A filmmaker recalls his youth in the town of Onomichi. In the present, he shoots a film in Onomichi alongside his cast, crew and family.
The filmmaker
His friend
Their childhood friend
His true love
A filmmaker recalls his youth in the town of Onomichi. In the present, he shoots a film in Onomichi alongside his cast, crew and family.
1968-01-01
6.4
A small group of Wikileaks journalists make their way through Central Asia interviewing newspaper editors. Their real goal: to find local media outlets to publish secret US diplomatic cables. This intelligent, guerrilla-style doc follows their fascinating journey from Afghanistan to Manhattan, through the boundaries of free speech and the minds of those who shape our understanding of the world.
The Brain designs a mesmerizing doll, Noodle Noggin, and plans to have Santa Claus deliver one to every house so he can make people do his every command through mind control.
Thought about stones in a small Italian town. Workshop film made in Saint Angello Le Fratte, from 8th to 12th of July 2019.
Propaganda film detailing the plight of ethnic Germans, known as "Volga Germans", in the Soviet province of Manchuria.
A farcical short film showing a sequence of events for a not-so-average family. Centering on the teenage boy as the main character and his brother and mother as they go about their daily life taking everything in their stride until the bitter end. This film centres on dialogue and staging, with a clear focus on circumstance. It draws inspiration from classics such as The Ipcress Files, Goodfellas and the work of Wes Anderson in its visual style and delivery.
Six small town characters are trapped in the nightmare of crystal methamphetamine addiction and each must make the decision to escape the nightmare before their world implodes.
For more than 30 years a man by the name of Dick Proenneke lived alone in the Alaskan Bush. His only neighbors were the wolves and grizzly bears and his only transportation was his canoe and a good set of legs. Through the years, Dick kept written journals of daily life at Twin Lakes but would also document much of his adventure on film with his 16 mms Bolex camera. The Frozen North is Dick's own filmed account of his life alone in this "One Man's Wilderness", produced from original footage not included in "Alone in the Wilderness" or "Alaska Silence & Solitude".
Mer Rose Claire is part of Arvers’ ongoing abstract machinima series La Mer (2016-) which depicts shapes and abstract landscapes created by the Moviestorm game engine. Evocative of peaceful marine scenes, these videos produce an hypnotic effect on the viewer as abstract patterns, their folding and unfolding, become a generative matrix of what Georges Perec called species of spaces. This mesmerizing, rhythmic movement alters the viewer’s perceptions.
Sarathy is a brilliant and carefree young man who is unaware that an astrologer has predicted his death at the age of 27. Eventually, he comes to loggerheads with Reddiar over a land deal gone bad.
"No País das Amazonas" begins showing the indigenous people of Amazonas. Then, it presents the economical activities showing each step in the production line of the incipient local industries, inclusive with the exit of workers from a factory in the end of the working period. The documentary shows also the boats on the river, the fishing of manatee ("peixe-boi") and preparation of the flesh with salt, the rubber trees, the extraction and each step of the preparation until the rubber mattress is ready to be exported, the Brazilian chestnuts, guaraná and smoke and the insects.
An officer investigates a series of killings, allegedly by a man-eating tiger in the forest. However, his findings reveal the truth about a sinister serial killer.
Two women – one passive and resigned, the other aggressive and domineering – interact in various locations in New York city. The film explores the dynamic between them before ending with a showdown at the roller-coaster on Coney Island.
First film by Julio Bressane shot in exile, "Memoirs" is a film about a man who repeatedly kills the same type of woman in same places, the same way. Filmed on the streets of London.
Bressane's second London film, shot in six days in his apartment. "I had seen the French avant-garde films of the 1920's and naturally the title cites Breton. But underneath it can also be read in many ways. It is a cinema that is invented on the spur of the moment, like you invent an instrument to play music and then abandon it. This film came out like an improvisation, a total risk. It is a deconstruction of meaning but not in the analytical, intellectual sense. I have always tried to lose myself with my films. There is no trace of American or French underground cinema. If anything, it is the idea of home movies, there were many ideas for digital films long before digital film existed. This film made itself, it was like a jazz improvisation. Amor Louco is a lost object, it doesn't speak any language, it has no signs, no letters, no captions. And in the scene where the cataract is cut with the razor blade, it was the adventure of the film itself that was put to the test".
An experimental movie based on a poem of the French writer and director Jean Cocteau about a servant who fantasises about killing the lady of the house.
Originally edited in two versions. Version I, 70 minutes; version II, 90 minutes. (The only known existing version is not Markopoulos’s edit and contains additional titles, music and voice-over added later than 1961. 65 minutes.) Filmed in Mytilene and Annavysos, Greece, 1958. Existing copy on video, J. and M. Paris Films, Athens.
A short film about the meeting of a Trappist monk and a Zen Buddhist master.
Miguel, a debutant director, and his young team live a series of tribulations during the shootings of their first film, which unrolls between Lisbon, Venice, Paris and Madrid.
The final 17 years of American singer and musician Karen Carpenter, performed almost entirely by modified Barbie dolls.
A meditation on freedom and technological approaches to manifest destiny.
Lacking a formal narrative, Warhol's mammoth film follows various residents of the Chelsea Hotel in 1966 New York City. The film was intended to be screened via dual projector set-up.
Experimental feature about two young men trying to make a film.
Engel und Puppe is the first film by Italian filmmaker and writer Ellis Donda. Screened at Oberhausen in 1975, Engel und Puppe is a political adaptation of some lines from Rilke's Duino Elegies, featuring the French poet Jacqueline Risset and a young Rossella Or (soon to become an avant-garde theatre actress).
In the final days of the American Civil War, an emigre Hungarian military officer attempts to map the situation of the enemy. Many veterans of the 1848 War of Independence in Hungary fought on the northern side. Experienced Fiala, Boldogh who struggles with homesickness and the reckless Vereczky all experience their enforced emigration in different ways and news of impending peace elicits different reactions from them all.
Time-Consciousness offers four mutually contradictory versions of a series of events. The constant factors are a middle-aged poet with a gammy leg, a prostitute who may or may not be dead, and the woman’s humble room (which may or may not be tidy), where the poet does his writing. Asking "What did happen at 9:20 that evening?," the film underlines the unreliability of memory and the impossibility of objectivity.
Two men walk agitatedly on a dirt road, between underbrush and large trees. One follows the other: both inspect the place. After a while, they stop in the middle of the foliage.
A short film recounting the travels of a lonely astronaut confronted by the unknown. Unfolding as a mystery, it becomes a carefully subtle, autobiographical examination of the feeling of loneliness and the existential issue of not understanding life on earth and ones place among it.
Eleven young film-makers got together to collaborate in this atypical project. Atypical not only because of its technical specs, but because of its narrative structure. There are several scenes with only the city in common, and more as a conceptual presence at that than as a precise geography. None of those scenes contains a single "story": Each one of them is part of a larger situation that we cannot see, as though the beginning and end of each "story" had to be filled in by the audience.
A taxi driver, a young girl and a backpacker simultaneously experience a wonderful journey in Tokyo, where they find connections to their own homes in Africa, Europe and Southeast Asia.Throughout their journey, they run into the same Japanese woman named Akiko. Meanwhile, a writer in Paris recalls her encounter with Akiko in Tokyo.