Rate It X(1986)

Rate of Change(en)

This film has no literal subject, no frames, only slow continuously shifting colours, cycling around the perimeter of the spectrum. The changes are so slow as to be unseen, yet they alter our perception of colour. Part of a trilogy (Acts of Light), which develops a study of pure colour, based on the notion that film is essentially change and not motion.

The Hair of the Beast(fr)

Takes place in 1665 in New France at a time when a part of Canada was colonialized by France. Joseph Côté escapes from a prison in order to avoid death by hanging. Moreover, while some colonial soldiers are chasing him, Joseph takes the identity of a Jesuit and hides in the seigneury of Beaufort where most men are waiting for "daughters of the king." (French women who were sent to Canada in order to find a husband.) At night, Joseph finds out that there are werewolves that terrorize the village. Besides, things get complicated when he falls in love with Marie Labotte, a "daughter of the king" that no one wants to marry. All in all, by simply trying to protect his life and Marie's, Joseph will end up fighting against the werewolves.

Panorama pendant l'ascension de la Tour Eiffel(fr)

Panorama during the ascent of the Eiffel Tower.

Movies(en)

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Judas(es)

A guy with bad feelings and worst methods, willing to do anything to satisfy his greed and vanity, is unhappy with the role of Judas in the Passion a play that is traditionally represented in his town because he prefers the role of Jesus.

The Fox in the Chicken Coop(he)

Amitz Dolniker, an Israeli politician who speaks way to much has a heart attack in the middle of his speech. In the ambulance on the way to the hospital the doctor orders him to "go someplace quite, rest, and don't make speeches". His young assistant immediately suggest they go to Switzerland, however Dolniker had taken a vow not to leave Israel unnecessarily, so he comes up with a different idea - going to a remote village where they have never heard of him, so he would not be asked to make any speeches. As they arrive, it turns out that not only the villagers have never heard of Dolniker, but they have also never heard of running water, electricity, phones, and most importantly: TV, Radio, and newspapers... so its only a matter of time before Dolniker or the villagers go bananas...

Alcoholica(es)

Forest(en)

Video installation, 2005, at LOKAAL_01 Breda 2007, Burning Marl, curator Frederik Vergaert in Seppenshuis Zoersel, 2005. A woman walking through 3 video images. Three screens display how the day’s light passes by: from the early morning light until late at night. Along with the woman the artist walks through the forest, in the same rhythm, the same pace. Off-screen she looks through the camera, fragmenting time. The age-old androgynous trees are a vertical constant along which the woman moves, as if in an interval between visibility and invisibility, between sound and silence, while the light keeps on evolving metabletically.

Udayananu Tharam(ml)

Udayabhanu is an assistant director and scriptwriter, who dreams of making it big in the film industry. His attempt is thwarted by his roommate, a junior artiste, Rajappan Thengamoodu who steals his script to become superstar Saroj Kumar

Threshold(en)

Celebrated heart surgeon Thomas Vrain supports the research of an offbeat scientist who has invented an artificial heart. Against the advice of the Ethics Committee, Dr. Vrain decides to perform the first artificial heart transplant.

The Devil's Daffodil(de)

A Chinese detective breaks up a drug smuggling ring and tries to find the "Daffodil Killer". The drug smugglers had devised the ingenious method of smuggling heroin from Hong Kong in the stems of daffodils.

Ashwaradham(ml)

Ashwaradham is a 1980 Indian Malayalam film, directed by IV Sasi and produced by Pavamani. The film stars Srividya, Raveendran, Prameela and Balan K Nair in lead roles.

Where To?(ar)

A family lives poorly in a village in the Lebanese mountain. One day the father abandons his family and leaves for Brazil, considered an Eldorado by a great number of his compatriots. Twenty years pass. The mother raised her children with great difficulty: the elder has a family and the younger one is getting ready to immigrate to Brazil. One day a ragged old man arrives to the village.

Servants of Mercy(en)

Fern Silva’s Servants of Mercy (Portugal/USA, 2010, 14m), presents a variation on portrait film, subtly showing the redevelopment and changes of Portuguese landscape and society through the prism of his families old household helper, a remainder of Portugal’s older bourgeois traditions. Fernando Pessoa’s famous poem of exile “Oh Sea, how much of your salt is from the tears of Portugal” can be heard song on the soundtrack, reflecting the gulf between the past and the present and the countries unique place on the edge of Europe. -George Clark, APEngine

A Boy(lv)

Latvia, late 19th century. Farm-hand boy Jancis lives on a homestead with his mother, grandfather and grandmother. His world does not reach beyond the horizon, and life progresses according to the seasonal cycle – from winter through spring, summer and autumn to the next St. George's Day when farmhands often had to move to the next farm.

The New Klan: Heritage of Hate(en)

Documents Ku Klux Klan activities in California, Georgia, Chicago, and Ohio.

We The People 2.0(en)

American citizens who are normally marginalized, forgotten and left to fend against toxic dumps and other violations, come to understand that the only way to survive and save their communities is to challenge the system head-on.

Energy War(en)

Documentary feature. 16mm; color; sound.

In Paraguay(en)

Documentary film by Ross McElwee.

