These are the first images shot in the ALN maquis, camera in hand, at the end of 1956 and in 1957. These war images taken in the Aurès-Nementchas are intended to be the basis of a dialogue between French and Algerians for peace in Algeria, by demonstrating the existence of an armed organization close to the people. Three versions of Algeria in Flames are produced: French, German and Arabic. From the end of the editing, the film circulates without any cuts throughout the world, except in France where the first screening takes place in the occupied Sorbonne in 1968. Certain images of the film have circulated and are found in films, in particular Algerian films. Because of the excitement caused by this film, he was forced to go into hiding for 25 months. After the declaration of independence, he founded the first Algerian Audiovisual Center.
These are the first images shot in the ALN maquis, camera in hand, at the end of 1956 and in 1957. These war images taken in the Aurès-Nementchas are intended to be the basis of a dialogue between French and Algerians for peace in Algeria, by demonstrating the existence of an armed organization close to the people. Three versions of Algeria in Flames are produced: French, German and Arabic. From the end of the editing, the film circulates without any cuts throughout the world, except in France where the first screening takes place in the occupied Sorbonne in 1968. Certain images of the film have circulated and are found in films, in particular Algerian films. Because of the excitement caused by this film, he was forced to go into hiding for 25 months. After the declaration of independence, he founded the first Algerian Audiovisual Center.
1958-01-02
8.5
The powerful evil wizard Tarabas gets knowledge about a prophecy that a king's child will defeat him. So he sends out his army of dead soldiers to kidnap all royal children. When the soldiers attack Fantaghiro's castle to steal the babies of her sisters, the battle seems to be lost until she discovers the secret to defeat the solders but by doing that she loses Romualdo. Now Fantaghiro must find the evil wizard Tarabas and convince him to break the spell and bring back Romualdo.
A look at the aftermath and global impact of the docuseries `Surviving R. Kelly'
Highland Sunset and a final look at Class 37s on the West Highland Line to Fort William before the introduction of Class 66s. Crewe Open Weekend with a tour of Crewe Works during the open weekend of the 20th and 21st of May with a variety of traction plus coverage of specials to the event with 33 and 37 hauage. Class 58 Profile with only half of the original class still in action we take a look at the class from the 1980s to the present day. Devon Contrasts and Class 67 and 47 motive power along the famous stretch of sea wall from Starcross to Dawlish.
An excellent comprehensive look at all the music that came out of Cincinnati, Ohio. Cincinnati "Rock Legends" "James Brown" "King Records" "Pure Prairie League" "Lemon Pipers" "Syd Nathan" WEBN "Bootsy Collins" "Lonnie Mack" "The Who concert 1979" "Rick Derringer"
Silver Fox (Hwang Jan Lee) fights a dark martial arts master imbued with weird magical powers (which include performing strange rituals on captive women) and, of course, fantastic fighting skills. The Fox will need every one of his own prodigious fighting skills to triumph over the forces of evil that marshal against him in this rock 'em, sock 'em martial arts epic. The very formidable Leung Kar Yan costars.
Silence dominates the work, as does the screen rectangle, which cuts off the “image” from a life time-space continuum and imposes upon the image its particular character. Within it, there is a play between tonalities, textures, large and small shapes.
Delves deep into the anxiety, thrill and uncertainty of six aspiring animation artists as they are plunged into the twelve-week trial-by-fire that is the NFB's Hothouse for animation filmmakers.
A heartfelt depiction of a man facing his own mortality while reflecting on the grave mistakes of his youth.
Iliac works in a massage parlor where the gay clients are given more than a shoulder kneading and back rub. When Iliac's father dies he must reconcile his job as a sex worker with the rest of his family.
After indulging in horror comic book reading, Daffy has a dream where he is singing in a nightclub for monsters.
After a confrontation, a group of women are taken by a presence.
Intertwined stories from the gladiator/athletes participating to the Calcio Storico Fiorentino yearly championship.
A disgraced ex-cop's arrival in a small town triggers a cathartic journey of forgiveness and revenge for himself and the family of the activist he killed.
Kitarō, a ghost, spends his afterlife helping humans in need of his skills. He thwarts the plans of evil spirits who live to torment humanity. A retelling of episodes 5-6 from the 1968 TV anime.
On October 4, 2018, France celebrated the 60th anniversary of the Fifth Republic. It is a republic born in the throes of the Algerian War and one which—from the day it was founded by General de Gaulle until the presidency of a very Jupiterian Emmanuel Macron—has been assailed as a “Republican monarchy” by partisans of a more assertive parliamentarian state. By revisiting the struggle of those who dared oppose the new regime — only to suffer a crushing defeat on September 28, 1958, when they were barely able to garner 20% of the vote against the constitutional text — this film shines a powerful new light on the origins of the Fifth Republic and its consequences for the next 60 years. It is a constitutional debate that planted the seeds for a complete upheaval of the French political landscape, on the left in particular, and set the country in motion toward what would be called the Union of the Left.
In the remote and forgotten wilderness of Lake Natron, in northern Tanzania, one of nature's last great mysteries unfolds: the birth, life and death of a million crimson-winged flamingos.
