The Mysterious House of Dr. C. (1976) is a rarely seen, reworked version of the 1966 Dr. Coppelius, a dance film based on the classic 19th-century Leo Delibes ballet "Coppelia." This version contains poorly received songs, narration, and animation sequences not in the original.
Swanhilda / Coppelia
Franz
The Mysterious House of Dr. C. (1976) is a rarely seen, reworked version of the 1966 Dr. Coppelius, a dance film based on the classic 19th-century Leo Delibes ballet "Coppelia." This version contains poorly received songs, narration, and animation sequences not in the original.
1976-01-09
0
Extremely shy Lars finds it impossible to make friends or socialize. His brother and sister-in-law worry about him, so when he announces that he has a girlfriend he met on the Internet, they are overjoyed. But Lars' new lady is a life-size plastic woman. On the advice of a doctor, his family and the rest of the community go along with his delusion.
Raju faces many hurdles and disappointments in matters of the heart throughout his life. But as a clown in a circus, he tries to make his audience laugh at the cost of his own sorrows. Along the way, Raju loves and loses, but must always keep a smile on his face because, in the words of his circus manager, "The show must go on."
A young boy from the trailer park can't take another moment of ridicule from his family and peers. With support from his beloved dollies, he sets out for blood.
In Depression-era West Virginia, a serial-killing preacher hunts two young children who know the whereabouts of a stash of money.
The story of Henry, a stand-up comedian with a fierce sense of humour and Ann, a singer of international renown. In the spotlight, they are the perfect couple, healthy, happy, and glamourous. The birth of their first child, Annette, a mysterious girl with an exceptional destiny, will change their lives.
Martín is a tormented and solitary man who hides a shameful and unspeakable secret: he lives with a life-size doll which he treats as if it were his wife. This idyliic, loving existence will be gravely threatened when a prostitute, her daughter, and a pimp enter his life.
Because of the actions of her irresponsible parents, a young girl is left alone on a decrepit country estate and survives inside her fantastic imagination.
Set in sultry 1950s Mississippi, two teenagers grapple with surging hormones and the enticing promise of love, unknowing of the tragedy that looms ahead.
A woman trying to recover from a sexual attack is locked in a posh apartment with a corpse of the very man she's been dreaming would murder her. She tries to hang on to reality when objects around her seem to come to life.
This is the story of two male prostitutes who want to become professional actors and how they struggle to get into show business.
Live performance, Bayerische Staatsoper, 2011. The Tales of Hoffmann (French: LES CONTES D'HOFFMANN) is an opéra fantastique by Jacques Offenbach that combines three short stories by E.T.A. Hoffmann into a haunting whole: a melancholy poet reflects on three women he loved and lost in the past: a mechanical performing doll, a Venetian courtesan, and the consumptive daughter of a celebrated composer. One of the questions this opera poses for any director is how to link the 'tales' of Hoffmann's three lost loves together and knit them satisfactorily into the Prologue and Epilogue. In this production, Richard Jones solves the puzzle by turning it into an autobiographical journey which ends with a grand meet-up of all the characters Hoffmann has encountered: for once, Hoffmann is not presented as a rollicking kind of drunken story-spinner, but rather a sad-eyed, sobered-up depressive, who reaches for the bottle only because his disastrous love life has gone wrong yet again.
After long years of bullying, one boy buys voodoo doll so he could have his revenge.
When June Buckridge arrives at her London flat and announces 'They are going to murder me', her long-time lover and doll-cuddling flat mate Alice 'Childie' McNaught realizes that things are going to change. For June is referring to her character 'Sister George', a lovable nurse she portrays in a popular daytime serial. To make matters worse, the widowed executive at the BBC responsible for the decision to kill off Sister George - Mercy Croft is also a predatory lesbian who is after Childie and will stop at nothing to get what she wants.
An outsider and a young woman plagued by Tourette's syndrome meet and together journey to Canada.
Seeking to exorcise the failure of his current love affair, the poet Hoffmann tells the tales of his three past loves - the doll-like Olympia, the high-class courtesan Giulietta, and the ambitious but delicate Antonia - and recalls how each was thwarted by the evil influence of his rival. In this production by the distinguished film director, John Schlesinger, with spectacular designs by Maria Bjornson and William Dudley, Offenbach's nightmare world is brought to life. The all-star cast is headed by Placido Domingo as Hoffmann: his three loves are Ileana Cotrubas, Anges Baltsa and Luciana Serra and the manifestations of his rival are sung by Geraint Evans, Robert Lloyd, Siegmund Nimsgern and Nicola Ghiuselev. The score, which includes such favourites as the "Barcarolle" and the "Doll's Song", is conducted by Georges Pretre.
A teenage orphan (who believes herself to be "hoodooed") is taken in by a childless couple and quickly falls for the boy next door; Her luck seems to have changed. But the idyll is broken up after a trip to the movies-- It seems the 'hoodoo' has returned after she tries to replicate what she'd seen on the screen.