They speak the same language, share a similar culture and once belonged to a single nation. When the Korean War ended in 1953, ten million families were torn apart. By the early 90s, as the rest of the world celebrated the end of the Cold War, Koreans remain separated between North and South, fearing the threat of mutual destruction. Beginning with one man's journey to reunite with his sister in North Korea, filmmakers Takagi and Choy reveal the personal, social and political dimensions of one of the last divided nations on earth. The film was also the first US project to get permission to film in both South & North Korea.
From 1950 to 1953, one hundred thousand children were orphaned by the Korean War. With no resources to mend the wounds, the two sides, North and South, took different paths to find homes and families for the war orphans. While the children of South Korea were sent to Europe and the United States through ‘International Adoption’, the children of North Korea were distributed across Eastern Europe through a method called ‘Commissioned Education’. As a result, more than five thousand children from the North had to spend nearly a decade living in foreign lands across Eastern Europe. This story is a record of their lives, which used to be kept hidden from the rest of the world. There is a key to understanding how North Korea's closed political structure began and how the ‘Juche ideology’ was formed in this documentary movie. Understanding North Korea in the 1950s is an important way to understand North Korea at present.
John Ford's documentary about the early battles of the Korean War, shot in color.
After the dissolution of the Truth and Reconciliation Commission, which was launched as a South Korean government organization in 2005, civic groups and bereaved families wishing to complete the mission the government had failed to accomplish form a joint organization to investigate the remains of civilians who were massacred during the Korean War. A three-year-long documentary about the organization’s three-year-long excavation efforts, 206: Unearthed is a record of sunlight, dirt, and sweat.
The Democratic People's Republic of Korea is a country with a very strong social cohesion and the unprecedented admiration of the people for their leader, which is absolutely unique and incomprehensible especially from a Western point of view. The native Korean director Sung-Hyung Cho tries to understand this by accompanying several Koreans from different backgrounds in their daily lives. The film shows the country and its people in a way, as it is rarely done in Western media, non-judgmental and respectful towards the people.
Documentary focuses on Sona, the daughter of the director’s brother who moved to North Korea from Japan in the early 1970s. Through Sona, the film shows the generation that migrated from Japan to North Korea and their offspring who were born and raised in North Korea.
The director's father, who did not know how to use a computer, left her an autobiography via email. It includes his whole life through many notable events such as the Korean War, the Vietnam War, 88's Seoul Olympic, New Town Development, etc.
They're called bar women, hostesses, or sex workers and "western princesses." They come from poor families, struggling to earn a decent wage, only to be forced into the world's oldest profession. They're the women who work in the camptowns that surround U.S. military bases in South Korea. In 40 years, over a million women have worked in Korea's military sex industry, but their existence has never been officially acknowledged by either government. In The Women Outside, a film by J.T. Orinne Takagi and Hye Jung Park, some of these women bravely speak out about their lives for the first time. The film raises provocative questions about military policy, economic survival, and the role of women in global geopolitics
Traces Korea's cultural heritage through its ancient dynasties, religions, language, art, and customs.
Having been granted special permission to film inside one of the most secretive countries in the world, Britain's fastest snowboarder sets off to experience first hand this country we know so little about.
Who is Kim Yo-jong? In a context of maximum tensions between North Korea and the United States, Pierre Haski paints an unprecedented portrait of the little sister of Kim Jong-un, whose influence in Pyongyang is growing stronger day by day.
Its main focus is on the plight of the Palestinians which can be seen as the most enduring residue of the modern encounter between the Arabs and the West. Edward Said traces the course of European involvement with the Near East via the Crusades to Napoleon's campaign in Egypt and the French and English entrepreneurs, adventurers and empire builders who came in his wake.
A courageous pastor uses his underground network to rescue and aid North Korean families as they risk their lives to embrace freedom.
In 1962, a U.S. soldier sent to guard the peace in South Korea deserted his unit, walked across the most heavily fortified area on earth and defected to the Cold War enemy, the communist state of North Korea. He became a star of the North Korean propaganda machine, but then disappeared from the face of the earth. Now, after 45 years, the story of James Dresnok, the last American defector in North Korea, is being told for the first time. Crossing the Line follows Dresnok as he recalls his childhood, desertion, and life in the DPRK.
A journey through several countries to find those who really know Kim Jong-un, North Korea's leader, in an attempt to profile a contradictory dictator who seems to rule his nation with both disturbing benevolence and cold cruelty while being worshipped as a living god by his subjects in exalted displays of ridiculous fanaticism.
Two young North Korean gymnasts prepare for an unprecedented competition in this documentary that offers a rare look into the communist society and the daily lives of North Korean families. For more than eight months, film crews follow 13-year-old Pak Hyon Sun and 11-year-old Kim Song Yun and their families as the girls train for the Mass Games, a spectacular nationalist celebration.
Guillermo Gómez Álvarez explores the identity politics of Puerto Rico via archival footage from various sources that clash with nine original songs from local independent musicians and a thematic analysis from a psychoanalyst and a historian. From the juxtaposition the absurd becomes coherent and the coherent becomes absurd as Puerto Rican identity is defined and rejected almost simultaneously.