Nandan (Shankar) an introverted singer from a poor background falls in love with Devi (Urvashi). Their friends Sunny (Mohanlal) and his girlfriend Thara (Geetha) are quite the opposite and are extremely outgoing. When Devi's parents do not approve of her relationship with Nandan, they try to force her into an arranged marriage. Sunny and their other friends decide to help the couple elope. However things go awry when Sunny & Vinod (Jagathy) meet with a horrific accident.
Vishwanathan is a thug who accidentally kills Damodaran. Later, he falls in love with Bhanu. Will Vishwanthan reveal his true identity to Bhanu?
Known for his unmistakable cascading strings and recordings such as Charmaine, Mantovani enthralled the world with his sublime arrangements. This is the story of the man and his music.
Hans Teeuwen is a successful comedian, jazz singer and a staunch defender of free speech. Nowadays he plays his unique comedy shots only in the UK, where he gets a great response and fantastic reviews plus he was the recipient of a 2008 Chortle Award. Here, finally, is a chance for Dutch audiences to see Hans Teeuwen's first new comedy show in five years, and the first show in English for the rest of the world: Hans Teeuwen Live in London!
John tells the story of a young male, a psychiatric hospital patient who witnesses the death of another Black male patient at the hands of white staff. Blurring the boundaries between fact and fiction, this work draws from real life cases of mentally ill Black men who have died as a result of excessive force of the State.
A story told in reverse, starting with the end of Chuck Krantz's life, and moving back in time to show how he lived that life.
In the heart of Osaka's old neighborhoods lies a run-down apartment building known as "Copo." Its thin walls and lack of privacy are home to a group of residents, each struggling with their own pasts and uncertainties. Yuri, a part-time worker, has fled her family, while her neighbors—an aloof man who lives off women, a shy laborer with clumsy affections, and an older resident running a mysterious business—navigate their complex lives. The discovery of a fellow tenant’s death forces them all to confront their personal dilemmas and the fragile nature of life in the "Copo."
This extremely short film is dedicated to chronophotography, which—as is well known—is the prelude to cinema. As with one of my earlier films dedicated to Muybridge (The Naked Killer, 1982), this one was excavated from books and catalogues, that is, from typographic ink. I tried, in a certain sense, to reanimate the inanimable as does the photographer Duane Michals, having only, sometimes, three or four frames. I found older stroboscopic technology as well as more contemporary flicker effects to be very helpful here and there. I attempted to realize the cinematic identification of Skladanowksy with Avedon; contaminations, precisely, between creators of films and creators of photography, contemporary or not. It is surprising to see Michals, a contemporary photographer, bearing such a strong cinematographic resemblance to Londe, the proto-filmmaker. I hope, at least, to have told the story of their direct commingling, as if by a single secret author.
Documentary about Brazilian pianist João Carlos Martins.
When Leslie gets fed up with her prudish roommate, Hannah, she challenges her to the bet of a lifetime: Hannah must sleep with ten guys while Leslie does the unthinkable and "re-virginizes".
Mare Winningham stars in this thriller about a photo store mix-up of a single mom's family vacation snapshots with the pictures of an assassination target leading to murder on a sleepy Pacific Northwest island, and forcing her to team up with the hitman's quarry.
Deep returns to India to get married and meets his friend Guri. Guri reveals to Deep the truth about their friend Tinka, who separated from them three years ago. Will the three friends reunite?
Tourists, foreigners and outcasts converge on the streets of Osaka in this sprawling ensemble drama by Japan-based, Malaysia-born filmmaker Lim Kah Wai. His eighth feature explores the lesser-known aspects of the Asian melting pot city through the eyes and experiences of a dozen characters who struggle to find their place in society: among them a Nepali refugee with dreams of opening a restaurant, a Burmese student struggling to make ends meet while working two jobs, and a Taiwanese sex tourist who travels to meet his favorite adult video actress.
A knight returning home with his squire Jons after a ten-year crusade to the Holy Land finds a country paralyzed by the Black Death, a newly burned witch, a blacksmith and his runaway wife, an actress, a Virgin Mary with her child and the knight's faithful wife. All approaches the realm of the dead in a single "tragicomic long dance of death". The narrator begins with: "In a church in southern Småland is our spectacle painted on the wall just to the right of the entrance to the porch. The unknown painter has on the church wall depicted a number of people in formal long dance toward death."
Viswanath (Rajnikanth), a famous lawyer, stays with his widowed mother (Vijayakumari) and physically handicapped sister (Uma). He sends Jegan, a rich magnate's son (Sathyaraj) and Lokaiya, two criminals to jail on the charge of rape and murder of an innocent girl. Jagan’s father, GMK (M N Nambiar) uses his influence and starts creating trouble in Viswanath’s life. GMK succeeds in getting Viswanath imprisoned on a trumped up charge. His heartbroken mother dies. Once out of jail, Viswanath sets out to punish the culprits when he temporarily loses his eyesight.
As a result of a mistake, the siblings change roles and go on vacation somewhere else than planned. The boy goes to his aunt and cousins, the girl goes to her uncle and cousins. To save her brother, the sister pretends to be a boy and he, left with no choice, pretends to be a girl.
Describes the oppressed life of the crab fishermen and their final revolt which is bloodily suppressed by the Royal Navy.