An ethnographic film that documents the efforts of four !Kung men (also known as Ju/'hoansi or Bushmen) to hunt a giraffe in the Kalahari Desert of Namibia. The footage was shot by John Marshall during a Smithsonian-Harvard Peabody sponsored expedition in 1952–53. In addition to the giraffe hunt, the film shows other aspects of !Kung life at that time, including family relationships, socializing and storytelling, and the hard work of gathering plant foods and hunting for small game.
POLICE STATE 4 chronicles the sickening depths to which our republic has fallen. Veteran documentary filmmaker Alex Jones conclusively proves the existence of a secret network of FEMA camps, now being expanded nationwide. The military industrial complex is transforming our once free nation into a giant prison camp. A cashless society control grid, constructed in the name of fighting terrorism, was actually built to enslave the American people. Body scanners, sound cannons, citizen spies, staged terror and cameras on every street corner -- it's only the beginning of the New World Order's hellish plan. This film exposes how the "Continuity of Government" program has established an all powerful shadow state. Prepare to enter the secretive world of emergency dictatorship, FEMA camps, and a shredded Constitution.
Guangzhou, a.k.a. Canton, is southern China’s centuries-old trading port. Today the booming metropolis of 14 million is a mecca of mass consumption, its vast international trading centers crammed with every “Made in China” good imaginable. Every year more than half a million Africans travel to Guangzhou where they buy goods to sell back in Africa. Over time, some have chosen to stay, and for these Africans China looks like the new land of opportunity, a place where anything is possible. But is it? Featuring a dynamic cast of men and women from Cameroon, Kenya, Nigeria and Uganda, GUANGZHOU DREAM FACTORY weaves the stories of Africans chasing alluring, yet elusive, “Made in China” dreams into a compelling critique of 21st century global capitalism. Following a filmmaker’s journey from Ghana to China and back to Africa, GUANGZHOU DREAM FACTORY provides a rare glimpse of African aspirations in an age of endless outsourcing.
Resistance fighter under the occupation, committed to the FLN during the Algerian war, member of the Medvedkine group after May 1968 and defender of Breton autonomy, René Vautier was a committed filmmaker, author of an anti-colonialist work in which he denounces the repression, torture and racism. In 1983, René Vautier discovered, by the light of a flashlight, his films cut up and scattered at Fort du Conquet. Police also came to check the damage.
A taxi drives through the city of Berlin. Its driver is a punk, left and a well-known figure in the autonomous scene. The stations of his trip are the most important places of the autonomous scene: all in the struggle for survival. The last evictions have not yet been processed and the next ones are coming right up.
Alex Jones interviews Walter Burien, commodity trading adviser (CTA) of 15 years about the biggest game in town. There are over 85,000 federal and regional governmental institutions: school districts, water and power authorities, county and city governments – and they own over 70 percent of the stock market.
Alex Jones exposes the problem-reaction-solution paradigm being used to terrorize the American people into accepting a highly controlled and oppressive society. From children in public schools being trained to turn in their peers and parents, to the Army and National Guard patrolling our nation's highways, Police State: The Takeover reveals the most threatening developments of Police State control
Total Enslavement is the third installment in the critically-acclaimed Police State series and is a must-see for all who leve freedom. This film documents the nightmare rise of the Homeland Security dictatorship, Patriot Acts 1 and 2, the Total Information Awareness Network, government-run white slavery rings, the new prison surveillance economy and much more.
The Masters of Terror details the execution of the September 11th attacks and the ensuing whitewash, the cashless society control-grid, implanted microchips, mind-control, militarization of police, concentration camps, foreign troops massing on US soil, the USA Patriot Act, and Homeland Security taking over the states.
Ding Hui is a member of Purple Butterfly, a powerful resistance group in Japanese occupied Shanghai. An unexpected encounter reunites her with Itami, an ex-lover and officer with a secret police unit tasked with dismantling Purple Butterfly.
The essay by René Vautier, "Déjà le sang de Mai ensemençait Novembre", starts with the recapitulation of the representations of Algeria throughout the history of visual arts in France in an effort to explore the causes for the quest for independence.
Pistoia, World War II. After the Nazi occupation of Tuscany, Silvano Fedi, together with a group of twenty-year-olds like him, decides to establish the 'Squadre Franche Libertarie', the local and national resistance, ready to give their lives in order to free Italy from oppression and injustice and rebuild it on the ideals of freedom and non-violence.
African drummer leaves village, makes it big in the world. Great drumming!!
This film follows the fortunes of an old Peugeot off loaded in Cotonou, Benin. As it changes hands we get a glimpse into the lives of its successive owners.
Filmed across three continents, this documentary shares the story of the founders of the Pan-African comic book company, Kugali, who made their dream a reality creating an original animation series with Walt Disney Animation Studios.
“La Zerda and the songs of oblivion” (1982) is one of only two films made by the Algerian novelist Assia Djebar, with “La Nouba des femmes du mont Chenoua” (1977). Powerful poetic essay based on archives, in which Assia Djebar – in collaboration with the poet Malek Alloula and the composer Ahmed Essyad – deconstructs the French colonial propaganda of the Pathé-Gaumont newsreels from 1912 to 1942, to reveal the signs of revolt among the subjugated North African population. Through the reassembly of these propaganda images, Djebar recovers the history of the Zerda ceremonies, suggesting that the power and mysticism of this tradition were obliterated and erased by the predatory voyeurism of the colonial gaze. This very gaze is thus subverted and a hidden tradition of resistance and struggle is revealed, against any exoticizing and orientalist temptation.