Angry Inuk(en)

With "sealfies" and social media, a new tech-savvy generation of Inuit is wading into the world of activism, using humour and reason to confront aggressive animal rights vitriol and defend their traditional hunting practices. Director Alethea Arnaquq-Baril joins her fellow Inuit activists as they challenge outdated perceptions of Inuit and present themselves to the world as a modern people in dire need of a sustainable economy.

How to Cook Your Life(en)

A Zen priest in San Francisco and cookbook author use Zen Buddhism and cooking to relate to everyday life.

Farmer/Veteran(en)

After three combat tours in Iraq, Alex Sutton attempts a fresh start hatching chickens and raising goats on 43 acres in rural North Carolina. Alex embraces life on the farm with his new love Jessica, but cycles between a state of heightened alert and “feeling zombified” from a cocktail of prescriptions meant to stabilize his injured mind. When Jessica becomes pregnant, the dark past Alex has tried to escape—the loss of his first family, the war he was forced to leave—closes in on him. The farm becomes another battleground. Farmer/Veteran attempts to reconcile the identity of a perfect soldier with the reality of a haunted man determined to hold onto the best chance at peace he’s ever known.

Waiting for B.(pt)

This observational documentary follows the journey of Beyoncé’s super-fans who, unable to pay for the most expensive tickets, camped out for two months to secure their front row spots. Living with this makeshift community bring to light important issues, such as economic class, black identity, homophobia, feminism, and what it means to make this sacrifice for a media phenomenon larger and more powerful than themselves.​

Bread and Dripping(en)

Women's unwritten history is passed down through memories. Shows women talking about their experiences of the Great Depression in Australia. Covers such areas as: aboriginal women; paid and unpaid work; mothering; marriage; women's participation in the political struggles of the 1920's and 30's.

Fourteen's Good, Eighteen's Better(en)

Profile on three young Adelaide women. Diana, Kerry and Josie are now 18 years old, and continue to have open and frank discussions about their lives.

Not Fourteen Again(en)

An exploration of the hopes and expectations of three working class women from Adelaide, and the differences and similarities they share with their daughters.

Bingo, Bridesmaids & Braces(en)

The third film in a documentary series from acclaimed director Gillian Armstrong, about the lives of three working class women. as they grow up from the age of 14. They're now at the ripe old age of 26, and we witness the women confronting the very real issues of teenage pregnancy, and love versus sex, marriage and career.

Olympia: Part One – Festival of the Nations(de)

Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. This first half of her two-part film opens with a renowned introduction that compares modern Olympians to classical Greek heroes, then goes on to provide thrilling in-the-moment coverage of some of the games' most celebrated moments, including African-American athlete Jesse Owens winning a then-unprecedented four gold medals.

Olympia: Part Two – Festival of Beauty(de)

Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. Where the two-part epic's first half, Festival of the Nations, focused on the international aspects of the 1936 Olympic Games held in Berlin, part two, The Festival of Beauty, concentrates on individual athletes such as equestrians, gymnasts, and swimmers, climaxing with American Glenn Morris' performance in the decathalon and the games' majestic closing ceremonies.

Road's End(lv)

Road's End is the story of Daina who lives in Latgale in Eastern Latvia, close by the Russian border. She lives two miles from the nearest road, with no electricity or running water. The roof has collapsed. She is completely dependent upon herself in order to cope with her everyday life. Daina’s children have both emigrated, her son to Norway and her daughter to Italy. When she feels lonely, she goes to her husband's grave and sits there talking with him as if he were still alive. Road’s end is a both poetic and existential film about choices we make in life, about obstinacy, love and betrayal.

Let's Dance: Bowie Down Under(en)

The remarkable, forgotten story behind David Bowie’s biggest-ever hit record – and how an unlikely journey, deep into the Australian outback, led to its unprecedented success.

Kuxa Kanema: O Nascimento do Cinema(pt)

Kuxa Kanema: The Birth of Cinema is a 2003 documentary by Margarida Cardoso on the National Institute of Cinema (INC), created by President Samora Machel following the 1975 independence of Mozambique.

15 Faros de Puerto Rico(es)

Each one of the 15 lighthouses around the island of Puerto Rico tells the story of the lighthouse keepers, wives or daughters that lived in them. Additional testimonies by architects, historians, biologists and fishermen take us on a trip of beauty, hope, perseverance around them, as we witness the magnificence of its structures and its magical surroundings. Some lighthouses are active, some have been restored, others have been abandoned but all have a unique story to tell.

Always in Season(en)

When 17-year-old Lennon Lacy is found hanging from a swing set in rural North Carolina in 2014, his mother's search for justice and reconciliation begins while the trauma of more than a century of lynching African Americans bleeds into the present.

Amá(en)

Amá is a feature length documentary which tells an important and untold story: the abuses committed against Native American women by the United States Government during the 1960’s and 70’s: removed from their families and sent to boarding schools, forced relocation away from their traditional lands and involuntary sterilization. ​The result of nine years painstaking and sensitive work by filmmaker Lorna Tucker, the film features the testimony of many Native Americans, including three remarkable women who tell their stories - Jean Whitehorse, Yvonne Swan and Charon Aseytoyer - as well as a revealing and rare interview with Dr. Reimart Ravenholt whose population control ideas were the framework for some of the government policies directed at Native American women.