Masala (English: Mixture of Spices) is a 2013 Telugu film directed by K. Vijaya Bhaskar and jointly produced by Daggubati Suresh Babu and Sravanthi Ravi Kishore. It is a remake of the 2012 Hindi film Bol Bachchan and Venkatesh and Ram Pothineni reprised the roles of Ajay Devgan and Abhishek Bachchan respectively. The film released worldwide on November 14, 2013. Upon release, the film received positive reviews from critics albeit the lead actors and the comedians' performances were appreciated.
Ramakrishna (Chiranjeevi) is a mechanic whose life changes when he meets Priya (Anjala Zaveri) at a train station. She sees him and feels some inexplicable connection and runs away with him to flee her father, Mahendra's (Prakash Raj) goons. They end up living in the forest with their son, but her father, who is an underworld don, kidnaps her so that he can marry her off to another don's son. Ramakrishna confronts her father and in the ensueing struggle Priya takes the bullet shot at her husband and dies. Their son, because of the shock, loses his voice and Ramakrishna is jailed. Mahendra takes the boy away to Kolkata, where the story originally started. Rama Krishna with the help of Padmavathi (Soundarya) reunites with his son.
Kaliyoonjal movie portrays a brother to a disturbed sister. The sister, played by Shalini, is mentally disturbed if any thing goes against her will. She is possessive of her brother and creates a havoc when she gets angry. Enter Shobhana who marries Mammootty and Dileep, who plays Shobhana's brother and marries Shalini, and problems start up in the family.
Subhalekha is family oriented movie in which, the story is made with a message on dowry and was a huge musical hit and a Jewel in the crown for our megastar. Sumalatha is a middle class girl who is well educated and beautiful. Her father tries to get her married but is not able to meet the demands of high dowrys.
Tingu Rangadu is action drama based movie in which, Chiranjeevi is a carefree guy who lives with his grandmother (nirmalamma) and his cousin. One day he escapes from his house and landsup in a city. He gets into RamchandraRao (Jaggayya)’s house claiming to be his son, through his extra-marital relationship.
Vidyadharan, a clocksmith, is a widower and lives for his only daughter. However, his life takes a turn for the worse when he kills a thug suspecting him for murdering a village girl.
Set in 1940s,Ponthan Mada movie is about the irrational bonding of the low-caste Ponthan Mada with his colonial landlord Sheema Thampuran, who was expelled to British India from England during his youth for supporting the Irish Republican Army. Crossing the class boundaries, the two communicate through Thampuran's window, with Mada hanging from a palm tree.
Midhunam movie is all about Sethumadhavan (Mohanlal) who has plans to start a biscuit factory near his house. But the bureaucracy and the corruption of the officials are the hurdles in front of him. Along with that he has to solve the problems in his family, which his brother (Innocent) and brother-in-law (Jagathy Sreekumar) creates. he marries his long-term fiancée Sulochana (Urvashi) who always cribs that he doesn't have love towards her, which he had shown before their marriage. How sethumadhavan succeeds in his life beating all the odds against him forms the rest of the story.
Prince (Mohanlal) is a race car driver and the son of industrialist Bharathan Menon(K. P. Ummer) and Sreedevi Menon (Sukumari). He lives a happy-go-lucky life style spending time racing cars, entertaining his nephews in his farm house and hanging out with his close friend Vettikkal Sadashivan (Jagadish). Sadasivan introduces Prince to his relative Pavithran(Nandhu) who seeks help in kidnapping his girl friend. In a comedy of errors, Prince and Sadasivan sedate and kidnap another girl with the same name(Aishwarya).
Married at 17 and widowed at 20, Dr. Balasubrahmaniam lives with his teenage son. Son does not want to follow his father into medicine and joins an engineering college. He is killed accidentally by some seniors during ragging. The grief-stricken father tries to avenge his son's death.
Sathyanathan is condemned to death for brutally murdering four persons – two adults and two young girls – and is awaiting his final call. He shows no remorse and is just as cheerful as a man who knows he has done no wrong. In a series of flashbacks, Sathyanathan's story is revealed.
Nandagopan (Mohanlal) is a respected dance teacher at the Kerala Kala Mandiram (alluding to the famed Kerala Kalamandalam repertory which performs Kerala's temple arts). However, his wife Sumangala (Parvathi) commits suicide, causing him to turn into an alcoholic and a compulsive rule breaker. He is suspected of having killed his wife and is suspended from his job for drunken misbehaviour. The new secretary of the institute Velayudhan (Nedumudi Venu) wants him to be sacked but his former reputation gives him a reprieve. He trains the talented student Malavika (Monisha) to perform in his ambitious composition of the Sita Kalyanam, but her jealous young lover Soman (Vineeth) poisons him.
In search of Andrew who had promised him a job, Sachidananda ends up saving a millionaire's granddaughter. This gets him entangled in a series of grave issues.
Vishnu is part of a local circus group. On one of their tours, Vishnu meets a girl and his life changes forever.
A young debtor's idea of turning in a group of smugglers for a lump sum amount as a reward goes awry as they set the dogs on him.
Advaitham is a 1991 Malayalam film directed by Priyadarshan. The film stars Mohanlal, Jayaram, Revathi Menon and Srividhya in lead roles.
Kizhakkunarum Pakshi is a musical film about film industry and the life and struggling of music directors, singers etc.
The story revolves around two phases of the lives of three comrades - before and after the imprisonment of Sakhav Nettoor Stephen, Sakhav T.K. Antony and Sakhav Sethulakshmi, members of the Communist Party of India.
Murali returns to his home in Kerala after working in the Gulf for seven years. He decides to settle in his hometown, but things do not go as expected.