Orchestra(en)

Richard Himber and His Orchestra plays us a few songs.

Tango(da)

The "Tango Bar" is the fashion of the moment. The city's party-goers have chosen the small, cozy, intimate local venue for the night's wee hours. Gaby Grant is an ideal hostess who knows how to get guests to forget the day's sorrows and troubles - and knows how to get them to pay.

Diary of Love(it)

Based on the novel "Il quaderno nero dell'amore" of Marilù Manzini, published by Rizzoli, through a diary written in a notebook, it tells the most intimate sexual secrets of three young people in search of their identity.

En la hacienda(es)

Youth Without Youth(en)

Professor of language and philosophy Dominic Matei is struck by lightning and ages backwards from 70 to 40 in a week, attracting the world and the Nazis. While on the run, the professor meets a young woman who has her own experience with a lightning storm. Not only does Dominic find love again, but her new abilities hold the key to his research.

Candyman(en)

The Candyman, a murderous soul with a hook for a hand, is accidentally summoned to reality by a skeptic grad student researching the monster's myth.

Amityville: A New Generation(en)

Keyes, a successful photographer who lives at the border of Skid Row, notices a homeless man with a strange old mirror. Immediately struck by it for reasons he cannot explain, he convinces the man to sell it to him, soon behaving in increasingly erratic and unhinged ways.

The Erotic Mirror(en)

Amy and Bill are on a romantic getaway when they come across an old second-hand store. Amidst the clutter, Amy unearths a beautiful antique mirror and immediately is overcome by a deep inner desire to caress and explore her luscious body in ways she never thought possible. Amy quickly buys the mirror only to discover the ghostly legend of the sexually insatiable whorehouse madame trapped inside it. Powerless to control herself, Amy indulges her naughtiest fantasies when standing before the shimmering mirror. Soon all her female friends are introduced to its seductive supernatural energy, and none of them can deny the lesbian urges that overtake their sweet young bodies, transforming them into writhing sex-machines that cannot be satisfied. But amidst the moans of pleasure, how could Amy possibly realize the terrifying consequences of her actions, and the fate the ghost in the mirror has in store for each of them. Will it be infinite ecstasy or endless erotic longing?

The Skeleton Key(en)

A hospice nurse working at a spooky New Orleans plantation home finds herself entangled in a mystery involving the house's dark past.

Whipsaw(en)

Hot jewels from London make their way to New York, where they are stolen by racketeer Ed Dexter, who hides them with the help of his vivacious girlfriend, Vivian Palmer. Federal agent Ross McBride goes undercover to infiltrate the gang and, suspecting Vivian can lead him to the jewels, comes to her aid when she is chased by a rival gang. The two flee to the Midwest with both gangs in pursuit, but Vivian is not as gullible as Ross thinks.

Pleasure Factory(cn)

A series of intertwining tales involve "pleasure seekers and pleasure providers" during the course of one night in Geylang, Singapore's red-light district. There are three distinct stories, united only by the presence of characters from all the stories in a streetside eatery:

The Mirror(fa)

When a young girl's mother doesn't meet her after school, she tries to navigate the streets of Tehran by herself.

A Woman's Face(sv)

A cynical woman with a disfigured face—a hardened criminal—gets an opportunity to change her ways when she meets a sympathetic plastic surgeon. She leaves her old life behind, but soon her old friends catch up with her.

Mirror Mirror(en)

After so many years together, Joe faces life without Jana. Saying goodbye to yourself is never easy.

The Other Side of the Mirror(es)

A nightclub singer is haunted by the ghost of her late father. The dead man summons her through a mirror, forcing her to commit a series of violent crimes.

Craving Passion(ru)

A detective investigating the murder of a rich widow stumbles into a dangerous supernatural struggle between the woman's physician and her violent, seductive doppelgänger.

Nightmare(el)

A new and rich heir, Anna Margot, is receiving threatening phone calls from an old friend, Anna not knowing what to do requests the help of her friend Tonis Karzis, the anxiety will culminate as a series of unexplained murders follows .

Felix in Exile(en)

Felix in Exile introduces a new character to the 'Drawings for Projection' series: Nandi, an African woman, who appears at the beginning of the film making drawings of the landscape. She observes the land with surveyor's instruments, watching African bodies, with bleeding wounds, which melt into the landscape. She is recording the evidence of violence and massacre that is part of South Africa's recent history. Felix Teitelbaum, who features in Kentridge's first and fourth films as the humane and loving alter-ego to the ruthless capitalist white South African psyche, appears here semi-naked and alone in a foreign hotel room, brooding over Nandi's drawings of the damaged African landscape, which cover his suitcase and walls. Kentridge has commented: 'Felix in Exile was made at the time just before the first general election in South Africa, and questioned the way in which the people who had died on the journey to this new dispensation would be remembered'.

Mirror(sh)

Old cinema creates new cinema in a new context. Stolen old images, someone’s audio track, someone else’s soundscapes – they re-create, reinventing interactions, relations and dialogue in familiar footage. Telling new stories. Transforming it back into cinema.

Candyman: Farewell to the Flesh(en)

Annie, a young schoolteacher struggling to solve the brutal murder of her father, unwittingly summons the "Candyman" to New Orleans, where she learns the secret of his power, and discovers the link that connects them.

Snow White: A Tale of Terror(en)

When young Lili's mother dies in childbirth, her father remarries Lady Claudia, a woman ruled by an evil mirror with the power to make her queen of all living things. After escaping an attempt on her life, Lili finds herself lost in a dark forest, where living happily ever after seems unlikely.

Urban Legends: Bloody Mary(en)

On a prom-night dare, a trio of high school friends chant an incantation, unleashing an evil spirit from the past with deadly consequences.

Mirrors(en)

An ex-cop and his family are the target of an evil force that is using mirrors as a gateway into their home.

Bloody New Year(en)

Six shipwrecked English teenagers take refuge in an island hotel that is decorated for New Years. The problem is, it's early summer, and soon enough, even the walls themselves are striking out against them…